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#1 |
Banned
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Avatar
(In theaters, 2D and 3D were shown in 2.35:1 or 1.78:1 depending on whether the screen was Constant Height or Constant Width. Director opted for 1.78:1 for both 2D and 3D on Blu-ray.) Biutiful (Shifts between 1.85:1 and 2.40:1 in theaters and on Blu-ray.) Brainstorm (Switches between windowboxed 1.85:1 and 2.40:1.) Brother Bear (In theaters and on Blu-ray, the movie changes from 1.85:1 to 2.39:1. On Blu-ray, the 1.85:1 sequences are windowboxed to maintain the theatrical experience of "going wide" instead of "going tall".) Chinatown (Opening credits are 1.33:1, bulk of movie is 2.35:1.) The Chronicles of Narnia: Voyage of the Dawn Treader (Shown in theaters in 2.39:1, 1.78:1 on Blu-ray) The Dark Knight (Mostly 2.39:1; opens to 1.78:1 for shots/sequences designed for Real IMAX) The Dark Knight Rises (Mostly 2.39:1; opens to 1.78:1 for shots/sequences designed for Real IMAX) Enchanted (In theaters and on Blu-ray, the animated sequences are in 1.85:1 while the live-action sequences are in 2.39:1. On Blu-ray, the 1.85:1 sequences are windowboxed to maintain the theatrical experience of "going wide" instead of "going tall".) The Evil Dead (Separate 1.33:1 and 1.85:1 encodes) Galaxy Quest (In theaters, the ratio changed from 1.33:1 to 1.85:1 to 2.39:1 as the movie progressed. On Blu-ray, the ratio changes from 1.33:1 to 2.40:1, skipping 1.85:1 altogether. On Blu-ray, the 1.33:1 sequences are windowboxed to maintain the theatrical experience of "going wide" instead of "going tall".) The Horse Whisperer (In theaters and on Blu-ray, the movie changes from 1.85:1 to 2.39:1. On Blu-ray, the 1.85:1 sequences are windowboxed to maintain the theatrical experience of "going wide" instead of "going tall".) The Incredibles (Begins with brief windowboxed 1.33:1 sequence before expanding to 2.40:1.) JFK (Begins with brief windowboxed 1.33:1 sequence before expanding to 2.40:1.) Life of Pi (Mostly 1.78:1; narrows to 2.40:1 during flying fish sequence; one shot in 1.33:1) Once Upon a Time in Mexico (Shown in theaters in 2.39:1, 1.78:1 on Blu-ray) On the Waterfront (Three separate encodes in 1.33:1, 1.66:1, and 1.85:1 on Blu-ray) Oz the Great and Powerful (In theaters and on Blu-ray, the movie starts in 1.33:1 but widens to 2.39:1. On Blu-ray, the 1.33:1 sequences are windowboxed to maintain the theatrical experience of "going wide" instead of "going tall".) Scott Pilgrim vs. the World (Mostly 1.85:1 but narrows to 2.40:1 and other aspect ratios depending on what's being shown.) The Simpsons Movie (In theaters and on Blu-ray, the movie starts in 1.33:1 but widens to 2.39:1. On Blu-ray, the 1.33:1 sequences are windowboxed to maintain the theatrical experience of "going wide" instead of "going tall".) Superman (1978) (Begins with brief windowboxed 1.33:1 sequence before expanding to 2.40:1.) This Is Cinerama (Begins with windowboxed 1.33:1 sequence before expanding to Cinerama width.) THX-1138 (Opening "Buck Rogers" clip is 1.33:1, bulk of movie is 2.35:1.) Titanic (1997) (2D was 2.39:1 in theaters and on Blu-ray; director opted for 1.78:1 for 3D in theaters and on Blu-ray) Tombstone (Begins with windowboxed black-and-white 1.33:1 clips, expands to 2.35:1 for rest of the movie.) Transformers: Revenge of the Fallen Walmart Exclusive (Mostly 2.39:1; opens to 1.78:1 for shots/sequences designed for Real IMAX) Tron: Legacy (Mostly 2.39:1; opens to 1.78:1 for shots/sequences designed for IMAX) Woodstock Wide range of aspect ratios, including 1.66:1, 2.35:1, and 2.55:1. Several "multi-screen" sequences. The World's Fastest Indian (2.39:1 in theaters; 2.40:1 on Blu-ray in Australia; 1.78:1 on Blu-ray everywhere else) Potential Alternate/Shifting Aspect Ratios Candidates: The Hunger Games: Catching Fire 2.39:1 in non-IMAX venues Mostly 2.39:1; has shots/sequences designed for Real IMAX and Digital IMAX *Note: Mission: Impossible -- Ghost Protocol 2.39:1 in 35mm prints (Footage was shot with IMAX cameras and shown in 1.66:1 in Real IMAX, but director opted for constant 2.40:1 ratio on Blu-ray) Oblivion (Footage was shot and shown in 1.90:1 for IMAX, though the black-and-white flashback sequences were framed at 2.40:1; constant 2.40:1 on Blu-ray as in non-IMAX theaters.) Prometheus (In Real IMAX theaters, the 3D version was shown in 1.66:1. In Digital IMAX theaters, the 3D version was shown in 1.90:1. In non-IMAX theaters, the 2D version was shown in 2.39:1. On Blu-ray, both 2D and 3D versions are 2.40:1.) Skyfall 2.39:1 in 35mm prints (Footage was shot and shown in 1.90:1 for IMAX, but director opted for constant 2.40:1 ratio on Blu-ray) Star Trek Into Darkness 2.39:1 in 35mm prints (Footage was shot with IMAX cameras and shown in 1.66:1 in Real IMAX) Last edited by Deciazulado; 08-27-2021 at 05:52 AM. |
