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Old 01-11-2023, 10:45 PM   #1
BillyDuffyLove77 BillyDuffyLove77 is offline
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Default Kathryn Bigelow's 'BLUE STEEL' from the After Dark Noir Collection

Re: Kathryn Bigelow's 'BLUE STEEL' from the After Dark Noir Collection

Does anyone know how this Aussie release (as part of the box set) stacks up against the French and/or German bluray release of this underrated thriller???

Thank you!
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Old 01-15-2023, 05:56 PM   #2
Dr. Hackenbush Dr. Hackenbush is offline
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I don't own it yet, but it's in the second volume of the After Dark Neo-Noir Cinema Collection.

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BillyDuffyLove77 (01-16-2023)
Old 01-16-2023, 09:05 PM   #3
BillyDuffyLove77 BillyDuffyLove77 is offline
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Quote:
Originally Posted by Dr. Hackenbush View Post
I don't own it yet, but it's in the second volume of the After Dark Neo-Noir Cinema Collection.

Yes, thank you. I just wondered if anybody had the new Aussie release and the French or German releases to compare.
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Old 01-17-2023, 07:33 AM   #4
Alister_M Alister_M is offline
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Quote:
Originally Posted by BillyDuffyLove77 View Post
Yes, thank you. I just wondered if anybody had the new Aussie release and the French or German releases to compare.
I don't have either but I do know the Imprint disc has an hour worth of extras and the only audio mix is 2.0 instead of the 5.1 on the European releases. It's most likely the same video master as the German disc.
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Old 01-17-2023, 08:17 AM   #5
shireguy shireguy is offline
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Quote:
Originally Posted by BillyDuffyLove77 View Post
Re: Kathryn Bigelow's 'BLUE STEEL' from the After Dark Noir Collection

Does anyone know how this Aussie release (as part of the box set) stacks up against the French and/or German bluray release of this underrated thriller???

Thank you!

Have this - yet to watch - but the question back is : what its it that your wish to evaluate (stacks up) - since myself and many other Aussies wouldn’t have any French or German edition ? What are u after ???
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Old 01-17-2023, 08:57 AM   #6
BillyDuffyLove77 BillyDuffyLove77 is offline
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Quote:
Originally Posted by shireguy View Post
Have this - yet to watch - but the question back is : what its it that your wish to evaluate (stacks up) - since myself and many other Aussies wouldn’t have any French or German edition ? What are u after ???
Hi. Just to check which offers the best picture quality and audio quality. I know that the Imprint Aussie release has additional extras
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Old 01-17-2023, 08:58 AM   #7
Anamnesis Anamnesis is offline
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Here is the BDinfo Scan of the film if that helps at all:

Quote:
DISC INFO:

Disc Title: Blue Steel
Disc Label: Blue Steel
Disc Size: 42,249,104,781 bytes
Protection: AACS
BDInfo: 0.7.5.6

PLAYLIST REPORT:

Name: 00001.MPLS
Length: 1:41:51.104 (h:m:s.ms)
Size: 28,268,894,208 bytes
Total Bitrate: 37.01 Mbps

VIDEO:

Codec Bitrate Description
----- ------- -----------
MPEG-4 AVC Video 33011 kbps 1080p / 23.976 fps / 16:9 / High Profile 4.1

AUDIO:

Codec Language Bitrate Description
----- -------- ------- -----------
LPCM Audio Chamorro 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit

SUBTITLES:

Codec Language Bitrate Description
----- -------- ------- -----------
Presentation Graphics English 27.042 kbps

FILES:

Name Time In Length Size Total Bitrate
---- ------- ------ ---- -------------
00000.M2TS 0:00:00.000 1:41:51.104 28,268,894,208 37,007

CHAPTERS:

