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#5821 | |
Active Member
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#5822 | |
Special Member
Feb 2014
Los Angeles, CA
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You can mostly trust it, but take it with a grain of salt, especially with new releases. |
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#5823 |
Retired Hollywood Insider
Apr 2007
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#5824 | |
Blu-ray Emperor
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I really do hope that Ep VII will be in 4K but with that darned 3D finish it'll surely be 2K like so many other 3D movies before it. |
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#5825 | |
Banned
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They will be making a HDR Dolby Vision version. Maybe that will be 4K since it requires a different post production pass. |
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#5826 |
Blu-ray Emperor
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Good catch, maybe there's hope for it yet, though there have been 2K DV DCPs as well as 4K ones, correct? I mean, DV isn't 4K as a matter of course?
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#5827 |
Banned
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4K for projection, but movies like Ant-Man in Dolby Vision were still limited to 2K for the source. Hopefully they will use the same production pipeline as Tomorrowland.
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#5828 |
Member
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Hi
Sorry for disturbing the actual discussion, but i have a question and i think it fits here nicely (according to this thread title). Many of You probably knows the history, so i will only quote here a short part. We all know, that iconic and classic movie franchises like original Star Wars Trilogy and Indiana Jones trilogy were shot on 35 mm film stock. But i have find, that to these movies (and many more from that era of time) also was made and presented in theatres (cinemas) in versions on 70 mm stock. Maybe I don't know something, because everywhere I'm searching for data to this subject, I find somenthing like this "35 mm print, 70 mm blowup". What does it mean this blowup? Does the recently scan from 35 mm prints allow for superior 4 K release, or should they scan the 70 mm prints (if they exists)? I'm very happy from the most recent Indiana Jones release on 1080 blu. I hope that this will be the first set of titles, to hit the new 4K or ultrahd blu-ray format (discs) from Paramount. They have it on the shelves - so it needs only be put on the discs. But i would jump to 4 K chain (replace my current system instantly - TV, bluray disc player and avr) if they would remastered the sound to Dolby Atmos or counterpart from DTS. I still regret that Jaws (the movie which was recorded and theatrically showed in MONO) was remastered on blu to 7.1 sound and Indiana Jones trilogy not. But Dolby Prologic IIx or IIz makes my day ![]() |
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#5829 | |
Blu-ray Ninja
Oct 2008
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#5830 |
Retired Hollywood Insider
Apr 2007
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good people devote time as guest speakers to teach and inspire under the industry radar…Dan is such a person - http://www.lachsa.net/
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#5831 |
Retired Hollywood Insider
Apr 2007
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its all connected…
https://forum.blu-ray.com/showthread...d#post11121687 if you have the opportunity, good film festival to attend in your neck of the woods….https://forum.blu-ray.com/showthread...e#post10101148 |
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Thanks given by: | aronm (10-11-2015) |
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#5832 |
Retired Hollywood Insider
Apr 2007
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#5833 |
Retired Hollywood Insider
Apr 2007
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#5834 |
Blu-ray Guru
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Cold shoulder therapy huh?
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Thanks given by: | UltraMario9 (10-12-2015) |
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#5835 |
Retired Hollywood Insider
Apr 2007
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actually it’s a pretty versatile device… i’m told they also make wrapon cold pads for other post-op body parts, e.g. hip, knee, ankle, wrist…..for grown-ups
and also make sterile dressings as an insulation layer for between the skin and the pad to protect patients…and to try to protect themselves from idiots like this…. http://www.aboutlawsuits.com/polar-c...verdict-31493/ |
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#5836 | |
Retired Hollywood Insider
Apr 2007
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and some old timer projectionists out there like our forum administrator Deci, might inform that 70mm projection didn’t require anamorphic lenses for 2.40 thusly the field of focus was more even…..i wouldn’t know though as I tried to stay away from the underground world of projection…..
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#5837 |
Retired Hollywood Insider
Apr 2007
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yet another movie shooting and to be finished in 4k….
http://www.hollywoodreporter.com/beh...l-shoot-830238 |
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#5838 |
Retired Hollywood Insider
Apr 2007
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reminds me…something else at last June’s cine gear was panavision vp on the hateful eight -
https://www.youtube.com/watch?v=q6XL...tu.be&t=26m52s during which test footage was presented and seen earlier on the youtube clip |
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#5839 | ||
Active Member
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![]() (Is this a troll post?) A lot of them are wrong. Quote:
![]() I changed it to 6K Source Format. DI also to 6K. And Master to 5K. Now the 6K DI is gone and is put together with the Master @5K which is not correct in my opinion. Since postproduction and VFX were done in 6K not in 5K, so I consider a 6K DI to be correct. Since this film is all digital, the meaning of DI is different in this case. What do you guys think is correct? Please, correct me if Im wrong. I'm basing this on sources like these: http://postperspective.com/gone-girl...chers-path-6k/ |
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#5840 | |
Blu-ray Guru
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