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#8241 | |
Banned
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#8242 |
Blu-ray Samurai
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Thanks given by: | Adrian Wright (03-01-2016) |
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#8243 |
Senior Member
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Whilst I feel that ALL is a rather wide sweeping and encompassing statement, I can understand Pieter's frustrations. Will it stop me buying these on UHD BD when the Atmos soundtrack is absent, not a chance.
I do not have the capability or desire at the moment to add DTS X to my setup as I have the Marantz 7009 which only does upto Atmos. Until the number and quality of the software output equals or exceeds that of Atmos I am fine with keeping with my 7009 and just putting up with whichever soundtracks are on the UHD BD's I purchase. If or when this changes then I may have to approach my good lady and explain why I need to upgrade the 7009 to the 7010 ![]() Having made a financial commitment to this UHD format now, there is no way soundtrack choices are going to hamper my enjoyment ![]() |
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#8244 | |
Blu-ray Prince
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Thanks, Adrian. Even if you don't have a Dolby Atmos set up, I would always prefer that Dolby TrueHD 7.1 track over DTS-HD Master 7.1.
FOX just didn't kept their word: http://www.heise.de/newsticker/meldu...y-3061663.html Quote:
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#8245 | |
Blu-ray Samurai
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I agree with you. I don't have Dolby atmos, but the movies encoded with Atmos sound better than the DTS movies on my system. It won't change my buying habits, but it would be nice. |
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#8246 |
Blu-ray Knight
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What's wrong with both? UHD with HDR lets us have our cake and eat it too. I'm loving this format so far. Yes, special care needs to be taken with classic films(I'm looking at you, Ghostbusters!), but the first wave of titles overall looks incredible.
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#8250 |
Power Member
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But grading for theaters and grading for home are two different things. One isn't necessarily justification for the other. I would lean more toward only wanting HDR if the project was conceptualized from the beginning with HDR in mind. Ultimately I think it will come down to how aggressive HDR is in any feature. I've only seen one film theatrically in HDR (The Martian) and the difference between it and the standard theatrical grade I saw was almost nil. If there were differences I didn't see anything that stuck out. I've also seen side by side fully calibrated comparisons of the same material with one being an SDR grade and the other a DV grade and the differences weren't so dramatic that I would expect a lot of people to call foul. It was mainly better color, less clipping and better details in highlights. Like anything else I'm sure we'll get products that abuse the technology, but hopefully those cases will be few and far between.
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Thanks given by: | Flatnate (03-01-2016), reanimator (03-01-2016) |
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#8251 |
Blu-ray Samurai
Jul 2008
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Just a handful on the planet: https://en.wikipedia.org/wiki/Dolby_...h_Dolby_Cinema
DCI specs don't have HDR, so it's basically "out of standard" |
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#8252 | |
Blu-ray Guru
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That adds another handful. |
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#8253 | |
Senior Member
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The best way to show you are unhappy with the output, is refuse to pay for it if your really feel THAT strongly about it. Regardless of this being OTA, Streaming or Disc Based formats. Vote with your wallets ![]() |
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#8254 |
Active Member
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How is this (UHD-BD) not a "cart before the horse" product right now? Aren't most directors shooting, editing and grading their film for regular projection equipment? If so, How is what you are getting at this point the Director's intent? If so, IMHO, this is no different than either adding a different color palette to a film, or putting your TV on "Vivid", turning frame interpolation on high and then talking about how great it looks.
Now, as HDR becomes more prevalent and the industry and most films are filmed, edited and graded for it, this may change. Right now, that is not the case- or, please tell me how this is different. So, right now, I am leaning with others in that I want the 4K discs for the fact there is more data there, more bandwidth for a better representation now and in the future, but not necessarily for HDR which can change the film entirely. Last edited by larrs; 03-01-2016 at 04:14 PM. |
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#8255 | |
Blu-ray Knight
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#8256 | |
Blu-ray Knight
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Well we have: 1) movies "conceptualized" with HDR in mind. Probably movies newer than 2 years old. 2) catalog movies that still have the director/producer/cinematographer around to approve (or be involved with) HDR regrading 3) catalog movies where there are no living members in a capacity to approve HDR regrading. I'm fine with 1 and 2, but not with 3. For example Lawrence has been regrading with HDR and will probably see a UHD BD release sooner rather than later, but that would fall under 3. There's obviously going to be a lot of controversy about regrading movies with HDR, especially with older movies. |
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Thanks given by: | Adrian Wright (03-01-2016) |
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#8257 | |
Blu-ray Knight
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#8258 |
Blu-ray Ninja
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I'll be on the fence for a while on this. But overall I'm not liking what I'm hearing. Went to a local BB to see some set ups but without proper calibrations at this point the 4K sets playing The Martian Demo didn't impress me one bit. The one OLED set that looked killer was because it was playing screen savers really. So???
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#8259 | |
Blu-ray Samurai
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Sorry for being overly optimistic, but im assuming that this method is the preferred way for every movie if it is possible. |
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Thanks given by: | Adrian Wright (03-01-2016) |
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#8260 | |
Blu-ray Samurai
Jul 2008
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Category 2 is very difficult to judge, and I would say that it might make sense only for movies shot digital and not on traditional 35mm/65mm film... Category 3 is pure revisionism and it's a big no! Last edited by MisterXDTV; 03-01-2016 at 06:40 PM. |
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Thanks given by: | bruceames (03-01-2016) |
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Tags |
4-k uhd, blu-ray, ds9, failure, frustrated, oar, star trek deep space nine |
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