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Old 08-26-2008, 03:56 PM   #1
Big Daddy Big Daddy is offline
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Default A Guide to Optical, Digital Coaxial (Interconnect & Sub), and Speaker Cables

It may be helpful to read the following thread:

Coaxial & Speaker Cable Signal Loss

OPTICAL VERSUS COAXIAL DIGITAL CABLES

Optical and Coaxial S/PDIF (Sony/Philips Digital Interface or Sony/Philips Digital Interconnect Format) is a standard audio file transfer format developed jointly by Sony and Phillips to allow the transfer of digital audio signals from one device to another without having to be converted first to an analog format.

1. A digital coaxial cable has an inner conductor, surrounded by an insulating layer (dielectric) and then surrounded by another conductive shielding layer and finally covered by a plastic casing. They come in different varieties such as RG59, RG6, or RG11 with F or RCA connectors. The conductive outer layer can be braided copper wire for more cable flexibility or solid metal (such as aluminum foil) for better shielding.




The differences between RG59 and RG6 cables are explained in these links:
http://www.abccables.com/info-rg59-vs-rg6.html
http://cableorganizer.com/articles/c...able-faqs.html
http://www.epanorama.net/documents/video/videocoax.html

2. Coaxial cables look and feel virtually identical to standard RCA cables. The main differences are that they are better shielded from interference; have a higher impedance (usually 75 ohm), allowing them to handle more energy; and can handle a wider range of frequencies.

3. Coaxial digital cables transmit digital signals in pulses of electricity. The signal is transmitted along the cable as an electromagnetic wave which travels along the inner and outer conductors through the insulating material.

4. Some people argue that the word “digital” is a marketing trick. Digital coaxial cables aren’t digital in and of themselves, but they are designed to do a better job of carrying a digital signal.

5. Optical or Toslink (Toshiba Link) cable transfers a digital audio signal via a red light beam over a fiber-optic cable. A fiber optic cable is made of small strands of plastic to transfer light.

6. A Coax cable is more sturdy and durable than an optical cable. However, a Coax cable will transfer grounding problems (hum) from one component to another if they already exist. It is also more susceptible to EMI (Electro Magnetic Interference) noise. Remember that these problems are rare and coax cable does not create new problems. RG6 cable has aluminum foil and aluminum braid shielding. RG59 has copper braid shielding. Aluminum is better for blocking ultra high frequency RFI (Radio Frequency Interference) noise. Copper braid shielding is better for blocking lower frequency interference. RG6 is more appropriate for digital TV appclications. It also has a thicker center conductor than RG59 and is preferred for longer lengths. An RG59 or RG6 with two layers of copper braid shieldings may be more appropriate for subwoofer applications.

7. An optical cable is more fragile than a coaxial cable. If stepped on or bent, it can be destroyed. However, an optical connection does not have grounding or hum problem and is not susceptible to EMI noise because it does not contain any metal.

8. A Coax cable uses standard male RCA plugs, which are very easy to plug in.

9. An optical cable uses a pentagonal-shaped connector, which must be aligned properly to be inserted. It will only go in one way and can be damaged much easier than an RCA plug. The following table shows the different types of Fiber Optics Transmitting and Receiving Modules:


10. Optical cables can lose their signal strength if they are bent. Care should be taken to make sure that optical cables are as straight as possible.

11. An optical cable requires extra processing steps in converting current to light and then light to current. These two steps can add error into the audio signal.

12. For short distances, there is no difference in quality between coax and Toslink.

13. For very long distances (e.g., 50 to 100 ft), optical is preferred. However, as was mentioned before, care must be taken to make sure the optical cable is not bent. If it is not possible to keep the cable straight, then a coaxial cable should be used.


Electromagnetic Interference (EMI) & Cable Shielding

Read Coaxial & Speaker Cable Signal Loss.


FAQ:

Q. Can we use a digital coaxial cable (RG59 or RG6) for all A/V analog and digital connections?
A. Absolutely. Coax cables are the best interconnects.

Q. Does the Digital Coaxial cable carry a digital signal when we connect it to a subwoofer?
A. No, we use a coaxial cable because of its better shielding.