Number Time In Length Avg Video Rate Max 1-Sec Rate Max 1-Sec Time Max 5-Sec Rate Max 5-Sec Time Max 10Sec Rate Max 10Sec Time Avg Frame Size Max Frame Size Max Frame Time
------ ------- ------ -------------- -------------- -------------- -------------- -------------- -------------- -------------- -------------- -------------- --------------
1 0:00:00.000 0:08:23.878 30,371 kbps 51,542 kbps 00:04:31.187 40,106 kbps 00:05:59.192 37,541 kbps 00:03:49.229 158,329 bytes 598,490 bytes 00:05:17.900
2 0:08:23.878 0:07:54.640 33,298 kbps 49,636 kbps 00:11:43.786 39,907 kbps 00:15:40.564 37,428 kbps 00:12:04.306 173,603 bytes 460,735 bytes 00:16:18.519
3 0:16:18.519 0:03:46.100 34,978 kbps 50,443 kbps 00:18:45.624 39,786 kbps 00:18:45.624 37,412 kbps 00:17:54.823 182,359 bytes 470,668 bytes 00:18:18.472
4 0:20:04.620 0:06:52.370 35,054 kbps 50,542 kbps 00:25:52.842 39,711 kbps 00:25:43.083 37,309 kbps 00:26:03.478 182,754 bytes 483,865 bytes 00:20:21.178
5 0:26:56.990 0:06:22.924 34,953 kbps 45,327 kbps 00:27:03.830 39,985 kbps 00:27:00.952 37,552 kbps 00:27:00.952 182,227 bytes 472,719 bytes 00:32:45.505
6 0:33:19.914 0:07:40.877 33,006 kbps 52,687 kbps 00:40:48.821 40,075 kbps 00:33:50.069 37,467 kbps 00:36:30.271 172,076 bytes 449,711 bytes 00:40:49.113
7 0:41:00.791 0:06:09.243 33,855 kbps 51,928 kbps 00:41:30.404 40,103 kbps 00:41:55.804 37,529 kbps 00:43:35.613 176,506 bytes 524,453 bytes 00:44:03.390
8 0:47:10.035 0:08:00.188 34,260 kbps 53,708 kbps 00:49:36.723 40,095 kbps 00:49:36.682 37,528 kbps 00:49:09.112 178,615 bytes 484,492 bytes 00:49:37.265
9 0:55:10.223 0:03:37.175 33,987 kbps 44,834 kbps 00:58:03.938 39,790 kbps 00:57:45.420 37,502 kbps 00:55:57.979 177,192 bytes 436,574 bytes 00:57:47.422
10 0:58:47.398 0:08:02.773 33,535 kbps 45,248 kbps 01:02:41.048 39,302 kbps 01:01:03.576 37,576 kbps 01:03:12.371 174,836 bytes 442,851 bytes 01:02:42.049
11 1:06:50.172 0:06:00.318 34,262 kbps 49,288 kbps 01:09:45.222 40,121 kbps 01:12:41.065 37,410 kbps 01:07:01.976 178,625 bytes 459,930 bytes 01:08:52.211
12 1:12:50.491 0:06:26.636 33,577 kbps 44,965 kbps 01:15:47.417 40,048 kbps 01:16:02.558 37,539 kbps 01:13:24.733 175,056 bytes 467,636 bytes 01:16:57.904
13 1:19:17.127 0:09:03.084 32,838 kbps 48,004 kbps 01:22:58.223 40,162 kbps 01:28:12.120 37,467 kbps 01:22:25.273 171,203 bytes 534,323 bytes 01:20:03.924
14 1:28:20.211 0:03:56.861 33,823 kbps 57,506 kbps 01:29:44.253 40,021 kbps 01:29:34.744 37,584 kbps 01:30:07.944 176,340 bytes 498,137 bytes 01:29:44.295
15 1:32:17.073 0:06:28.763 34,966 kbps 51,969 kbps 01:36:35.664 40,016 kbps 01:34:23.032 37,522 kbps 01:34:56.565 182,295 bytes 477,733 bytes 01:35:00.569
16 1:38:45.836 0:03:05.268 12,817 kbps 41,080 kbps 01:38:55.387 38,535 kbps 01:38:52.509 37,334 kbps 01:38:47.379 66,837 bytes 413,476 bytes 01:38:59.266

STREAM DIAGNOSTICS:

File PID Type Codec Language Seconds Bitrate Bytes Packets
---- --- ---- ----- -------- -------------- -------------- ------------- -----
00000.M2TS 4113 (0x1011) 0x1B AVC 6110.980 33,011 25,216,387,428 137,131,330
00000.M2TS 4352 (0x1100) 0x80 LPCM cha (Chamorro) 6110.980 2,310 1,764,887,124 9,777,768
00000.M2TS 4608 (0x1200) 0x90 PGS eng (English) 6110.980 27 20,656,854 121,021
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Old 01-18-2023, 05:42 PM   #8
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Is there like 14gb of bonus features?!?
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Old 01-18-2023, 05:51 PM   #9
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4 features, nice!

Quote:
For this Blu-ray edition, Imprint Films includes a smattering of supplemental material. The first feature, “A Hired Gun,” is a discussion with editor Lee Percy. Percy discusses how he came to work in Hollywood, using his background in acting to propel his editing career and how he came to join the Blue Steel production. There’s a balance between technical and education that Percy walks beautifully, which speaks well equally to those who understand film production and others unfamiliar with editing techniques.

“The Phallic Woman: Deconstructing Blue Steel” is a film breakdown with film historian professor Jennifer Moorman. Based on the title, one might assume this feature might focus on the usage of weaponry throughout the film. While “The Phallic Woman” does draw parallels with the gun as a phallic symbol, Moorman dives head first into analyzing themes and allegories. While I do not agree with some of Moorman’s analysis and feelings, she does offer plenty of insight from her point of view. These include both main characters appearing androgynous, use of police force, and her interpretations of the ending. Moorman’s details on her cinematic opinion were welcome—hearing others’ positions allows someone like myself to look at the film in a different light, even if my thoughts differ from hers. “The Phallic Woman” is a solid companion piece to enjoy after watching the movie.

“Staring Down the Barrel” is a sit down with production designer Tony Corbett. Corbett briefly touches upon his history in filmmaking before digging into the production aspects of Blue Steel. He talks about this film being the first he ever worked on in New York, the design of the opening scene and the villain’s apartment, and the usage of cinematic glass for the grocery store robbery sequence. “Staring Down the Barrel” isn’t as informative as “A Hired Gun,” but it’s worth a one-time listen.

“A Profound Emotional Response” is a video essay by film historian Chris O’Neill. O’Neill dives into the character’s backstories, motivations, and story moments. He includes drawing a parallel between Ron Silver’s villain and The Hitcher character from co-writer Eric Red’s earlier script, The Hitcher. As someone who didn’t feel the film pulled off everything it attempted, some of what O’Neill discusses are ideas that do not align with my feelings towards the movie. Like “The Phallic Woman,” “A Profound Emotional Response” is a solid feature; they make a one-two punch for those looking to digest more than just the feature film.

The disc closes out with the theatrical trailer.
Source
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