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#5341 | |
Blu-ray Ninja
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#5342 | |
Retired Hollywood Insider
Apr 2007
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Let your eyes be the judge by evaluating each 3D motion picture individually ![]() |
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#5343 |
Retired Hollywood Insider
Apr 2007
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Wendell, if you would like a 2nd opinion nearly 2 years after the above ^ posting, here ya go…https://forum.blu-ray.com/showthread...nd#post8183135
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#5344 | |
Blu-ray Emperor
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Might seem like a silly question to ask, but I find these arbitrary 'four legs good, two legs bad' decisions about native/converted content to be very short sighted at best, and sadly ill-informed at worst. |
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#5345 |
Blu-ray Ninja
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Hey guys, Captian Barbossa would say, “native 4K or native 3D only is just a guide”. Been reading reviews for title release info since the days of “The Lasers Edge” (for the LaserDisc format), then rented the title and judged for myself if any given title was worthy of purchase. That practice continues to this day starting with reviews here, AVS, HDD and others with the final review via a Netflix rental.
D-Theater titles were purchased based upon their DVD counterpart because I do not remember any rental outlets for D-Theater tapes. |
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#5346 |
Blu-ray Ninja
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There most likely will be titles were the source is 2K and the content provider will scale this to 4K, release the content as 4K and charge a premium for said content. They are already doing this with 3D titles. I for one will most likely pass on these titles.
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#5347 | |
Blu-ray Emperor
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Best thing to do with 3D is skip the reviews and check them out for yourself. |
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#5348 | |
Blu-ray Emperor
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#5349 | |
Banned
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![]() ![]() awesome screen shots by the way ![]() |
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#5351 |
Blu-ray Samurai
Apr 2011
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with the whole 4K thing, it is still a gimmick in the end. what is stopping them from giving better picture/audio quality on currently bluray discs? very little other than they don't want to. remember when dvds first came out? a ton of those movies were on dvd-5 and filled a majority of the disc. then came dvd-9. Did we see a huge improvement in picture and audio quality? no because even though they had the extra space, most companies didn't do anything with it so you still had a portion of the disc being unusued - the extras didn't take up that much space and that was also the time they started doing the second disc for the extras. but along came Superbit - "we have no room for extras because we are using all the space for the movie". this is the same sort of thing. you could improve quality by using the discs to their greatest potential but they don't because they can then sell 4K discs - quality like you have never seen before. I am not saying there isn't an improvement because obviously if you scan at a higher resolution, the picture quality should be better but there was very little stopping them from going it in the first place other than the profit margin. why are most hour-long tv shows really only 44 minutes or so? why do they want most movies to be around 2 hours? $$$$$$$$$$$$
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#5352 | ||
Blu-ray Knight
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There's a reason why many older films (that existed prior to the launch of DVD) were sold on DVD at ~$20 when they first came out, but are now being licensed out by the major studios to the likes of Mill Creek and Echo Bridge and sold at ~$5. People don't want to keep spending $20 on them each time they come out on a new format. It's repurchase fatigue. I'm not completely writing off 4K Blu-Ray at this point, but I am on the fence about whether I really want to dive into another format again. I think this will be the case with people who were more open about jumping onto Blu-Ray after already investing into DVD. It's going to have to be one hell of a difference in terms of PQ for me to get on board with it. |
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#5353 |
Blu-ray King
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#5354 | |
Blu-ray Guru
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I agree that 1080p bluray looks fantastic via projector. Just in terms of resolution, a good argument has been made that a properly mastered 1080p BD is superior to a 35mm theatrical release print. And certainly for movies that were shot with 2K cameras, there won't be any pressing need to upgrade. In my opinion however, a 4KBD mastered from a native 4K production -- or from original 35mm camera negative -- yields results that far surpass almost any experience you can get in a commercial movie theater... and will absolutely be worth paying for. My own copy of LAWRENCE OF ARABIA in 4K??? To me, this is a no-brainer. ![]() |
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#5357 | |
Retired Hollywood Insider
Apr 2007
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#5358 |
Retired Hollywood Insider
Apr 2007
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Interesting….but confusing
![]() https://forum.blu-ray.com/showthread...ed#post7361454 I would have thought that the crystal ball thing would be much more difficult. |
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#5359 | |
Retired Hollywood Insider
Apr 2007
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![]() ![]() I have only one reservation as to application….https://twitter.com/mattpcarter/stat...743424/photo/1 |
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#5360 |
Blu-ray Samurai
Apr 2011
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the thing we all need to remember too is what are we watching - having a clearer picture doesn't always make the movie better. bluray is already pushing the limits of some older shows like Twilight Zone and Star Trek because the make-up, costumes and sets were never meant to be seen this clear and therefore you are starting to see seams, see brushstrokes on matte paintings, etc. scanning these things in a 4k or 8k is going to start taking away from the experince when you watch them as you are now going to see things that you never saw before. Movies are no different. Look at Back to the Future - many of the effects there are looking less than stellar since you now see things much clearer than was planned
![]() doesn't look nearly as convincing now as it did 20 years ago. As "better" formats come along, a lot of these movies and shows are going to start looking worse and worse. |
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Tags |
4-k uhd, blu-ray, ds9, failure, frustrated, oar, star trek deep space nine |
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