Q. Why can't we bend Optical (Toslink) cables?
A. Optical cables work by sending light signals through a plastic or glass tube rather than electrical pulses down a wire. Digital signals are converted to light and then back to digital. As light travels through different mediums, it can bend. In optical material (plastic or glass), there is an angle of refraction, which when increased to a certain amount, the light instead of going through the material, gets reflected back. Some light still escapes, but most gets reflected internally. By bending an optical cable, two things may occur:
  1. The internal plastic (or glass) may snap and break.
  2. Even if the cable does not snap, it has a limit of how much you can bend it. The limit is when the angle of refraction is no longer sufficient for the light to go through.

SPEAKER WIRES

Resistance is by far the most important specification of a speaker wire. Low-resistance speaker wire allows more of the amplifier's power to go to the speaker. Resistance is affected by three factors: conductivity, length, and thickness.

CONDUCTIVITY
Electrical conductance is a measure of how easily electricity flows along an element. Its units are Siemens, which is the inverse of Ohms. Electrical conductance is related to the materials' conductivity according to the following formula:

G = σ . (A/L)

where:

G = the electrical conductance (Siemens)
σ = the materials conductivity (Siemens/Meter), it is the inverse of the material's resistivity
A = the object's cross-sectional area (Meter ^2)
L = the length of the object (Meter)

Resistivity in Ohm per Meter
Silver: 1.6 x 10^-8
Copper: 1.7 x 10^-8
Gold: 2.4 x 10^-8
Aluminum or Aluminium: 2.7 x 10^-8

Electrical Conductivity (σ, Siemens/Meter) at 20 degrees (C)
Silver: 6.2 × 10^7, Highest electrical conductivity of any known metal
Copper: 6.0 × 10^7
Gold: 4.5 × 10^7, Gold is commonly used in electrical contacts
Aluminum: 3.8 × 10^7

LENGTH
If you double the length of a wire, you will double its resistance. This means that you will have to get a wire with better resistance or you will have to increase the power in order to get the same level of sound as the shorter wire.

THICKNESS (CROSS-SECTIONAL-AREA)
The resistance of a wire decreases as you increase its thickness (AWG, gauge number). The gauge number drops as the wire gets thicker. As a general rule, you should use thicker (lower gauge number) wires for longer distances. High-power car audio systems using 2-ohm speaker circuits require relatively thick cables. The following table can be used as a guide. Also read Impedance & Sensitivity of a Loudspeaker.



Golden Rule: When you increase the gauge number of a wire by a factor of 3, its resistance will be doubled. For example, the resistance of an 18 gauge speaker wire is 4 times higher per foot in comparison to a 12 gauge wire (18 is 6 points away from 12).

This Conversion Calculator can be used to convert a speaker's gauge number to metric units. Here are Conversion Tables for all units of measurement. Here is a calculator for Units Conversion.


FACTORS AFFECTING THE PERFORMANCE OF A CABLE

With DC power sources, you only have to worry about the resistance . Resistance is caused by collision of electrons and ions in a conductor and convert part of the electrical energy to heat. In other words, resistance is the opposition to electric current. Different materials have different resistances. DC resistance does not change with frequency.

AC current, however, oscillates as a sine wave so the sign is always changing. This means that other factors such as inductance and capacitance must be considered. Inductance is the magnetic field that is created when current flows through an object. Capacitance is the ability of an object to hold an electrical charge.

With AC current, a cable is affected by three electrical properties: Resistance, Inductance, and Capacitance. Most cables are made out of copper. A few are made out of silver. Silver and copper have the lowest resistance and the highest conductivity out of all the metals. In addition, thickness of the wires (lower gauge number) reduces resistance.

Skin Effect:
As the frequency of a signal increases, the electrons in a wire in a wire concentrate toward the outside, or skin, of the conductor. This means that if we measure resistance at different frequencies, we will find that the resistance of the wire increases with frequency.

Inductance:
Inductance is the property of the signal in one conductor inducing current in another nearby conductor, and inhibiting current flow in the opposite direction. In transformers, this property is useful. Cables normally have two leads, each carrying current in opposite direction. High inductance causes flow of current in one lead to interfere with the flow in the other lead.

What is an Inductor?
An inductor is a passive electrical component that can store energy in a magnetic field created by the electric current passing through it. The following diagram demonstrates some basic inductors.




Factors Affecting Inductance:












To see some cool Java applets on how inductance works, click HERE.

