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#202 | |
Active Member
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But in order for that to work 1080p equipment needs to get prices of a 720p equipment. The startup of a new format will cause and exodus from one of the mediums in a year or two. |
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#203 | |
Banned
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#204 | |
Banned
Mar 2013
Capua
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And what does getting 1080p TVs cheaper have to do with 4K Blu-ray? The studios still control what is released and have shown they'd rather give dumb consumers the lowest quality format they can by the truck load. 720p/1080p means nothing when you are watching a Pan & Scan DVD. |
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#205 |
Special Member
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The other day I caught a demo of the movie Maleficent (non-4k) on a 4K television. I think I finally understand what the "Soap Opera" effect is and how it can be distracting. While the picture quality was excellent, I felt like I was watching a live stage piece rather than a movie. Does that make sense to anyone? It was strange!
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#206 | |
Banned
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#207 | |
Blu-ray Ninja
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Some people are all excited about high frame rate capture and presentation, because it catches action better as the high frame rate eliminates blur. But in order for us to suspend disbelief, we NEED the blur that 24fps gives us. That's what makes it look like a movie. You can see this when you watch some documentaries shot on video about the making of a film. You'll see the actors rehearsing an action scene and it all looks fake. Then you see the film and you believe it. This is because of the different frame rates and also because of the warmer look of film (even when it's presented digitally or originally shot digitally). My ex is not the least bit technical. She only has a very tiny HDTV in her home. But she went to California to visit an ill friend and when she came back she said to me, "remember how when we used to watch TV and you could tell the difference between videotape and film? When we were watching movies on Isabel's TV, it all looked like video." I was shocked that she recognized that the TV wasn't displaying movies properly, but she was most obviously talking about the "soap opera" effect. I congratulated her on her newly-found technical sophistication. There's a pizza place I go to that has a TV mounted on the wall, mostly for the crew, since it's only visible to customers when standing at the counter. Whenever I go there, that TV drives me completely nuts because the motion controls are on and everything looks like a soap opera. I've tried to explain this to them, but they were only given a remote control for the cable box, not for the TV itself, so I couldn't fix it for them. Before I understood about the motion controls, I would go to a retailer and watch a Blu-ray demo and any fast action scenes would look funny. I remember something being particularly wrong with "King Kong". It actually made me angry - I thought to myself, "how could they screw up this new technology so badly?" I refused to buy an HDTV and Blu-ray if that what is was going to look like. But then I found out it was all about the stupid motion controls. Last edited by ZoetMB; 12-12-2014 at 12:17 AM. |
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Thanks given by: | k_huntington (09-12-2015), moviefan84 (12-12-2014) |
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#208 | |
Banned
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#209 | |
Power Member
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I was happy with DVD (like most of the mainstream are today) until I played them on my projector...then I had no choice but to upgrade to Bluray as the resolution of SD had well and truly reached it's limit. Bluray is prefect right now for the screen sizes I have. I see 4K as more of a luxury than a necessity at the moment. Eventually all my gear will be 4K, not by choice but just by the natural progression of buying new stuff - you get what's available at the time. In any event I think 4K is still a good thing because it may drive the prices down on regular Bluray much like Bluray did to DVD. Which will be great for all of us who are building up our collection. I just hope they continue to support regular Bluray and not try to force 4K on us by dropping it. ![]() |
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#210 | |
Blu-ray Guru
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As for cheap blurays, they're hardly luxury items anymore. I bought three this week for about £10. |
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#211 | ||
Member
Dec 2014
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The latest movies can only take full advantage of 4K if they were shot in 4k (or better), many of the movies of the past few years were shot in 2K - analog film will be better positioned to take advantage of 4k (assuming the studios don't go the cheap route again). Quote:
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#212 |
Banned
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Recent movies will be plagued by the same problems that befell The Lord of the Rings Trilogy and Star Wars: Attack of the Clones?/Revenge of the Sith.
They were shot digitally and are forever locked into that resolution. |
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#213 |
Special Member
Feb 2014
Los Angeles, CA
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The Lord of the Ring's was shot on film, but okay.
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#214 |
Senior Member
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Interstellar was too, even screened in the theater on film 35/70mm at some theaters. some Imax theaters also had an Imax film print, which still rules over Imax digital. digital solves distribution issues, and degrading print problems, but my eyes still miss film. I jumped at the chance to watch Interstellar on film.
Earlier discussions about motion control making it look soap operish, actually what it really is is a change in frame rate, those 120hz/240hz settings ruin movies. its good for live tv though. |
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#216 |
Member
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If it is going to be yet another optical disk, I doubt that very much. If it was a significantly different format, that greatly improved access to the media, its physical size, the size of the equipment needed to view it, etc... then yes, you could safely predict a paradigm shift from one medium to another.
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#217 |
Banned
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CableVision here on Long Island is starting to really bottleneck bandwidth.
The Internet at my Mom's in a different state is absolutely terrible! We tried watching a VuDu HDX movie and couldn't. Tried it in HD, still couldn't. Had to go with SD and it took a few minutes to finally buffer enough before it started to play, but then it never paused again. 4K streaming will NEVER take off with current "Gen" Internet! |
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#220 |
Blu-ray Guru
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great post thread... haven't read the entire thread... but the general premise is this:
garbage in garbage out. i think you are talking about the entire production chain from capture all the way through consumer product in hand. everything in between used to be all analog. then in the 1980s/90s it started to transition into digital... but extremely limited. every upgrade since 480i/p through 2k was difficult. but now they are being asked to upgrade *YET AGAIN* from 2k digital intermediary (DI) to 4k and beyond. furthermore a lot of engineers don't know how to handle dynamic range both on video side as well as audio side and flatten everything out instead. it's kind of harsh. |
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