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#4922 |
Blu-ray Samurai
Mar 2007
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Panasonic stated Q2, but that is a wide range. Im going to stick with the Samsung preorder if/when discs show up early. I'll probably be owning both so i can try them out. Prefer the look of the Panny.
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#4923 | |
Blu-ray Champion
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The kuro has always had 36 bit processing, it just needed a source. Curious about this. |
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#4924 |
Blu-ray Samurai
Mar 2007
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Was the panel actually 10 bit (instead of 8 bit)? 4:4:4 36 bit color has nothing to do with panel bit depth. Think Deep Color setting.
These LCD's are just hitting 10 bit panels for UHD. |
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#4926 |
Special Member
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ME too, the Kuro definitely has 36 bit processing and deep colour as I said with any luck the Ultra HD Blu-ray players will sniff this out and make use of it along with 60fps.
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#4927 | |
Blu-ray Samurai
Mar 2007
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Deep Color has been around and never used, nothing new. IMO, I think HDR and DCIP3 are going to move right past the color interpolation of 8 bit, but I could be wrong. Ive not used a Deep Color "On" setting in years. I very seriously doubt a non UHD 8 bit panel is going to benefit at ALL from a UHD movie and player. Could be wrong though. I wonder if the players will take a 2160p disc and drop it down to 1080p? |
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#4928 |
Blu-ray Emperor
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Some 4K LCD panels from the last couple of years are 8-bit + HiFRC, which to all intents and purposes is a 10-bit panel so it'll be interesting to see if that benefit can at least be transposed onto the poor old 'non-certified' 4K TVs that are out there.
But yeah, it's all that downconversion stuff that's giving me pause: say my 4K set can't even take 10-bit 4K (on top of the lack of WCG and SDR), that means it'd be downconverted to 8-bit SDR .709 on the fly and I just don't like the sound of that, daddy. But guys, I wouldn't worry so much about the actual technicalities of how/when/why the player will know what to output, as the display's EDID should be able to inform the player of what it can/can't handle. Even if it can't, the players will surely have variable settings for these outputs? *Geoff scarpers to check the manual for that Samsung player* |
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#4929 |
Blu-ray Emperor
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BTW: just because Deep Colour (simply a fancy term for higher bit depth) has been a Deep Waste of Time in the Blu-ray era, doesn't mean that 10-bit will be a bust on UHD Blu.
'Deep Colour' was never strictly about 'expanding' colour on an image that wasn't encoded into it already, it's about creating finer colour gradients (0-255 for 8-bit, 0-1023 for 10-bit) within whichever colour gamut is being used, so the higher the bit depth the less potential for banding (assuming competent encoding, natch ![]() |
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#4930 | |
Blu-ray Samurai
Mar 2007
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Ive always found ycbcr 444 to produce less banding than 422, but I always left the optional DC setting off. |
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#4931 |
Blu-ray Ninja
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Last summer I thought about purchasing a top of line Samsung BD player until I discovered Samsung players do not have discrete On/Off IR codes. My older Panasonic does as well as LG players so purchased a LG BP540.
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Thanks given by: | Robert Zohn (01-06-2016) |
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#4932 |
Special Member
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Sony to use Dolby ATMOS:
http://www.businesswire.com/news/hom...-Collaboration Sony Pictures Home Entertainment and Dolby Announce Collaboration to Release Extensive Slate of Titles Featuring Dolby Atmos Looks like DTS X is a bit of a bust if you ask me. |
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#4933 | |||
Blu-ray Champion
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#4934 | |
Blu-ray Champion
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#4935 | |
Special Member
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At the minute I'm not too concerned considering the it's anyone's guess as to what and how DTS X is and works. |
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#4936 | |
BD & UHD Insider
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#4937 | |
Banned
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It all depends on whether the late February/early March firmware release for DTS: X gets delayed again or not. |
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#4939 | |||
Banned
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To be fair this has been known for a while - Sony has been using them on BD and announced Dolby Atmos / Dolby Vision as their UHD authoring package a while back. Quote:
DTS is *always* late. They got lucky with BD in the authoring package with DTS was superior. Quote:
Fox never had a stake in DTS, just Universal. Interestingly enough Fox's current theatrical slate has been aggressively Atmos. Remember it isn't like TrueHD or DTS-MA where the codec is just losslessly compressing existing PCM masters. With Atmos or DTS-X the objects have to be specifically encoded in that format, and most movies with object audio have been Atmos. However Sony's been pretty aggressive about remixing movies in the format that were just 5.1 The first older film remixed in Atmos was Die Hard. Too bad nobody's been able to hear it outside the demos a couple years ago. So Fox has the authoring package but has yet to announce anything. |
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Thanks given by: | Paul.R.S (01-06-2016) |
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Tags |
4k blu-ray, ultra hd blu-ray |
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