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#5361 | |
Blu-ray Champion
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#5362 | |
Blu-ray King
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#5363 | |
Blu-ray Ninja
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For me, AVS did/does have one of the better forums for high end video projectors. |
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#5364 | |
Blu-ray Emperor
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#5365 | |
Banned
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#5366 | |
Moderator
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#5367 | |
Retired Hollywood Insider
Apr 2007
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#5368 | |
Moderator
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#5369 | |
Member
May 2011
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I think the dated effects have much more to do with the fact that it was 1985. |
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#5370 |
Banned
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Saying you're never going upgrade or that you don't see the point in 4K etc, essentially puts you in the same category as those who said the same about upgrading from DVD to blu-ray, which many of you would have ridiculed those people for saying such comments at some point
![]() Last edited by Cevolution; 10-01-2013 at 11:41 PM. Reason: Accidentally left out a word |
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#5371 | |
Blu-ray King
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#5373 | |
Blu-ray Ninja
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I remember that I got to see DVD in action at one of the areas where "test sales" had commenced. Took all of about 30 seconds to decide that "I got to have one of these". Paid about $1K for my Sony player right after the national roll out. |
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#5374 | |
Blu-ray King
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Of course, it then got me thinking that I should upgrade some of my faves. Brave heart, The Shining, Exorcist ( great transfer) and American Werewolf In London (finally those moor scenes didn't break up into a swelling, compressed mess) I imagine I will follow the same route with 4k. However, I will always cherish and re-watch my regular blurays. ![]() |
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#5375 | |
Blu-ray Samurai
Apr 2011
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and yes, that shot always looked bad but at least with vhs, it didn't look that bad. now it really stands out. |
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#5376 | |
Blu-ray King
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#5377 |
Blu-ray Knight
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Progress is fine in-and-of itself. But I do agree that some movies probably were never meant to be seen with the level of clarity available now and will be available in the near future.
A lot of people go on and on about "director intent" when it comes to OAR, but nobody ever seems to take this issue into consideration. I'm sure some filmmakers and even television directors, especially back when special effects technology was more crude than what we have today, did things in certain ways knowing that the typical level of clarity in film projection and television sets at the time would help hide the "warts" or at least make them not-so-obvious. I'm not saying that we shouldn't have HDTVs or even necessarily 4K TVs (despite my hesitation towards the latter), but there are issues inherent with certain content at those levels of resolution, and that shouldn't be ignored. Last edited by Dynamo of Eternia; 10-02-2013 at 04:01 PM. |
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#5378 | |
Blu-ray King
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#5380 |
Blu-ray Samurai
Apr 2011
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but Dynamo brings up a good point. these movies are a product of their time. how is increasing the clarity different than colorizing a black and white film? you can say "the clarity was always there, technology just didn't let us see it" but that arguement can be used as a reason to colorize film - has color been available, wouldn't most of them have used that? a lot of films were made knowing that the image would only be so clear in the theatre so they could get away with things that would look phony if you saw them live. with the new formats, these things become more and more evident and start to ruin the movie or show because now instead of being pulled into that scary scene, you now see the string pulling the door open(if you really want to respect the filmmaker's work, you won't be going in and removing that string)
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Tags |
4-k uhd, blu-ray, ds9, failure, frustrated, oar, star trek deep space nine |
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