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#6 |
Blu-ray Knight
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Watch for spring boards on the floor and all kinds of other shit that wasn't supposed to be in frame.
![]() They don't just open matte super-35 for cable, they crop the crap out of anamorphic 2.39 flicks too. Caught the end of Jaws 4 the other day and it was cropped. ![]() ![]() |
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#7 | |
Blu-ray Ninja
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![]() Quote:
1.85:1 films as well as some 2.35:1 films (shot in Super 35) shoot this full 1.37:1 image and crop the tops and bottoms of the frame to the desired aspect ratio. For 2.35:1 films this can lead to a grainy picture so many 2.35:1 films are shot with anamorphic lenses that distort the image (essentially stretching out faces vertically) so it takes up the full 1.37:1 frame and the movie is later projected at the proper ratio. Since these do not have more information at the tops and bottoms, they will be pan & scanned if shown at a taller aspect ratio. More here: http://en.wikipedia.org/wiki/Anamorphic_format |
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#8 |
Blu-ray Guru
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Not exactly. Super 35 uses the area of the film normally reserved for the soundtrack to store a wider image. The AR of a Super 35 image on the negative is 1.66:1, not 1.37:1. The 2.35:1 image is then extracted from this and either blown up optically to Panavision or, in the case of Pirates (which used a "digital" intermediate), digitally scanned and then printed to anamorphic prints.
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