If you have excess cables or speaker wires, do not coil them in a circle. When a wire is coiled up, it will act as an inductor. You may lose some high frequencies. Lay them randomly on the floor or make a figure eight with them.

http://www.lovetriacoustics.com/inde...peakerWire.htm
Quote:
Don’t coil up excess cable as this could create inductance causing high frequencies to be lost. If you do have extra cable on one side, which is inevitable to happen, it would be better to lay it randomly on the floor.
http://www.1388.com/columnists/jon_faq_cable.htm#2
Quote:
Not recommended because coiling the cable greatly increases the inductance, and other interaction effects that may cause more than just an extra amount of high frequency roll-off. A snaking "S" pattern will avoid the worst of any interaction problems.
Capacitance:
A capacitor consists of two metal plates with insulation in between that can hold electrical charge. Speaker cables can act like capacitors because they are two pieces of metal wires with an insulator (dielectric) in between them. Capacaitance increases with frequency and is more serious at higher frequencies and longer lengths of cables.

Capacitance occurs by the insulator around the conductor. In cables, some of the electrons passing through the cable is transferred to the insulator and stored as energy. When they are released back into the conductor, it may cause a deterioration of the sound quality.

The type of insulator has a direct effect on capacitance. Most insulator are PVC, Polyethylene, Polypropylene, and Teflon. Teflon is the best, but it is a difficult material to work with. That is one reason why cables that use Teflon are normally more expensive.

By far, the most important factor in speaker wires is resistance. Inductance and capacitance are too insignificant for short lengths to have any negative effect. Low gauge (thicker) wires have much lower resistance and that is a crucial factor for speaker performance, particularly for long lengths.

For long lengths, if the resistance of the wire is too high (thin wire), power will be lost and the speaker will not play as loud. In addition the frequency response of the speaker may follow the the impedance curve (impedance varies with frequency) of the speaker. As long as a wire's resistance is less than 5% of the speaker's impedance, the wire will be appropriate for home theater use.

Capacitance, however, is not as important as resistance. High cable capacitance is not a problem for well-designed and quality amplifiers. In fact, some high end speaker cables have higher capacitance than ordinary 12 gauge wire and can introduce significant amount of capacitance for long runs. For example, a cable that has a capacitance of 300 PicoFarads (PF) per foot will add 15,000 PF in a 50 ft cable. That is equivalent to .015 MicroFarads and can be significant.

In many cases, ordinary wires such as 12 gauge wires have a capacitance of only 18 PF per foot for a total capacitance of 900 PF for a 50 ft length.

I believe a test of 10kHz square wave and different capcitors were made on the McIntosh amplifier. By both listening and observing on an oscilloscope, no changes were heard or seen.

Some amplifiers are more sensitive to the load impedance of the speaker wires. The reason is because the higher the output impedance of the amplifier. This will make it more likely for capacitance and inductance of the cable to affect the sound quality. Tube amplifiers are more sensitive to cables than solid state amplifiers because they have higher output impedances.

Resistance/impedance of a cable is more important for speakers as they have very low impedances such as 4 Ohm or 8 Ohm. However, cable interconnects generally operate in very high-impedance circuits such as receivers/ampifiers. The input impedance of these devices is in the thousands and a few additional Ohms of resistance introduced by the cable are not as significant. Therefore, cable thickness (gauge number) is not as important in inter-connect applications, particularly for much smaller lengths than speaker cables.

In high impedance circuits, capacitance becomes more important. Capacitance is the tendency of the cable to store some of the signal in itself and release it slowly. Capacitance in a cable with a center conductor and an outer shield is determined by the following factors:
  • The outer diameter of the center conductor. By reducing the tickness of the conductor, you can reduce capacitance.
  • The inner diameter of the shield.
  • The type of material (dielectric) that separates them. For example Teflon has the best dielectric constant and can reduce the capacitance of the cable.
Concluding Remarks About Inductance/Capacitance:
Audio signal creates an electromagnetic field around the conductor. Dielectric material absorbs energy and releases it back into the conductor out of phase with the audio signal. The electromagnetic field created by the conductor temporarily displaces the molecular structure of the material. Dielectric materials theoretically can sound different because of the different rates that the materials store and release energy at different frequencies. If the dielectric material has good elasticity and can return quickly to its normal state, then the material is said to have low dielectric hysteresis or loss and will have little audible effect on the signal.

