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#6621 |
Active Member
Feb 2022
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It's the best dang color correction tool I've ever used. We've used it for color work on a good amount of Discotek projects at this point. I've personally not had many issues with it myself.
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Thanks given by: | BigOnAnime (04-16-2022), CrashOveride95 (04-15-2022), Member-571539 (04-15-2022), Kyle15 (04-18-2022), Mangaranga (04-15-2022), mikezilla2 (04-16-2022), Naiera (04-16-2022), professorwho (04-15-2022), TravisTylerBlack (04-20-2022), Tylerfan (04-18-2022), xXx$uicide_Ma$terxXx (04-15-2022) |
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#6622 | |
Blu-ray Samurai
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What format do you color-correct in? RGB or CMYK? |
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#6623 |
MediaOCD Insider
Apr 2016
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LOL, CMYK is only for print!
RGB is generally only used for compositing in video, and basically never downstream of that. Most video is done in YCbCr in rec.601 for SD, rec.709 for HD and SDR UHD. HDR uses bt.2020, which is a different beast entirely. And yeah, the first release of DaVinci Studio 17 had a few bugs, but there've been a bunch of updates since then. It's still the gold standard for color work, even at the major studio level. Last edited by jsevakis; 04-15-2022 at 09:31 PM. |
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Thanks given by: | BigOnAnime (04-16-2022), CrashOveride95 (04-15-2022), Kyle15 (04-18-2022), mikezilla2 (04-16-2022), Naiera (04-16-2022), professorwho (04-15-2022), sagadego (04-15-2022), The Collector FX (04-15-2022) |
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#6624 | |
Blu-ray Samurai
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And yeah CMYK is generally for print and RGB has a larger gamut but I had to ask. When you guys are color-correcting, is your monitors gamma set to 2.2 or 2.4? Or do you change it based on if the file is HDR or SDR? |
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#6625 |
Senior Member
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You can use the CMYK color formula to make adjustments in DaVinci. Personally I often stick to YRGB but sometimes I find Lab to be more useful with faded content. The output file will always be in YUV or RGB (in case you're using DPX).
For SDR EOTF should be power law 2.4 with 100 nits white reference. However some colorists opt for power law 2.6 with 80 nits white peak which more closely resembles the old Sony BVM CRTs. These were the absolute standard for any color grading until they were finally replaced by most studios around 2010-12. I had a BVM-A14 in my studio that got used daily until last summer when my boss decided to let it be replaced. It was a darn fine monitor. For HDR you normally use ST.2084 with no tone mapping. I'm using DaVinci Resolve Studio for everything in my entire workflow except film restoration, which I do in Phoenix. Much like all other Blackmagic products it is fairly bland in the sense that "it just works" with fairly small customization, but at the same time it also serves all my needs. Bugs are fairly infrequent from my experience and it's overall extremely stable, which is crucial if you're working with the software 8 hours a day like me. I do edits, telecine, synchronization, color timing, DCPs, ProRes masters and all other needed exports in DaVinci. Premiere on the other hand... You're not getting any crashes? Or bugs? I mean it is infamous for being unstable. If you're used to work with the entire Adobe portfolio then it surely can be a good option as content can easily be transferred between the softwares. For me on the other hand, I feel Premiere has played out its role. It feels outdated and rarely gets new features that stick out. With DaVinci being able to replace all of its features and have a lot more to offer on top of that, I really cannot justify paying 300 dollars per year for Adobe Premiere when DaVinci can either be had for free or for a one-time 300 dollar payment. Just my 2 cents. However, if I were only interested in color grading then I think I'd opt for Nucoda. It's at a completely different price level and clearly not for beginners but I still find it to be less limited than DaVinci. For HDR it is really neat. However, it is a one-trick pony whereas DaVinci is a Swiss army knife and unlimited duct tape. This makes Nucoda unsuitable for me at the moment. |
