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#541 | |
Special Member
May 2017
Earth v1.1, awaiting v2.0
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HDR10: [Show spoiler] Dolby Vision: [Show spoiler] [Show spoiler]
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#542 | |
Power Member
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A perfect example of this is BR2049. This is a title that's peak level is in the 400 nit range with more the 99% of all frames being below about 210 nits. If HDR was implemented properly on all displays, this title should look IDENTICAL on all the displays (with the exception of the display's contrast ratio capabilities). Tone mapping shouldn't even be a thought for a flat panel with HDR, I don't know of any that would have any issues with content this low. And with PQ being absolute, it should be the same brightness over all displays. But we see lots of people complaining about it because of what their display did or didn't do with the title and its metadata. You could apply the same logic to most of the titles on the market today because so few of them even approach 1000 nits, and those that do are tiny areas of the picture that shouldn't be a big deal. A brighter display will have much better color performance though as the color volume of that display will be higher. |
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#543 | |
Special Member
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Dolby Vision :: it's my understanding, that it takes significantly longer in the grading/mastering/post production process(s), as optionally, the director/studio are 'more involved' with the tools at hand, to maintain consistency of their 'creative intent' throughout (from, scene-by-scene to frame-by-frame, adjustments, etc)
HDR10 :: it's my understanding, that in stark contrast, is a far more 'fundamental approach' of a 'computer analysis/pass' (without the involvement of human evaluation - especially, the director/studio), taking just a few hours rather than days-to-weeks, representing a 'baseline performance' that i personally do not appreciate (rather strongly) so, with Dolby Vision, definitely, the 'original intent' is presented as otherwise impossible :: Dolby Vision is essentially 'as good as the director/studio want it to be' which without it, has previously not been possible (there's a reason behind the support of Hollywood of Dolby (Dolby Cinema/Dolby Vision, etc) and from what i have seen at home, very obvious and engaging, for myself at least regarding your point of ("but I have not seen (or miss noticed) any proof that the metadata had made like a night-and-day difference to PQ?"), that's entirely up to your judgment of your viewing experiences; don't you agree? perhaps (for you) :: the difference is without merit, which is fine, if that is your conclusion of your viewing experiences (i strongly believe, that what you see, and whatever your conclusions are, are entirely subjective and should be accepted by yourself, or by extension, me) my personal viewing experiences :: which primarily matter to myself alone, are that the differences of HDR10 and Dolby Vision are substantial, to the extent that i primarily purchase UHD/Dolby Vision (especially recently) and suffer when my 'only choice' is UHD/HDR10 titles, which i do primarily for the 'non-HDR' improvements (color/contrast/resolution), as without individual picture adjustments - per movie - i simply am unable (personally) to tolerate HDR10 to be clear :: i would rather UHD without HDR at all, than UHD/HDR10, personally finding that of all the UHD improvements, it's HDR that i can do without, unless it's UHD/Dolby Vision Quote:
Last edited by jibucha; 12-03-2018 at 08:46 PM. |
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#544 | ||
Blu-ray Samurai
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#545 | |
Special Member
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ok (no argument from me) - (we 'see things differently' & 'think differently' - which is fine)
blind test?
Quote:
Last edited by jibucha; 12-04-2018 at 04:58 AM. |
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#546 | |
Blu-ray Samurai
Jul 2008
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What? The best UHD discs on the market are made by Sony that uses ONLY HDR10 95% of the time..... Explain that..... LOL |
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#547 | |
Blu-ray Knight
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I think it's marketing for LG and Vizio. And now Samsung and Panasonic want to play along too. It's just a what team are you on kind of thing. As long as we get a better standard down the line they can do whatever floats their boat. Lol |
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#548 | |
Active Member
![]() Mar 2009
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Dolby Vision metadata is created by automatic analysis of PQ color volume, with (optional) additional input by humans to achieve creative intent. HDR10+ metadata is created by automatic analysis of RGB luminance range. That's it. All you have to do is look at the metadata described for both formats, in CTA-861-G, Annex R (SMPTE 2094-10, equivalent of Dolby Vision) and Annex S (SMPTE 2094-40, equivalent of HDR10+): https://standards.cta.tech/kwspub/pu...vised_2017.pdf |
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Thanks given by: |
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#549 |
Blu-ray Emperor
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Yep, Dolby Vision's first metadata pass is automated too. The underlying HDR grade has little to do with 'Dolby Vision' as a technological system because the source grading is done FIRST, typically in D65P3 and the ST2084 EOTF using whatever tools (lift/gamma/gain etc) to shape the image how the talent and colourist sees fit...just like HDR10, albeit in 12-bit for DV in order to be ingested into the metadata mastering workflow (though one wonders how that even works when it comes to the myriad of existing 10-bit DI sources that have been given 12-bit DV passes). THEN the Level 1 DV metadata pass is run off and can be trimmed using the Level 2 controls at whatever output levels are required e.g. 100-nit, 600-nit, 1000-nit and so on.
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#550 |
Special Member
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ok :: picture quality :: 'it's in the eyes of the viewer' and 'whatever appreciation'
HDR10 :: if you like it so much; that's fine (personally, i do not) :: we 'definitely have a differing appreciation' which is fine :: ok? Last edited by jibucha; 12-04-2018 at 05:12 AM. |
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#551 | ||
Special Member
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no (at least according to my most recent information regarding how LG implements Active HDR)
'my information' is that they 'entirely bypass the metadata' due to the inconsistencies as outlined by Kris Deering here: ============================================= Quote:
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Thanks given by: | TitusTroy (12-06-2018) |
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#552 |
Special Member
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unbelievable
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#553 | |
Blu-ray Samurai
Jul 2008
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What i wrote are just facts. Warner and Sony use a metadata-only layer for Dolby Vision, just READ one disc scan maybe Sony doesn't even use DV most of the time and makes the best discs on the market by far for picture quality... Therefore DV is not as important as you think, not at all.... But you care more about the Dolby Vision logo than the actual content on the disc. As I said, have fun.... Last edited by MisterXDTV; 12-06-2018 at 09:27 AM. |
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#554 |
Blu-ray Samurai
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#556 |
Blu-ray Samurai
Jul 2008
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#557 |
Special Member
Jun 2012
Rome, Italy
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#558 |
Blu-ray Prince
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Since you all want proofs, here's a double confirmation:
![]() I can also tell you that The Hate U Give (2018) and Bohemian Rhapsody (2018) are in the pipeline as well. |
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Thanks given by: | bradipolpo (12-11-2018), Geoff D (12-10-2018), gkolb (12-10-2018), King Crimson (12-10-2018), Lion (12-10-2018), MisterXDTV (12-10-2018), ray0414 (12-10-2018), SeeMoreDigital (12-10-2018), Staying Salty (12-10-2018) |
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#559 |
Blu-ray Samurai
Jul 2008
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I'm curious to see whether Warner will start using HDR10+ in 2019. Maybe we will know more at CES in a few weeks. Maybe Disney as well....
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