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#2 | ||||
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I just stumbled on this release and am intrigued. As far as I know, the only other 4K UHD release or Japanese music was Universal Music Japan's Boøwy: 1224 -THE ORIGINAL- , which came out in 2017 and eventually went out-of-print:
![]() ![]() As I recall, that concert had been shot on film and completely remastered with HDR. Unfortunately, this Rebecca concert is video. I doubt it was captured in analog HD and Sony Music's press materials seem to imply that they have simply upscaled the concert to 4K. Here is what is posted on the website for the release: Quote:
One piece of good news is that, assuming the promo videos are accurate, the original 4:3 aspect ratio has been retained: The other bit of interesting news is that there is both an LPCM 2.0 track and a DTS-HD MA 5.1 track, which is said to be 96/24. The 5.1 audio is new for this release. Last edited by McCrutchy; 07-08-2024 at 01:17 PM. |
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#3 |
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I'm watching this now, it's pretty fun! The camera is almost always on Nokko, the lead singer, and you could be forgiven for thinking it was one of her performances as a solo artist. Her voice is pretty great and she's definitely the star of the show. She wears surprisingly revealing Western-style outfits compared to J-Pop singers, who often seem to dress in everyday clothing or, in the case of Enka singers, gowns. Despite the songs all having written English titles, virtually all of the lyrics are in Japanese.
Apparently, this version of the concert has been re-edited in addition to being re-mixed, so that might explain the difference in run times. The LD and original DVD claim to run 105 minutes, but this "Reborn" version runs 1:48:34. Having said that, the concert itself ends just after the 105-minute mark, before an obviously new end credits roll (in English) which also has credits for the remastering and 4K conversion. This version also received a limited theatrical release in Japan with the new 5.1 sound, but on the 4K UHD disc, the default audio is the stereo track. According to the back cover of the new Blu-ray, the audio there is 96/24 LPCM 2.0 and 48/24 DTS-HD MA 5.1, but on the 4K UHD, audio is 96/24 for the DTS-HD MA 5.1 track, too (I can't actually verify that it's 24-bit, but my Oppo shows the track is regularly between 7-8 Mbps). I watched the concert with the 5.1 track and was pretty impressed. Of course, I'm not familiar with the music, but it sounds great, though obviously patched for home video. Sometimes instruments like a headless tambourine seem too prominent to be from the actual live audio, but it's no matter. The guitars, keyboards and drums are all prominent, as are Nokko's vocals. I did notice that her vocals could sometimes get very slightly distorted, perhaps due to her handheld microphone, but this is never a distraction and most of the time the vocals are perfectly clear. I'm watching again now with the stereo mix and I also like this track a lot. It's definitely narrower than the 5.1, but also sounds more natural in terms of the mix itself. Obviously, the concert was originally recorded in stereo, but I don't see anything that tells me this 4K UHD stereo track is original, and given the re-editing and re-mixing, I assume the stereo track here is also new for this release. The image is 4K SDR and is very smooth throughout, probably having had noise reduction applied (I believe I read something in the translation about Sony applying some sort of AI-enhanced upscaling technology), giving the image a slightly unsettling feel, especially in backgrounds, which are eerily clean. That said, the camera setups here, as with most concert recordings, are highly variable. Most of the best angles are the ones on Nokko, where detail in her close-ups can look acceptable, even very good when she is under bright light. But other angles, such as those on the audience, behind the drummer or on the keyboardist, and especially in wide shots, can look less sharp and sport some blurriness and heavy haloing. Overall, however, the image seems to have been remastered from the source video (as opposed to say, upscaling the LD master) and probably looks as good as it can. The encode is regularly in in the 80-90 Mbps range. There are no extras on the disc (as with many domestic Japanese releases, the main program--here, the concert--begins immediately after the copyright notice), but you do get a leaflet with the video and disc credits, as well as a separate, full-color matte booklet with photos and tour credits. |
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Thanks given by: | Gojira-96x (07-12-2024) |
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