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#21 |
Blu-ray Knight
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A few updates: First, a review on Amazon claims the original version will have the UA hexagon, while the director's cut will have the logos of The Samuel Goldwyn Company (who distributed that cut in 1989; those logos are on the MGM DVD I have, one of the few pre-Criterion discs at 1.66:1 OAR). I'll check it to be sure (just shipped from Target), but that sounds good.
Second, packaging pictures at Criterion Forum show that Criterion is licensing the film directly from its original UK producer Woodfall. Apparently the film's rights reverted to Woodfall sometime after MGM got them from buying TSGC (much like The Best Years of Our Lives, originally produced by Samuel Goldwyn Sr., now owned by a Goldwyn family trust). That suggests it won't be going back to MGM from Criterion, as Silence of the Lambs did before (and probably will again). Finally, just in case no one mentioned it, the UK will see this restoration as part of the BFI boxset Woodfall: A Revolution in British Cinema 1959-1965, due in April. |
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Thanks given by: | oildude (04-27-2018) |
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#22 |
Blu-ray Ninja
Jun 2011
London
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Sorry, double post.
Last edited by CinemaScope; 02-24-2018 at 12:06 AM. |
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#23 | |
Blu-ray Ninja
Jun 2011
London
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Last edited by CinemaScope; 02-24-2018 at 12:08 AM. |
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#24 | |
Special Member
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#25 |
Blu-ray Samurai
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Mine is being delivered today by Amazon. Haven't seen this in its entirety since I was a kid (when it had its first theatrical release!). I was only about 8 at the time so didn't really appreciate it...hoping being an adult will fix that now. Also glad for its release because it was one of the few Best Picture winners not yet on Blu. (When, oh when, will they do a Blu --- or better yet, a 4K release!!!!!! --- of "Around the World in 80 Days"??)
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#29 |
Blu-ray Baron
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#30 |
Blu-ray Knight
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Just got mine, and it seems the Amazon reviewer was wrong. Both cuts open with the Criterion logo, then the Janus Films logo, then straight to "A Woodfall Film". The director's cut has a "distributed by" TSGC logo at the end of the scroll; the original version has "Distributed Through Lopert Pictures Corporation" (its U.S. distributor) on the copyright screen just before the cast. No Leo, but no animated Sam Goldwyn signature or UA hexagon either.
One other curious thing: The silent-like title cards in the opening have what appears to be a still, digitized video noise pattern in the background. Was this in the original film, or did the restorers think it was an actual background and mistakenly leave it in? |
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#31 |
Power Member
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Rented a nice new copy of this from the library today (no scratches or random stranger goo on it). I've never seen it before. Would you all recommend the theatrical or the director's cut for a rookie? I usually go with director's cuts, but since the theatrical won an Oscar, I thought I'd check in here. Are they very different?
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#32 |
Blu-ray Ninja
Jun 2011
London
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I'd have thought they'd be a few more reviews of the Blu-ray by now.
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#33 | |
Blu-ray Ninja
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Last edited by thatguamguy; 03-12-2018 at 07:09 PM. |
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Thanks given by: | JupiterMission (03-12-2018) |
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#34 |
Active Member
Jan 2012
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This seems to be a little different in that the "Directors Cut" is actually SHORTER than the original version, when usually it's the reverse
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Thanks given by: | JupiterMission (03-12-2018) |
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#36 | |
Power Member
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Most reviews seem to say the film is imperfect, so may benefit from a shorter directors cut. Any consensus which is the “better” cut of the film? |
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#37 |
Power Member
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For what it's worth, I went with the Theatrical and really enjoyed the film (and wound up purchasing it). I haven't watched the Director's Cut to compare, however.
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Thanks given by: | HomerThompson (04-24-2023) |
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