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Thanks given by: | doud (04-18-2022), jsevakis (04-16-2022), Kyle15 (04-18-2022), mikezilla2 (04-16-2022), Prince_7 (04-16-2022), The Collector FX (04-16-2022) |
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#6626 |
Blu-ray Ninja
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Metropolis - DE BD vs UK BD vs US BD vs JP BD
Comparison DE BD footage, bitrate info, mediainfo report were provided by doud. US/JP BD screenshots are from caps-a-holic. DE BD seems to be slightly sharpened, but that's not unusual for German Koch BD releases since 2019 (see other Koch releases on caps-a-holic). DE BD ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() UK BD ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() US BD ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() JP BD ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() DE BD bitrate and mediainfo ![]() Code:
General ID : 0 (0x0) Complete name : E:\[_output\ROBOTIC ANGEL\BDMV\STREAM\00100.m2ts Format : BDAV Format/Info : Blu-ray Video File size : 32.1 GiB Duration : 1 h 47 min Overall bit rate mode : Variable Overall bit rate : 42.7 Mb/s Maximum Overall bit rate : 48.0 Mb/s Video ID : 4113 (0x1011) Menu ID : 1 (0x1) Format : AVC Format/Info : Advanced Video Codec Format profile : High@L4.1 Format settings : CABAC / 3 Ref Frames Format settings, CABAC : Yes Format settings, Reference frames : 3 frames Codec ID : 27 Duration : 1 h 47 min Bit rate mode : Variable Maximum bit rate : 35.0 Mb/s Width : 1 920 pixels Height : 1 080 pixels Display aspect ratio : 16:9 Frame rate : 23.976 (24000/1001) FPS Color space : YUV Chroma subsampling : 4:2:0 Bit depth : 8 bits Scan type : Progressive Color range : Limited Color primaries : BT.709 Transfer characteristics : BT.709 Matrix coefficients : BT.709 Audio #1 ID : 4352 (0x1100) Menu ID : 1 (0x1) Format : DTS XLL Format/Info : Digital Theater Systems Commercial name : DTS-HD Master Audio Muxing mode : Stream extension Codec ID : 134 Duration : 1 h 47 min Bit rate mode : Variable Channel(s) : 6 channels Channel layout : C L R Ls Rs LFE Sampling rate : 48.0 kHz Frame rate : 93.750 FPS (512 SPF) Bit depth : 16 bits Compression mode : Lossless Audio #2 ID : 4353 (0x1101) Menu ID : 1 (0x1) Format : DTS XLL Format/Info : Digital Theater Systems Commercial name : DTS-HD Master Audio Muxing mode : Stream extension Codec ID : 134 Duration : 1 h 47 min Bit rate mode : Variable Channel(s) : 6 channels Channel layout : C L R Ls Rs LFE Sampling rate : 48.0 kHz Frame rate : 93.750 FPS (512 SPF) Bit depth : 16 bits Compression mode : Lossless Audio #3 ID : 4354 (0x1102) Menu ID : 1 (0x1) Format : DTS XLL Format/Info : Digital Theater Systems Commercial name : DTS-HD Master Audio Muxing mode : Stream extension Codec ID : 134 Duration : 1 h 47 min Bit rate mode : Variable Channel(s) : 6 channels Channel layout : C L R Ls Rs LFE Sampling rate : 48.0 kHz Frame rate : 93.750 FPS (512 SPF) Bit depth : 16 bits Compression mode : Lossless Text #1 ID : 4608 (0x1200) Menu ID : 1 (0x1) Format : PGS Codec ID : 144 Delay relative to video : 15 s 849 ms Text #2 ID : 4609 (0x1201) Menu ID : 1 (0x1) Format : PGS Codec ID : 144 Delay relative to video : 15 s 849 ms Text #3 ID : 4610 (0x1202) Menu ID : 1 (0x1) Format : PGS Codec ID : 144 Delay relative to video : 15 s 849 ms |
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Thanks given by: | AreaFive (04-18-2022), BigOnAnime (04-18-2022), Dailyan (04-19-2022), doud (04-18-2022), Member-571539 (04-18-2022), KaizerChef (04-21-2022), Kyle15 (04-18-2022), mikezilla2 (04-18-2022), Misioon_Odisea (04-18-2022), Naiera (04-18-2022), Prince_7 (04-18-2022), professorwho (04-18-2022), skorry (06-29-2022) |
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#6627 |
Blu-ray Samurai
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Golden Wind Part 1 Standard just got reviewed (still odd part 2 got reviewed first)
https://www.blu-ray.com/movies/JoJos...295670/#Review Also: Naruto Set 6: https://www.blu-ray.com/movies/Narut...306885/#Review Bleach Set 13: https://www.blu-ray.com/movies/Bleac...303192/#Review Last edited by Tylerfan; 04-19-2022 at 11:36 PM. |
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Thanks given by: | mikezilla2 (04-19-2022) |
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#6628 |
Blu-ray Champion
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Violet Evergarden The Movie FR BD/UHD review by Prince_7
Absurd amount of screenshots (like what I do. [Show spoiler] ). Many comparisons between the JP BD, FR BD, JP UHD and FR UHD.UHD is a 1:1 clone of the JP UHD encode, while the FR BD is a very close match for the JP BD in compression quality due to good x264 settings ( [Show spoiler] ).