To add to the problem, there is also such a thing called self-inductance. Current flow in a conductor produces a magnetic field around the conductor. When the current is increasing, decreasing, or changing direction, the magnetic field changes. A changing magnetic field induces voltage in any conductor which is close by, and it induces a voltage in the original conductor. The voltage induced into the original conductor is called self-inductance, and tends to oppose the current which produced it. Self-inductance occurs in a circuit even when conductors are perfectly straight. However, self-inductance in a straight conductor is very small. Inductance is much more significant when conductors are coiled, because the magnetic field of each turn of the coil cuts across nearby turns of the coil.

Inductance in a speaker cable is mainly determined by the area between the conductors. Most speaker cables have conductors that run side by side (twin-lead). These conductors are separated by a small distance and have moderate inductance.

Capacitance is also a function of how close the conductors are to each other. So to keep the capacitance low, the conductors must be widely separated. Note that this is just the opposite of what we need for low inductance. Some cables use many small wires that are woven together. This reduces inductance greatly, but at the cost of increased capacitance.

Inductance is considered less of an issue with the interconnects (line level signal) than with speaker cables since the current in speaker cables is higher. Inductance affects higher frequencies more.

Incidentally, inductors and capacitors are used in crossover networks to build low-pass and high-pass filters.

SPEAKER WIRE MATERIAL
Copper is the most commonly used material in speaker wires; it has low resistance and less cost compared to other suitable materials. Copper can oxidize, but oxides of copper are conductive. Silver is a slightly better conductor and has a slightly lower resistance compared to the same gauge of copper wire. However, it costs a lot more and any advantage gained by using a better conductor can easily be compensated for with slightly thicker copper wire.

SPEAKER CONNECTIONS

When connecting the speaker wires, make sure you connect the red terminal on the receiver/amplifier to the red speaker terminal and the black to black. There are two types of speaker terminals: Binding Post & Spring Loaded, and four types of connectors: Bare Wires, Pin Connectors, Spade Connectors, & Banana Plugs.



Bare Wire




Pin Connectors




Spade Connectors




Banana Plugs






http://www.monoprice.com/manual/INST...NA%20PLUGS.pdf


Pin Connectors and Bare Wires can be used with Binding Post and Spring Loaded terminals. Spade Type Connectors and Banana Plugs can only be used with Binding Post Terminals.


Binding Post




Spring Loaded




WHERE TO BUY CABLES AND ACCESSORIES

Speaker Wires:
http://www.monoprice.com/products/se...=speaker+wires
http://www.parts-express.com/webpage...=main&desc=ASC
http://cablesimple.com/
http://www.cablestogo.com/product_li...id=&dept_name=
http://www.cablewholesale.com/cgi-bi...ables&type=all
https://www.cablesforless.com/c-125-...cessories.aspx
http://zebracables.com/items.html
http://www.pacificvalve.us/Cables.html
http://www.bluejeanscable.com/store/speaker/index.htm
http://www.pchcables.com/
http://www.bettercables.com/premium-speaker-cable.aspx
http://21st-century-goods.com/page/21st/CTGY/FWAUDIO
http://www.flatwirestore.com/mm5/mer...egory_Code=AFW
http://shop.ebay.com/i.html?_nkw=12+...wire&_osacat=0

Silver Speaker Wires:
http://signalcable.com/silverresolutionspeaker.html
http://www.silversonic.com
http://www.dvdcity.com/speaker/nor-blue-heaven.html
http://www.audioadvisor.com/products.asp?dept=26
http://www.av-outlet.com/en-us/dept_203.html
http://www.quicksilveraudio.com/prod...eakerwire.html

Speaker Wire Connectors:
http://www.cables.com/Category/Conne...onnectors.aspx

Optical/Toslink Cables:
http://www.monoprice.com/products/su...02&cp_id=10229
http://www.parts-express.com/webpage...n&WebPage_ID=3
https://www.cablesforless.com/c-127-...io-cables.aspx
http://www.pchcables.com/
http://www.cables4sure.com/default.htm
http://www.bettercables.com/toslink-optical-cable.aspx
http://www.cables.com/

Digital/Coax S/PDIF Cables:
http://www.monoprice.com/products/su...02&cp_id=10236
http://www.prosatellitesupply.com/COAXIAL_CABLE.htm (Custom white or black from 3ft to 150ft)
http://www.parts-express.com/webpage...ctGroup_ID=599
https://www.cablesforless.com/c-124-...io-cables.aspx
http://www.pchcables.com/
http://www.bluejeanscable.com/store/...udio/index.htm
http://www.bettercables.com/digital-...r-serpent.aspx
http://www.cables4sure.com/default.htm
http://www.bettercables.com/toslink-optical-cable.aspx
http://www.cables.com/

