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#141 | |
Blu-ray Ninja
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Going back to the Vizio from 2016, even its level of HDR - which I don't even think cracked 500 nits - was more than enough to make SDR look flat in comparison after getting used it. Watching things in SDR is often a bummer now. If it's on 4K disc, I want it. Period. I still don't think I'm going to upgrade every movie I've ever owned, but I'm certainly buying way more 4K discs than I ever though I would, and I'm just getting started. |
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Thanks given by: | Armakuni (11-14-2020) |
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#142 |
Blu-ray Samurai
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I've either got a shit telly or my settings are all wrong then, as there isn't a huge WOW difference to me when watching 4k discs with HDR, and watching a film on blu-ray. There is a difference, otherwise I'd just sell my 4k kit and stick with blu-ray, but for the most part, it's minimal.
I've only watched a few films where I can hand on heart say that the picture wowed me and was much better than the blu-ray. |
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#146 | |
Special Member
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#147 |
Senior Member
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#148 |
Blu-ray Emperor
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Expectations also play a part in it I think. HDR is hyped up as being the most amazeballs thing ever that will fry your face clean off but it's simply not the case, not with all of it. When several of the longer-term UHD owners start to eulogise about HDR it's not because it's mega bright and mega colourful but because it renders a sense of realism and depth that SDR is hard-pressed to match.
That effect can often seem so subtle as to be invisible at first but that's why I mentioned longer-term owners. Certain people - think of 'painful fabric' - often scoffed at my earlier UHD write-ups when I set out to compare HDR to SDR, saying stuff like they "shouldn't have to compare the two to see the differences", and "if you have to do that to appreciate it then the upgrade's not worth it". And yet, slowly but surely, dat HDR has gradually wormed its way into the black matter of their brains so that when they now watch an SDR disc they can quickly appreciate how much flatter and duller it looks (mostly). HDR is one area where SDR converted screencaps literally cannot do it justice as although we may be able to see the extra highlight retention (given a competent capper, natch) we're not seeing it in conjunction with the brightness that it should have, and the combination of the two can be breathtaking. |
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Thanks given by: | Armakuni (11-14-2020), Bourne1886 (10-01-2018) |
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#149 |
Blu-ray Samurai
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There must be a fair few 4k hdr discs that haven’t hit the mark in the early life cycle of this format and in years to come those discs will be updated just as blurays have been over the years hence the terms double and triple dipping.
To Quote Geoff " The goal posts change all the time." What is considered good in the early days may well be considered dated in years to come and tech will change again and always will. It always divides opinion. |
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#151 | |
Retired Hollywood Insider
Apr 2007
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![]() And also something I think may not have ever been reported is that Pat Griffiths of Dolby Labs actually wanted 20,000 nits for PQ. |
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#152 | |
Active Member
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I also looked at your 4K collection and there were some that I found very impressive in your collection. Not every disc has the same wow factor, but sometimes when I get curious if there’s been a real upgrade to 4K I’ll compare the 4K to blu on different players and swap between them on inputs. There has always been a difference when I’ve done this, sometimes a major difference even when I thought at first the 4K looked like a well authored blu. Some people won’t see it as a worthwhile upgrade, even with the best equipment, just like some people don’t think Blu-ray is worth the upgrade from DVD. I’m personally an enthusiastic 4K supporter. I can see the difference and for me it’s a much richer, more filmic experience. And sometimes it’s like seeing an entirely new film. After seeing the 4K of catalog titles like E.T., I can’t imagine ever watching them in a lower format again. It would be like going back to VHS. |
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Thanks given by: | stigdu (10-01-2018) |
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#153 |
Blu-ray Samurai
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Appreciate your replies, fellas (apart from Geoff who says I've got a shit TV). I don't flick back and forth between 4k and HD to compare, so maybe my eyes actually are getting used to the 4k and HDR, and maybe I would be disappointed going back to to a Blu-ray after a good 4k disc.
My mate was over this evening, and we watched a little of the new Avengers film 9n 4k disc, and then Monsters, Inc. on regułar blu-ray. He wasn't all 'amaze balls!' at Avengers but said 'wow' at the PQ of Monsters. Should have been the other way round if 4k is so great! ![]() I don't want to come across as a complete naysayer, as I thought AFGM, Saving Private Ryan and Predator looked absolutely fantastic in 4k. |
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#154 | |
Senior Member
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To fully appreciate the enhanced depth HDR provides, you really need a display made with HDR in mind. I don't think LCD really does that. |
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#155 | |
Expert Member
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#156 |
Senior Member
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They certainly provide pleasing images, but for one, most people aren't using these flagship televisions to view their content on, and for two, there's just still fundamental limitations of perceived depth and contrast by having tens of thousands pixels illuminated by a single zone (and we're talking about hundreds of thosuands of pixels per zones on something like the 900F/Q8F/Vizio). By having that many pixels attributed for by a single zone, the image is still very much at the whim of native panel contrast and local dimming algorithms that can drastically change the construct of an image for the worse.
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#157 | |
Retired Hollywood Insider
Apr 2007
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https://forum.blu-ray.com/showthread...os#post8249641 And dissecting out the pros and cons with regards to choosing XYZ vs. BT.2020 for consumer TVs ramps up between myself and Richard later on in Feb. 2014 - https://forum.blu-ray.com/showthread...os#post8802197 and beyond, until a final decision was ultimately arrived at by the primary stakeholders. |
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#158 | |
Expert Member
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#159 | |
Senior Member
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Last edited by alexanderg823; 10-01-2018 at 09:56 PM. |
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