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#2861 | |
Blu-ray Baron
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Sent from my SAMSUNG-SM-J320A using Tapatalk |
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#2862 | ||
Senior Member
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For example: https://www.blu-ray.com/movies/Star-...lu-ray/153633/ Quote:
The "Codec" is nice to have, but what I would consider more essential items (IMHO) - WCG information and HDR information - are nowhere to be seen. Some, but not all, pages have pictures of the back cover where you can look. But it would be really great to update the core Video fields to include this information. |
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Thanks given by: | neef68 (09-25-2017) |
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#2863 |
Blu-ray Emperor
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I don't see what the issue is. If it's being released by Fox, Lionsgate, Warners, Sony, Paramount or Universal then it will have HDR, the sole exception being the IMAX discs that were released by Uni, both being 4K SDR 709.
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Thanks given by: | neef68 (09-25-2017) |
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#2864 | |
New Member
Apr 2013
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Thanks given by: | mrtickleuk (09-26-2017) |
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#2865 | |
Senior Member
Sep 2010
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As there is no standard HDR10 tone/gamut mapping specification, HDR10 display adaptation implementations are different. http://www.avsforum.com/forum/465-hi...l#post50857057 Active HDR set to OFF: a HDR10 display adaptation Active HDR set to ON (i.e. Dynamic Contrast set to LOW): another HDR10 display adaptation |
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#2866 | |
Blu-ray Baron
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#2867 | ||
Blu-ray Guru
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But your assumption is correct, “purchase freely UHD discs if you’re concerned about support of HDR because you’ll rarely ever come across any UHD disc that doesn’t support it.” |
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#2868 | |
Active Member
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Calibration Notes for 2017 LG OLED TVs Last edited by Caleb C.; 09-25-2017 at 04:04 PM. |
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#2869 |
Senior Member
Sep 2010
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#2872 | |
Power Member
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#2873 | ||
Retired Hollywood Insider
Apr 2007
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#2874 | |
Retired Hollywood Insider
Apr 2007
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Progress note from 6/24/2016……
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http://ieeexplore.ieee.org:80/docume...3/?reload=true Abstract: High dynamic range (HDR) television offers greater contrast and more immersive images than conventional television, and as such it is an important part of the overall ultra-high definition television package. Standardisation is almost complete, and the industry is already taking the first steps in HDR programme production. The extended dynamic range and brighter screens associated with HDR make sudden jumps in brightness possible. To ensure consistency between programmes and to avoid uncomfortable brightness shifts at programme junctions , some production guidelines are needed for HDR brightness, just as guidelines have been necessary for audio loudness. In order to develop production guidelines for brightness, brightness perception must be understood. In this paper we report the results of subjective tests that measured the overall perceived brightness of a set of HDR images. We then propose ten classes of potential objective metric that relate the displayed pixel luminance levels to the overall subjective brightness level, and evaluate them using our test results as ground truth. The most effective metrics tested are the mean of the pixel luminances, the mean of the pixel luminances raised to the power of 0.82, and the 96th percentile of pixel luminances, all of which performed similarly well. The mean displayed pixel luminance is preferred, since it is the simplest to implement. The effectiveness of these simple objective metrics suggests that real-time brightness monitoring in production is a realistic goal. short form video - https://www.facebook.com/BBCResearch...8222961002496/ |
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#2875 |
Retired Hollywood Insider
Apr 2007
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Thanks given by: | mrtickleuk (09-27-2017) |
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#2876 |
Retired Hollywood Insider
Apr 2007
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Later, work beckons.
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#2877 | ||
Senior Member
Sep 2010
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Dolby Vision dynamic metadata can't completely determine the Dolby Vision tone / gamut mapping. The Dolby Vision dynamic metadata specification and the Dolby Vision tone / gamut mapping specification can. https://forum.blu-ray.com/showthread...0#post13933350 https://forum.blu-ray.com/showthread...2#post13938772 https://forum.blu-ray.com/showthread...0#post13941130 |
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#2879 | |
Senior Member
Sep 2010
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![]() https://www.itu.int/dms_pub/itu-r/op...2016-PDF-E.pdf At one end, post-production people have to know what is the rendering result (i.e. tone / gamut mapping or display adaptation in the case of HDR) at the TV end. ![]() ![]() "In the making of commercial images the only thing that matters is what happens at the approval process. Everything that happens downstream of this should not alter this image." In other words, the "artistry" happens in mastering process and once approved, should be faithfully delivered to the end user." http://www.avsforum.com/forum/465-hi...l#post50666105 |
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#2880 | |
Banned
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Displays will be true 12-bit soon enough. Most displays now accept the signal and downconvert accordingly. Instead of saddling the market with yet another HDR solution that does NOT offer picture improvements Samsung should get with the program. |
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Thanks given by: | Caleb C. (09-27-2017), FilmFreakosaurus (09-26-2017), Robert Zohn (09-26-2017), Staying Salty (09-27-2017) |
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