Optical to Coaxial Converter:
http://www.monoprice.com/products/pr...seq=1&format=2
http://www.tigerdirect.com/applicati...H4CjCmmVCjCmmV
http://www.parts-express.com/webpage...ID=3&x=22&y=16
http://www.cablestogo.com/product.as...3106&sku=40019
http://www.beachaudio.com/Siig/Ce-Ct...2-p-98390.html
http://www.hdtvsupply.com/difiopttodic.html

Coaxial to Optical Converter:
http://www.monoprice.com/products/pr...seq=1&format=2
http://www.tigerdirect.com/applicati...H4CjCmmVCjCmmV
http://www.parts-express.com/webpage...ID=3&x=22&y=16
http://www.cablestogo.com/product.as...3106&sku=40018

Cable Organizers:
http://cableorganizer.com/
http://www.cabletiesandmore.com/index.php

REFERENCES

http://www.datasheetcatalog.org/data...shiba/2034.pdf
http://en.wikipedia.org/wiki/SPDIF
http://en.wikipedia.org/wiki/Coax
http://www.tnt-audio.com/int.html
http://www.cobaltcable.com/newsletters/august_2002.htm
http://www.hometheaternetwork.com/HTN_audio_I2.htm
http://en.wikipedia.org/wiki/Speaker_wire
http://www.procosound.com/?page=education&articleid=5
http://www.engadget.com/2008/03/03/a...ter-cable-and/
http://www.audioholics.com/education...speaker-cables
http://www.roger-russell.com/wire/wire.htm
http://www.audioholics.com/education...er-cable-gauge
http://www.firedog.com/learningcente...nnections.html
http://www.herguth.com/TABLE_OF_CONT...c_strength.htm
http://www.eddy-current.com/condres.htm
http://en.wikipedia.org/wiki/Electrical_conductivity
http://www.allaboutcircuits.com/vol_1/chpt_15/3.html
http://store.a2zcable.com/75auca.html

Last edited by Big Daddy; 08-23-2011 at 12:30 PM.
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Old 03-02-2009, 12:48 PM   #2
bgb bgb is offline
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These are really useful guides. Thanks so much for posting them!
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Old 03-02-2009, 02:31 PM   #3
jeff92k7 jeff92k7 is offline
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Quote:
Originally Posted by Big Daddy View Post
[B]
Q. Does the Digital Coaxial cable carry a digital signal when we connect it to a subwoofer?
A. No, we prefer to use a coaxial cable because of its better shielding. Who needs annoying hums?
This answer isn't entirely accurate. Earlier in the article, you state that the shielding is to help avoid EMI/RFI which is correct and the answer should stop there. You also state that by having a coaxial cable between pieces of equipment, you create an electrical connection between them which can transfer hum. This is also correct.

The question about "Who needs annoying hums" in the answer above is not applicable. Hums (ground loops) can in fact be carried between different pieces of equipment when using coaxial cables.

Quote:
Originally Posted by Big Daddy View Post
Q. Why can't we bend Optical (Toslink) cables?
A. They work by sending light signals through a plastic or glass tube rather than electrical pulses down a wire. Digital signals are converted to light and then back to digital. That is reason we should not bend an optical cable.
The answer given doesn't actually answer the question. You restate how an optical cable works but not why they shouldn't be bent.

Optical cables should not be bent for two reasons. The first and most obvious is that by bending the wire, you create tension in the glass or plastic fibers that can eventually cause them to crack and/or break. When a crack or break develops, the light can no longer pass cleanly through that section. This causes the intensity of the light received at the other end to be reduced or, in some cases, to disappear completely.
The second reason is that optical cables work by transmitting pulses of light on specific wavelengths that can be altered slightly as the cable is bent. The waveform of the light has to be bent to remain enclosed in the glass/plastic fiber. When the wavelength is altered, this can cause all sorts of issues including reflecting part of the light back towards the transmitter and losing intensity from part of the wave escaping through the sides of the conductor to name a few. Good equipment will allow for this and will properly reconstruct the proper pulse sequence of the digital data once received.

In most cases, bending an optical cable gently will not introduce any noticeable issues. The equipment will take care of any loss of signal strength and the sound will be identical to the source. Never bend an optical cable so the diameter of the "bend" is smaller than two inches. Staying with gentle bends that are larger than that size will allow excellent performance from optical connections.