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#6630 | |
Active Member
![]() Dec 2015
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Sigh...
Once again, Neil Lumbard showing that he barely watched the show at all before grading. For Hidamari Sketch: Picture Perfect Collection... https://www.blu-ray.com/movies/Hidam...251973/#Review Quote:
Would it kill him to at least pop in a disc for each season and including relevant screenshots before reviewing? At least then it would be somewhat less disingenuous and inaccurate. |
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Thanks given by: | BigOnAnime (04-21-2022), Footlong Shoe (04-21-2022), Kyle15 (04-22-2022), sagadego (04-21-2022), Tylerfan (04-22-2022) |
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#6632 | |||||
Blu-ray Knight
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To think my pending contributions are held up until he reviews stuff, where he likely won't mention what I'm trying to change (Ex: Age ratings, slipcover or slipbox). If a title is set to be reviewed, they want the reviewer to handle those so they can verify if things are correct..
Also again, he got some super basic stuff wrong on Maiden Japan titles. Quote:
Quote:
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Thanks given by: | mikezilla2 (04-24-2022), sagadego (04-22-2022) |
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#6634 |
Special Member
Feb 2014
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Does anybody have or are there any Lupin III Part 1 Discotek screenshots and comparisons to the JP BD and Netflix version out yet?
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#6635 |
Active Member
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I'll be making some when I get the BD, its currently on its way to me rn
Last edited by CrashOveride95; 04-22-2022 at 01:25 AM. Reason: lmao i thought i was in the Discotek thread |
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Thanks given by: | mikezilla2 (04-24-2022), omarchafa (04-22-2022) |
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#6636 |
Blu-ray Samurai
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Some more new reviews:
Inuyasha Set 3: https://www.blu-ray.com/movies/InuYa...276120/#Review Mushibugyo - Complete Collection: https://www.blu-ray.com/movies/Mushi...309864/#Review Scrapped Princess - Essentials: https://www.blu-ray.com/movies/Scrap...228163/#Review Darling in the Franxx - Season One Steelbook: https://www.blu-ray.com/movies/DARLI...293343/#Review Yashahime Part 1 - Standard: https://www.blu-ray.com/movies/Yasha...305998/#Review Yashahime Part 1 - Limited: https://www.blu-ray.com/movies/Yasha...305995/#Review Negima! + Negima?: https://www.blu-ray.com/movies/Negim...273873/#Review Edit: Wait, he finished Inuyasha Set 5: https://www.blu-ray.com/movies/InuYa...285102/#Review Set 6 (Final): https://www.blu-ray.com/movies/InuYa...289975/#Review Also Nana: https://www.blu-ray.com/movies/Nana-...311926/#Review Last edited by Tylerfan; 04-22-2022 at 04:24 AM. |
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Thanks given by: | mikezilla2 (04-24-2022), sagadego (04-22-2022) |
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#6637 | |
Blu-ray Knight
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He didn't do basic research again...
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Thanks given by: | sagadego (04-22-2022) |
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#6638 | |
Special Member
Feb 2014
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Oh and how is the JP UHD then? Is it any good and is the HDR good? |
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#6639 | |
Blu-ray Champion
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Because they "left it alone," it (apparently) looks real nice, and is what I would prefer unless an HDR conversion can be well done and not have any significant drawbacks. |
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#6640 |
Member
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There are still a few moments where the UHD goes above 100 nits but those are very rare. The grading in my oppinion is really convincing and the 4K upscale was handled well.
The biggest win for me is the compression, as I said in my review that the blu-ray has some noticable dithering in dark scenes, which the h.265 compression, 10bit colors and 4K resolution help immensly to smooth out. It just looks overall like a more polished version of what's on the blu-ray. Also yes the french BD is a bit blurrier, which is probably due to the x264 settings used and perhaps the use of the theatrical master, but you only really notice it when putting both side by side (unlike the difference in aspect ratio which is noticeable due to a thin line at the bottom which is brighter than the rest). |
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Thanks given by: |
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