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#12341 |
Blu-ray Baron
Jan 2019
Albuquerque, NM
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Conversions Critical for Fox Sports’ Super Bowl LIV Coverage
For starters, as it’s regularly done since taking on 4K, Fox Sports will produce its coverage in 1080p 60 frames per second (fps) HD and up-convert to 4K Ultra-HD 2160p 60fps for 4K viewers, and it will downconvert to 720p for its broadcast audience. Other important technical conversions include converting High Dynamic Range (HDR) acquired using the Hybrid Log Gamma (HLG) standard to HDR10 for distribution and integrating SMPTE ST2110 with baseband sources converted to IP for production and then converting back to baseband for distribution. So, Davies is not surprised to hear 4K viewers wonder why Fox Sports does not originate coverage of a marquee event like the Super Bowl in 4K. “We are always on our heels when we have to explain this,” says Davies. “It’s a natural thing, of course, [to wonder] ‘Why don’t you just do it in 4K?’ Well, there are a couple of reasons.” One is motion blur. There’s more of it when shooting sports in 4K at 60fps than when the same scene is shot at 1080p, he says. “So, in fact, if we were to do it in 4K, we would actually be delivering an inferior product not only, frankly, to the few people who will be watching in 4K UHD but also to the 100 million people [watching in high definition].” https://www.tvtechnology.com/news/co...l-liv-coverage |
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#12342 |
Blu-ray Emperor
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Does he mean HDR-induced judder is worse or actual motion blur, like the 1080 cameras can use a narrower shutter angle while the 4K ones have to use a wider one to get the same exposure? Interesting. And note that they're still using 4K and 8K cameras as 'super zooms' first and foremost.
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#12344 |
Power Member
![]() Aug 2007
North Potomac, MD
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How is it possible to convert HLG to HDR10 instantly?
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#12346 |
Blu-ray Guru
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Thanks given by: | Geoff D (01-29-2020), Robert Zohn (01-29-2020) |
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#12348 |
Power Member
![]() Aug 2007
North Potomac, MD
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I assume there are reasons (limitations) that HLG is not converted to HDR10 in all instances since not all TVs that have HDR10 are not capable of decoding HLG.
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#12349 | |
Retired Hollywood Insider
Apr 2007
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https://forum.blu-ray.com/showthread...se#post7013442 and with regards to integer factor upscaling, reiterated recently and agreeing with fellow member BrownianMotion ![]() now, for those who may wonder....which parameter (HFR (meaning greater than 60fps) vs. HDR) provides greater picture quality for sports like football, well, that is variable depending upon the venue conditions, but generally industry folks think - https://forum.blu-ray.com/showthread...r#post13120232 anyway, given my team didn’t make it ![]() |
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#12350 | |
Retired Hollywood Insider
Apr 2007
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P.S. To cut to the chase, scrawl down to ‘CBS Lab Demonstrations of HDR10 Display Rendering Variation’ and the real-time LUT-based conversion to HDR10 Last edited by Penton-Man; 01-29-2020 at 07:52 PM. Reason: added a P.S. |
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#12351 | |
Blu-ray Emperor
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For what it's worth, Panasonic have had an 'on the fly' HLG to PQ conversion on their players for a few years already so I'm fairly confident that millions of dollars of broadcast quality tech can manage it. |
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Thanks given by: | PaulGo (01-29-2020) |
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#12352 | |
Retired Hollywood Insider
Apr 2007
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follow-up to -
Quote:
https://ew.com/movies/2020/01/29/top...ck-new-photos/ also, you’ll note that Joseph says - “The most extreme sequence was glimpsed in the teaser trailer, where Maverick is flying across the desert at a rather insanely low altitude” which, to be precise, was filmed flying over this dry lake bed - https://forum.blu-ray.com/showthread...e#post16768709 Not too far from here - https://www.avsforum.com/forum/465-h...l#post59162460 |
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#12353 |
Retired Hollywood Insider
Apr 2007
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Details -
“The production will work in ACES, shooting in 4K, 6K and 8K, and shifting between SDR and HDR by switching the ACES ODTs. All the data will go into the Amazon Web Services Cloud and the Microsoft Cloud, which will distribute relevant footage to the various collaborators, including AVID, Colorfront, frame.io FCP and Blackmagic, for dailies processing. Zeiss lenses will provide metadata to speed up the VFX work. A colorist will use FilmLight’s Truelight for on-set color, Live Grade for on-set color in Hollywood and Blackmagic’s Resolve for the final color. The Skywalker sound team will create a 7.1, 5.1, Stereo and immersive sound Ambidio version.”..... “The finished film will be screened for the HPA audience at the close of the event. A projected cinema version will be shown in the conference room while other 8K and HDR versions will be shown on the days after in the innovation zone.” https://www.tvtechnology.com/the-wir...-makes-a-movie Scanning the particulars, I think most experienced, longtime readers here will be at least somewhat familiar with many of the faces and devices to be used in the live production at the upcoming Tech Retreat; however, something folks may be unfamiliar with that is truly cutting edge and should gain traction even with major studio productions is Stargate Studios' new real-time VFX process, ThruView - https://www.nabshow.com/news-release...oduction-world For example, using ThruView, this automobile never left the stage - https://www.youtube.com/watch?v=O8fVsTeEe-c#t=3m42s So, to be clear, although not necessarily with Top Gun: Maverick, keep an eye out for ThruView's future use in VFX laden motion pictures, commercials, etc. |
Thanks given by: | Robert Zohn (01-30-2020) |
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#12354 | |
Special Member
May 2017
Earth v1.1, awaiting v2.0
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https://www.avnirvana.com/threads/20...-plummet.6331/
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#12355 |
Special Member
![]() Mar 2010
Portishead ♫
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Those 4K Blus above they're more akin to games.
- A: Endgame - A: Battle Angel - Spider-Man: FFH - John Wick 3 - X-Men: DP Last edited by LordoftheRings; 01-30-2020 at 03:37 AM. |
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#12356 | |
Blu-ray Knight
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Amazing environment created by VFX Before ![]() After ![]() |
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Thanks given by: | PaulGo (01-30-2020), Staying Salty (01-30-2020) |
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#12357 |
Banned
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Every thread is now an Alita thread
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Thanks given by: | mrtickleuk (01-31-2020), Staying Salty (01-30-2020) |
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#12358 |
Senior Member
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You can't, because for HDR10 you need the metadata, and to get the metadata, you need to analyse the whole file, after the event, not "live".
You can convert it to PQ10, which doesn't have metadata. Or you can use HDR10 with "lying metadata", ie guessing the peak brightness values, in advance, and injecting those values at the start. |
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#12359 | |
Blu-ray Emperor
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#12360 | ||
Retired Hollywood Insider
Apr 2007
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So, the fly in the discerning videophile ointment is - how much worse ^ on displays having peak brightness other than 1,000 nits? Good to see though that there are some members here other than Waboman, gkolb and myself showing an interest in North American football, albeit not the Vikings or Ravens per se. Next we’ve got to convert Wabo and PeterTHX to Premier League football, perhaps vis-à-vis the excitement of watching Liverpool ![]() |
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Thanks given by: | mrtickleuk (01-31-2020) |
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