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#1221 | |
Blu-ray Ninja
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but with OLED now don't see the need, that is sharper and has even deeper blacks and richer color (although OLED does burn in too easily) |
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#1222 | |
Blu-ray Ninja
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And of course you're perfectly correct that projection in theaters (and even in screening rooms) is highly inaccurate and therefore projected AR varies from screen to screen. One of the reasons for this is that projection lenses are generally only made in inch focal lengths and they frequently have to use a smaller focal length than ideal, which makes the image larger and then it needs to be cropped. (FW=DA where the focal length of the lens in inches * the width of the screen image in feed = the distance from the screen in feet * the aperture of the image in inches.) Even the Dolby theater I go to cuts off the bottom of the image. However, occasionally I do see some shows made for TV that are indeed 1.85. The third season of Stranger Things was 1.85 and even though it's only a few pixels different, it does seem more cinematic to me. As for HDR, at least insofar as new productions are concerned and projected in a Dolby Theater, I think it looks fabulous and every bit as good if not even better than 70mm did back in the day. "Joker" (AR 1.85) looked absolutely fantastic in Dolby Vision. Applying HDR to an old film is indeed another matter, but I would guess that there are some cases where it might work and others where it wouldn't. |
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#1223 |
Blu-ray Samurai
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"Applying HDR to older films" is a subjective and inaccurate way to frame it. Yet again people are oversimplifying one concept of this argument to skip right over the MOST simple of concepts to grasp...
That being SDR rec. 709 is no chance to most accurately display 4K OCN scan data -- There is no point to advocate for anything but HDR (as that's the agreed upon 10-bit deliverable) as a tool to get the best outcome at that point you realize this truth. |
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Thanks given by: | soaptrail (04-15-2024), WBMakeVMarsMovieNOW (10-20-2019) |
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