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#2641 | |
Retired Hollywood Insider
Apr 2007
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https://www.youtube.com/watch?time_c...ai7R04#t=2m13s
As mentioned before on another thread, delving deeper into both solutions, the dynamic metadata capability of Dolby Vision is more precise than that of HDR10+…. Quote:
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Thanks given by: | Staying Salty (09-04-2017) |
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#2642 |
Special Member
May 2017
Earth v1.1, awaiting v2.0
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#2644 |
Retired Hollywood Insider
Apr 2007
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#2645 |
Special Member
May 2017
Earth v1.1, awaiting v2.0
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#2646 | |
Blu-ray Baron
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But other sources such as streaming, computer, gaming, cable, etc, with Dolby Vision you are at the mercy of the content provider to also give you a backwards compatible HDR10 metadata. On the other hand, HDR10+ will give you HDR10 metadata on all sources be it disc, streaming, cable, etc. Bottom line HDR10 is built into HDR10+. HDR10 is not built into Dolby Vision and can result in SDR on non-disc sources. Last edited by Ruined; 09-04-2017 at 07:21 PM. |
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Thanks given by: | mrtickleuk (09-05-2017) |
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#2648 | |
Retired Hollywood Insider
Apr 2007
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Since it’s now imminent, heads-up to those locals perhaps hesistant to attend CEDIA because of not having industry affiliated/employee credentials, keep in mind a solution.....one is not required to be an exhibitor to gain entrance. Compliments of several companies, for example, https://www.russound.com/news/43-fre...7-registration just a general AV hobbyist can use their coupon code for free admission. Paperwork is self explanatory and only takes a few moments to fill out.
And back to the Top Gun theme, for those a little more adventurous and desiring a change when doing the show becomes tedious, drive on over to Point Loma to see *Viper’s house* and the overlook of the ocean beyond - the Point Loma Lighthouse - https://www.nps.gov/cabr/planyourvisit/hours.htm P.S. Further on up the highway, bonus points go to any movie fans (more into education) who can tell where this scene was shot in Mr. Jones https://www.youtube.com/watch?v=cVKtVrNjNWs#t=53s |
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Thanks given by: | mrtickleuk (09-05-2017) |
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#2649 | |
Retired Hollywood Insider
Apr 2007
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Tunes
![]() I'm outta here. I leave you in the capable hands of Geoff, et al. Later. |
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#2650 | |
Blu-ray Knight
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From all I've read so far (also here), I still think that dynamic meta data only helps displaying the actual HDR content better on displays that can't display the actual HDR content properly/fully. With Dolby Vision also having an actual improvement built-in though (but what's the actual (aka noticable) impact?). Anyway, from my point of view, please just give me display devices that can display the HDR10 stream properly. I see no need for dynamic meta data then. I actually think it's even paradoxical in regard to HDR. If the display device has to clip because of its nits limitations, please just clip. And nothing I've read so far, could convince me otherwise. |
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#2652 | |
Blu-ray Baron
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If you re-read Geoff's post you will note he limits his statement to discs. The default Dolby Vision backwards compatibility layer is SDR, not HDR10. Only on UHDBD discs is it mandatory for DV to have an HDR10 layer. On other sources like streaming, computer, gaming, cable, etc, there are no mandatory requirements like this and Dolby Vision will simply revert to SDR on a non-Dolby Vision set unless the content provider decides to also include HDR10 for you. But it is solely up to the content provider if they wish to do so. If the content provider decides not to, you won't get HDR at all on a non-DV TV and all projectors. On the other hand, HDR10+ will revert to HDR10 on all HDR10 sets, everywhere. Very simple, if something supports HDR10+ it also supports HDR10 on all media formats and delivery methods, everywhere. This cannot be said about DV which will only definitely provide HDR10 on UHD discs - elsewhere, who knows what you will get with DV. As a result HDR10+ is a much more consumer friendly format and a far better deal for those who wish to use projectors, which by nature do not work with dynamic metadata (unable to dynamically measure screen brightness due to different gain screens, different sizes, ambient light, etc). Last edited by Ruined; 09-04-2017 at 07:50 PM. |
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Thanks given by: | mrtickleuk (09-05-2017) |
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#2653 |
Special Member
May 2017
Earth v1.1, awaiting v2.0
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I thought Ruined was including the disks. I do think he could have been a bit clearer in his post.
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#2654 | ||
Blu-ray Knight
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#2655 | |
Blu-ray Baron
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So when discussing an HDR format war of sorts, limiting oneself to discs only is not really looking at the big picture. Many people like to consume content from multiple sources - maybe a UHD Blu-ray disc, a 4k game, some cable TV, a streamed movie, and perhaps a file on a computer. With HDR10+ metadata, in all of those different scenarios you'd also be guaranteed HDR10 metadata since HDR10 is built into HDR10+. With Dolby Vision, the only place you are guaranteed HDR10 is the disc format - everywhere else SDR-only might be your only fallback if you don't have DV. And some devices like projectors won't work with either HDR10+ or DV due to lack of method of measuring screen brightness, so having HDR10 backwards compatibility is actually a big deal. |
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#2656 | |||
Banned
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DTS:X is also royalty free - yet Atmos is the standard for object audio. Better performance counts for something. Quote:
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Thanks given by: | Staying Salty (09-04-2017) |
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#2657 | |
Blu-ray Knight
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If I cared about streaming, I wouldn't really bother at all tbh, since the content will always be up-to-date in the end. I might just need new hardware. With the discs I bought, I may be f***** though. Happened to people with HD-DVD not so long ago. |
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#2658 |
Power Member
![]() Aug 2007
North Potomac, MD
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One question as I understand it HDR10 sets the level for the whole movie so it is considered static. Why can't HDR10 change on a scene by scene basis?
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#2659 | |
Blu-ray Baron
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12bit on its own doesn't mean much. Unless you also think that high-res DVD-Audio obsoleted CD & MP3? ![]() |
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