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#10 | |
Retired Hollywood Insider
Apr 2007
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![]() Quote:
Don’t get me wrong. You are correct, despite being shot with 4K (or higher rez cameras)….or shot on celluloid, a major cause for the continued paucity of 4K finishing remains the additional cost charged to clients which still typically runs about 2x or more than that for a 2K finish for the typical feature motion picture that Hollywood studios churn out these days. Point I was making is that you have to start somewhere in order for the high-rez DI workflow to become commonplace and at least we’ve started….and there has been progress (more efficient codecs, lower storage costs, etc.) It’s a process. |
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