With the exception of those two points, that article was excellent. It should be a must read for anyone that uses those formats. Great job.
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Old 03-03-2009, 12:03 AM   #4
Big Daddy Big Daddy is offline
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Jeff, thank you for your comments. Although I understand your points, I believe you are getting a bit picky. The whole point of FAQ section was to give very short and non-technical answers to common questions in order to get the point across without confusing the reader.

Quote:
Originally Posted by jeff92k7 View Post
This answer isn't entirely accurate. Earlier in the article, you state that the shielding is to help avoid EMI/RFI which is correct and the answer should stop there. You also state that by having a coaxial cable between pieces of equipment, you create an electrical connection between them which can transfer hum. This is also correct.

The question about "Who needs annoying hums" in the answer above is not applicable. Hums (ground loops) can in fact be carried between different pieces of equipment when using coaxial cables.
As I mentioned in Item #6 in the original post, I agree that coaxial cable can carry the hum that is already there, but it does not create and pick up new noises and problems. Perhaps, I should modify the original statement to “Who needs additional noises and hums created by the cable?


Quote:
Originally Posted by Big Daddy View Post
Q. Why can't we bend Optical (Toslink) cables?
A. They work by sending light signals through a plastic or glass tube rather than electrical pulses down a wire. Digital signals are converted to light and then back to digital. That is reason we should not bend an optical cable.
Quote:
Originally Posted by jeff92k7 View Post
The answer given doesn't actually answer the question. You restate how an optical cable works but not why they shouldn't be bent.
Again, you are getting excessively technical in the FAQ section. I did not want to make the answer very technical or long. I just wanted to warn readers from bending their optical cables. I will modify the answer by adding the following:

"Optical cables work by sending light signals through a plastic or glass tube rather than electrical pulses down a wire. Digital signals are converted to light and then back to digital. As light travels through different mediums, it can bend. In optical material (plastic or glass), there is an angle of refraction, which when increased to a certain amount, the light instead of going through the material, gets reflected back. Some light still escapes, but most gets reflected internally. By bending an optical cable, two things may occur:
  1. The internal plastic (or glass) may snap and break.
  2. Even if the cable does not snap, it has a limit of how much you can bend it. The limit is when you bend the cable enough so that the angle of refraction is no longer sufficient for the light to go through."
I thank you again for trying to make the thread better.

Last edited by Big Daddy; 03-03-2009 at 03:56 AM.
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Old 03-03-2009, 01:43 PM   #5
jeff92k7 jeff92k7 is offline
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Quote:
Originally Posted by Big Daddy View Post
Jeff, thank you for your comments. Although I understand your points, I believe you are getting a bit picky.
I probably am. I tend to do that sometimes.

My wife can't stand to watch things like 24 with me because I am always explaining why the "technobabble" they use makes absolutely no sense, or is completely irrelevant for what they are trying to do.

Keep in mind, I'm not complaining. Just trying to help make things accurate for the average reader.
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Old 03-15-2009, 03:41 PM   #6
Texitura Texitura is offline
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Default DIY Speaker Cables?

As I was nosing around on the Intertubes recently, I came across something interesting. I'm starting to upgrade my system and I was really just looking for low-cost speaker cables that would look better than the plain wire I've been using.

I was wondering if anyone has tried these DIY cables: White Lightning Moonshine Cables

The reviewer seems to compare them favorably to Cardas Golden Cross cables which sell for (seriously) thousands of dollars. The 6moons website seems to be very into high-end (and high-dollar) equipment. Not only have I never had expensive cables, but I don't think I've ever had sufficiently good equipment to hear any improvement in sound. But these are pretty good-looking and if they're actually better than the rest of my equipment, at least that's one thing I won't have to upgrade!
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Old 03-15-2009, 10:26 PM   #7
Big Daddy Big Daddy is offline
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Quote:
Originally Posted by Texitura View Post
As I was nosing around on the Intertubes recently, I came across something interesting. I'm starting to upgrade my system and I was really just looking for low-cost speaker cables that would look better than the plain wire I've been using.

I was wondering if anyone has tried these DIY cables: White Lightning Moonshine Cables

The reviewer seems to compare them favorably to Cardas Golden Cross cables which sell for (seriously) thousands of dollars. The 6moons website seems to be very into high-end (and high-dollar) equipment. Not only have I never had expensive cables, but I don't think I've ever had sufficiently good equipment to hear any improvement in sound. But these are pretty good-looking and if they're actually better than the rest of my equipment, at least that's one thing I won't have to upgrade!
The DIY cables you mentioned are interesting and good looking.