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#2 |
Blu-ray Ninja
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Biutiful switches between 2.40:1 and 1.85:1. https://www.blu-ray.com/movies/Biuti...2/#Screenshots
Once Upon a Time in Mexico & The Chronicles of Narnia: The Voyage of the Dawn Treader were both shown theatrically at 2.39:1, and opened to 1.78:1 for home video. On the Waterfront is presented in 1.33:1, 1.66:1, and 1.85:1 on the Criterion Blu-ray. https://www.blu-ray.com/movies/On-th...6/#Screenshots The Evil Dead (1981) is presented in both 1.85:1 and 1.33:1 on Blu-ray. https://www.blu-ray.com/movies/The-E...2/#Screenshots The first 24 min of Brother Bear are in 1.75:1, then the sides open up to 2.35:1. https://www.blu-ray.com/movies/Broth...7/#Screenshots The opening scenes of Oz the Great and the Powerful are in 1.33:1, then the movie opens to 2.40:1. Then there are the controversies over Shane, the Kubrick films, etc. Last edited by Rizor; 05-15-2013 at 12:33 AM. |
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#3 | |
Banned
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#7 |
Power Member
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I think this list should only contain movies where the aspect ratio changes during the movie intentionally and is presented that way faithfully or if they offer an additional aspect ratio. For all other titles that are presented on Blu-ray with an altered aspect ratio from their theatrical version, HD Goofnut already has an exhaustive thread with tons of titles. Maybe just put a link to that thread in the OP. https://forum.blu-ray.com/showthread...t=aspect+ratio
I do really like that you're including whether the shift is window-boxed or no, I like this effect when used appropriately. The Incredibles opens briefly with 1.33:1 "documentary film" footage window-boxed, before shifting into 2.39:1. |
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#11 |
Blu-ray Count
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Oblivion
Shifted ratios in the version shown in the IMAX screenings. It started in letterboxed 2.40 for the black and white flashback, then opened up to fill the frame when the movie shifted to the present. It continued shifting back to 2.40 for each flashback. JFK The opening documentary sequence is 1.33, then the remainder of the film is 2.40. The BD presents it this way, as seen in theaters. Superman (1978) Opening black and white prologue is 1.33 with theatrical curtains on either side filling the 2.35 frame. The opening credits then explode out to fill the whole width. Last edited by James Luckard; 08-04-2013 at 10:15 AM. |
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#13 |
Active Member
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#15 | |
Senior Member
![]() May 2013
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http://www.imdb.com/title/tt1408101/...ef_=tt_dt_spec |
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#17 |
New Member
Aug 2013
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The Simpsons movie starts out at 1.85:1 and switches to 2.35:1 at the movie's title card.
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#18 |
Junior Member
Jul 2009
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You forgot the most obvious one of all: "This is Cinerama".
On the blu-ray edition, the Lowell Thomas introduction starts at approximately 1.33 with curtains that open up to reveal the right and left panels for the roller coaster ride, simulating the original theatrical presentation. |
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#19 | |
Banned
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#20 |
Special Member
Jun 2013
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Oz: The Great and Powerful has the best use of shifting aspect ratios. I know it's done for artistic reasons and not just because the different footage ratios, but... still. It was breathtaking to watch it go from full frame to widescreen last night. <3
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