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#13641 |
Blu-ray Knight
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#13643 | |
Blu-ray Samurai
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#13645 |
Blu-ray Knight
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#13646 | |
Retired Hollywood Insider
Apr 2007
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![]() https://forum.blu-ray.com/blu-ray-te...ml#post3205620 What exactly does thee desire of me now? |
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#13647 |
The Digital Bits
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Real Genius 2 of course
![]() But we'll settle for Real Genius on Blu with a nice special edition with Val Kilmer and company commentary and cover art that doesn't make small children blind ![]() You'd like it Penton, it's a raunchy 80s comedy full of student beauticians, and the cause of very large breasts ![]() |
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#13648 |
Blu-ray Samurai
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I checked, and I don't think he did those. I do think Struzan has to come out of retirement to do the posters for Indiana Jones 5, if that ever happens. I also think it's sad that too many of the posters are the basic 'floating heads photoshopped together'. Yes, Struzan's work also contained the 'floating heads', but there was a quality to it that most of these recent things lacked. Apparently it cost too much to have a painter make a poster, otherwise I don't see a reason why nobody wanted him anymore. It's a damn shame.
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#13649 | |
Banned
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#13651 |
Special Member
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Penton-
Why doesn't Sony partner with the US Postal Service? For instance, according to USPS.gov, they just released a "Cowboys of the Silver Screen" set of stamps. Other previous stamp releases have featured other movies and movie personalities. The USPS often offers books tied in with the stamps. Why not sell movies with a USPS-specific cover through a JMA? Cheers! -Jim demonstrating he listens to Penton's solicitations for additional commercial haircutting opportunities |
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#13652 |
Senior Member
Oct 2008
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#13653 | |
Senior Member
Oct 2008
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#13654 | |
Power Member
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#13655 | |
Banned
Dec 2008
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Vincent Last edited by Vincent Pereira; 04-29-2010 at 05:57 AM. |
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#13657 |
Banned
Dec 2008
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The film actually had a lot of critical support behind it when it was first released (I recall it playing the arthouses around the same time as the initial release of HURT LOCKER and getting almost as much critical praise). I think what it really came down to was an almost complete lack of support from the studio when Awards season rolled around. Now, I can understand pushing the similarly "small and indie" HURT LOCKER for the major Awards over MOON, but to completely ignore Rockwell just blew my mind. I mean, just take out one friggin' ad in the industry trades and send out some DVD screeners, he's f***king incredible in that film. Sam Rockwell being completely ignored for his incredible acting in MOON is one of the biggest snubs of the decade IMO
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#13658 | |
Blu-ray Ninja
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#13659 | ||
Blu-ray Samurai
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[Show spoiler]
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#13660 | |
Power Member
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Very few, if any, actors are going to be willing to pose for a few hours or more for the illustrator to get the likeness established. Additionally, many drawings or paintings of actors on movie posters have been sourced from photographs of them in costume on the movie set. No one is going to re-create all of that production design, set decoration, costume design and lighting within the confines of an illustrator's studio for a more "legit" life drawing or painting. Likewise, no movie production will ever halt things on the set so an illustrator can come in for a few hours to draw or paint something in the same manner. Another thing to consider: it's actually easier to draw or paint a portrait of someone with the person posing in front of you than it is to work from a flat photograph. You can see so much more about a person's features, their volume in three dimensional space, than you can from a photograph. You can shift a little to see a subtle shape's definition more easily. You can get up and walk around the subject to study it better. The only legitimate criticism against an illustrator working from photographs is if the illustrator cheated and traced the photos. |
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