If you're looking for a décor friendly cable, buy the Monoprice CL2 rated in-wall speaker speaker cables and banana plugs. They come with a white outer jacket to blend in with your walls and baseboards for out of wall applications and are CL2 rated to meet most building codes * for installation behind the walls when you want to keep the cables completely out of sight. These cables are made from high purity, oxygen free copper, are available in a variety of gauges and come in 2 conductor and 4 conductor configurations. The 4 conductor cables are perfect for bi-wiring high end tower speakers that offer a bi-wireable option.




100 ft, 12 gauge: $28.35
http://www.monoprice.com/products/pr...seq=1&format=2

50 ft, 12 Gauge: $14.70
http://www.monoprice.com/products/pr...seq=1&format=2

100 ft, 14 gauge: $22.40
http://www.monoprice.com/products/pr...seq=1&format=2

50 ft, 14 Gage: $12.00
http://www.monoprice.com/products/pr...seq=1&format=2

Banana Plugs - Closed Screw Type: $2.37
http://www.monoprice.com/products/pr...seq=1&format=2

Banana Plugs - Open Screw Type: $0.97
http://www.monoprice.com/products/pr...seq=1&format=2
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Old 05-15-2009, 12:03 PM   #8
jc480 jc480 is offline
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My home theater utilizes the exact same banana plugs and wire that B.D. has shown in his post above mine.

They are GOOD quality, very reasonably priced and my sound quality is excellent.

Highly recommend these Monoprice components
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Old 05-15-2009, 12:55 PM   #9
tilapiah6 tilapiah6 is offline
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Quote:
Originally Posted by jc480 View Post
My home theater utilizes the exact same banana plugs and wire that B.D. has shown in his post above mine.

They are GOOD quality, very reasonably priced and my sound quality is excellent.

Highly recommend these Monoprice components
I also use them in every single speaker, and they're wonderful. I use them with 16 AWG speaker wire that I also purchased from monoprice.com.
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Old 05-15-2009, 04:03 PM   #10
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might as well add my vote too. other than a pair of speakers I have hooked up with monster xp wire that i got talked into a while back (nothing wrong with it...works great actually...just too pricey) to a sonos box upstairs, all the rest of my rooms and my home theatre uses the above situation. the receiver uses the banana plugs mentioned there (I also have a pair of the ones with the holes in the side...i think for larger wire...i just use it like normal) and then i just have the bare wire into the speakers themselves. monoprice wire as mentioned above too. everything sounds incredible.
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Old 05-25-2009, 02:22 PM   #11
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I've used the Home Depot orange with black stripe outdoor power cord as speaker cable with very good results. Just use the black and white wires as + & - and leave the green ground wire free. Of course this is a budget approach but it is a pretty good one.
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Old 05-26-2009, 12:13 AM   #12
Big Daddy Big Daddy is offline
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Quote:
Originally Posted by yellowcakeuf6 View Post
I've used the Home Depot orange with black stripe outdoor power cord as speaker cable with very good results. Just use the black and white wires as + & - and leave the green ground wire free. Of course this is a budget approach but it is a pretty good one.
Electrons are not as discriminating as human beings. They travel through all types of wires.
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Old 05-26-2009, 01:51 AM   #13
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Quote:
Originally Posted by Big Daddy View Post
Electrons are not as discriminating as human beings. They travel through all types of wires.
the 'all knowing oracle' has spoken
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Old 05-26-2009, 01:53 PM   #14
yellowcakeuf6 yellowcakeuf6 is offline
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Thanks for the cable organizer link. I found loads of great solutions there.
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Old 05-26-2009, 05:38 PM   #15
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Quote:
Originally Posted by Big Daddy View Post
The DIY cables you mentioned are interesting and good looking.

If you're looking for a décor friendly cable, buy the Monoprice CL2 rated in-wall speaker speaker cables and banana plugs. They come with a white outer jacket to blend in with your walls and baseboards for out of wall applications and are CL2 rated to meet most building codes * for installation behind the walls when you want to keep the cables completely out of sight. These cables are made from high purity, oxygen free copper, are available in a variety of gauges and come in 2 conductor and 4 conductor configurations. The 4 conductor cables are perfect for bi-wiring high end tower speakers that offer a bi-wireable option.


On the white jacket speaker wire pictured above, is there a good way to attach it to existing baseboards (double-sided tape or some type of clips)?
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Old 05-26-2009, 05:55 PM   #16
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Quote:
Originally Posted by Schultzy View Post
On the white jacket speaker wire pictured above, is there a good way to attach it to existing baseboards (double-sided tape or some type of clips)?
Shultzy, are you looking to hide the cable, or just some way to hold it up/attach it to the baseboards? I know a lot of people use these raceways for cable runs and for aesthetics, and they seem very happy with them. I attached a link for you below.....

http://cableorganizer.com/surface-ra.../latching.html

I hope this helps?!
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Old 05-26-2009, 09:43 PM   #17
Go Blue Go Blue is offline
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Quote:
Originally Posted by forsberg21 View Post
Shultzy, are you looking to hide the cable, or just some way to hold it up/attach it to the baseboards? I know a lot of people use these raceways for cable runs and for aesthetics, and they seem very happy with them. I attached a link for you below.....

http://cableorganizer.com/surface-ra.../latching.html

I hope this helps?!
I will use raceways if needed, but am looking to just attach it to the baseboards.
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Old 08-23-2009, 08:30 AM   #18
Azyiu Azyiu is offline
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This is a very informative thread, thanks!

By the way, I am currently looking at buying a stand alone BD player; and I already have my PS3 hooked with to the receiver via an optical cable. That means I could only go with a coaxial cable for my future BD player. (since there is only one optical input slot on my recevier)

So, my question is, do I just pick up any coaxical cable (RG6 type?) at an audio store? Or what else I need to pay attention to? Thanks in advance.
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Old 08-23-2009, 09:30 AM   #19
Big Daddy Big Daddy is offline
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Quote:
Originally Posted by Azyiu View Post
This is a very informative thread, thanks!

By the way, I am currently looking at buying a stand alone BD player; and I already have my PS3 hooked with to the receiver via an optical cable. That means I could only go with a coaxial cable for my future BD player. (since there is only one optical input slot on my recevier)

So, my question is, do I just pick up any coaxical cable (RG6 type?) at an audio store? Or what else I need to pay attention to? Thanks in advance.
There are several issues you must pay attention to:
  1. An optical or a coaxial cable can only give you the lossy Dolby Digital and DTS digital. Although both DD and DTS on Blu-ray movies have better quality than DD and DTS on DVD's, they are still not as good as the HD audio such as multi-channel PCM, Dolby TrueHD, or DTS HD Master Audio. To take adavantage of the new HD audio, you need a receiver with HDMI inputs.
  2. If your new BD player has multi-channel analog outputs, you can use it with a receiver that has multi-channel analog inputs to get HD audio. However, PS3 does not have multi-channel analog outputs or coaxial output. It only has HDMI and optical outputs.
  3. If you decide to buy a coaxial cable from a local store, most of them have F connectors for video applications. You need to buy an RG6 coaxial cable with RCA connectors at both end. Most electronic stores have them.
  4. The RG6 digital coaxial cable is the same as the subwoofer cable. If it is labled a sub cable, it is ok.

Last edited by Big Daddy; 08-23-2009 at 09:32 AM.
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Old 08-23-2009, 10:29 AM   #20
Azyiu Azyiu is offline
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Quote:
Originally Posted by Big Daddy View Post
There are several issues you must pay attention to:
[*]An optical or a coaxial cable can only give you the lossy Dolby Digital and DTS digital. Although both DD and DTS on Blu-ray movies have better quality than DD and DTS on DVD's, they are still not as good as the HD audio such as multi-channel PCM, Dolby TrueHD, or DTS HD Master Audio. To take adavantage of the new HD audio, you need a receiver with HDMI inputs.

First of all, thanks for your kind reply. Yes, I am aware of this point, but sadly my receiver is a slightly older model and it doesn't support HDMI


Quote:
Originally Posted by Big Daddy View Post
[*]If you decide to buy a coaxial cable from a local store, most of them have F connectors for video applications. You need to buy an RG6 coaxial cable with RCA connectors at both end. Most electronic stores have them.[*]The RG6 digital coaxial cable is the same as the subwoofer cable. If it is labled a sub cable, it is ok.[/LIST]
Thanks, I think these are the two most important info for me.
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