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Old 09-18-2018, 07:44 PM   #1
Darth Marcus Darth Marcus is offline
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Source: The Hollywood Reporter

Quote:
Toronto: A24 Nabs Dress Horror Pic 'In Fabric'
11:27 AM PDT 9/18/2018 by Etan Vlessing


Peter Strickland's film debuted as part of the Midnight Madness program at TIFF.

A24 has acquired the North American rights to In Fabric, writer and director Peter Strickland’s horror film about a woman who buys a cursed gown from a strangely sinister department store outside of London.

A 2019 domestic release is planned. In Fabric had a world premiere as part of the Midnight Madness sidebar at the Toronto Film Festival, and is set to make its U.S. bow on Thursday at the Fantastic Fest.

The film's ensemble cast includes Marianne Jean-Baptiste, Hayley Squires, Leo Bill, Julian Barrett, Steve Oram and Gwendoline Christie. In Fabric tells the story of a lonely woman, played by Jean-Baptiste who visits a London department store in search of a dress that will transform her life.

She's fitted with a perfect, dark red gown that unleashes a malevolent curse and unstoppable evil, threatening everyone that comes into its path.

"I’m very excited to have In Fabric distributed by A24. I love the films they've put out and their fearless approach to successfully finding an audience. In Fabric is in safe and loving hands with A24," Strickland said Tuesday in a statement.

Bankside Films negotiated the deal on behalf of the filmmakers. In Fabric is produced by Andy Starke, who also worked with Strickland on The Duke of Burgundy, and is executive produced by Rose Garnett, Lizzie Francke, Phil Hunt, Compton Ross, Stephen Kelliher, Hilary Davis, Andrew Boswell, Ben Wheatley, and Ian Benson.

The film was financed by BFI Film Fund, BBC Films, Head Gear Films, Metrol Technology and Twickenham Studios. Peter Strickland is represented by Ian Benson at The Agency and David Kopple at CAA.
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Old 09-18-2018, 07:45 PM   #2
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Ooh, sounds good.
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Old 09-18-2018, 08:13 PM   #3
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All in for anything from Strickland; Berberian Sound Studio and Duke of Burgundy were both intriguing oddities (and that dream sequence in Duke of Burgundy evoked the visual qualities and atmosphere of 70's Euro-horror quite nicely). Hope this is another triumph for A24.

I've no doubt the execution will be quite different, but reading the premise for In Fabric reminded me of the Tobe Hooper 1990 TV-Movie I'm Dangerous Tonight, where mousy Madchen Amick unleashes her sexy/murderous side courtesy of a cursed red dress. By the way, where's the Blu for this? Get on that Scream Factory!

Last edited by MJD64; 09-18-2018 at 08:21 PM.
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Old 09-18-2018, 08:42 PM   #4
Foggy Foggy is offline
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Strickland is the real deal, if this half as arresting as Duke of Burgundy then it’ll be astonishing.
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Old 09-18-2018, 08:58 PM   #5
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Still need to see Berberian Sound Studio...but Duke of Burgundy was quite a trip.
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Old 09-18-2018, 09:03 PM   #6
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Cue A24 mismarketing the movie to make it look more conventional, them throwing it into nearly 3000 theaters, critics loving it, audiences being split on it (supporters of it act like snobbish dicks while people who dislike it not finding the film scary at all and getting mad over getting something that it didn't resemble at all), it making around 20 million or so in its total domestic box office......

Rinse, repeat.
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Old 09-18-2018, 09:04 PM   #7
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Originally Posted by Foggy View Post
Strickland is the real deal, if this half as arresting as Duke of Burgundy then it’ll be astonishing.
He should've been arrested for everything he's ever made...
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Old 09-18-2018, 09:07 PM   #8
jacobsever jacobsever is offline
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Quote:
Originally Posted by The Debts View Post
Cue A24 mismarketing the movie to make it look more conventional, them throwing it into nearly 3000 theaters, critics loving it, audiences being split on it (supporters of it act like snobbish dicks while people who dislike it not finding the film scary at all and getting mad over getting something that it didn't resemble at all), it making around 20 million or so in its total domestic box office......

Rinse, repeat.
I mean, heaven forbid the movie-going public look up the director and seek out his previous films to get a sense of what this movie might be like. Who cares about trailers? Who cares about marketing? You want to know what a movie from an established director will be like? Watch his previous work.
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Old 09-18-2018, 09:09 PM   #9
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Originally Posted by jacobsever View Post
I mean, heaven forbid the movie-going public look up the director and seek out his previous films
God help them x
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Old 09-18-2018, 09:09 PM   #10
Creed Creed is offline
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Quote:
Originally Posted by The Debts View Post
Cue A24 mismarketing the movie to make it look more conventional, them throwing it into nearly 3000 theaters, critics loving it, audiences being split on it (supporters of it act like snobbish dicks while people who dislike it not finding the film scary at all and getting mad over getting something that it didn't resemble at all), it making around 20 million or so in its total domestic box office......

Rinse, repeat.
Pretty much.
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Old 09-18-2018, 09:52 PM   #11
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I'll see this, just because its A24.
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Old 09-19-2018, 02:15 AM   #12
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Quote:
Originally Posted by Worship.my.wreck View Post
I'll see this, just because its A24.
Yeah...after Slice I'm pumping my brakes


Just kidding, this sounds interesting. I'll give it a shot.
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Old 09-19-2018, 02:18 AM   #13
LegacyCosts LegacyCosts is offline
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Quote:
Originally Posted by The Debts View Post
Cue A24 mismarketing the movie to make it look more conventional, them throwing it into nearly 3000 theaters, critics loving it, audiences being split on it (supporters of it act like snobbish dicks while people who dislike it not finding the film scary at all and getting mad over getting something that it didn't resemble at all), it making around 20 million or so in its total domestic box office......

Rinse, repeat.
Hey if this is the way they get good films made/seen in an apocalyptic waste land of modern Hollywood then so be it. Long live A24.

You have Hereditary as your #1 movie this year. lol
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Old 09-19-2018, 02:22 AM   #14
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Originally Posted by LegacyCosts View Post
Hey if this is the way they get good films made/seen in an apocalyptic waste land of modern Hollywood then so be it. Long live A24.

You have Hereditary as your #1 movie this year. lol
What if A24 gets their hands on Tom Six's latest opus?
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Old 09-19-2018, 02:23 AM   #15
LegacyCosts LegacyCosts is offline
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Quote:
Originally Posted by CelluloidPal View Post
What if A24 gets their hands on Tom Six's latest opus?
We need a sequel to gay in Amsterdam.
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Old 09-19-2018, 02:26 AM   #16
The Debts The Debts is online now
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Quote:
Originally Posted by LegacyCosts View Post
Hey if this is the way they get good films made/seen in an apocalyptic waste land of modern Hollywood then so be it. Long live A24.

You have Hereditary as your #1 movie this year. lol
Just because I love the studio and the films they produce doesn't mean they aren't immune to criticism.
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Old 09-19-2018, 02:27 AM   #17
CelluloidPal CelluloidPal is offline
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Quote:
Originally Posted by LegacyCosts View Post
We need a sequel to gay in Amsterdam.
I'm not sure if you've heard about his latest movie but there's a thread about it.

https://forum.blu-ray.com/showthread.php?t=307816
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Old 09-19-2018, 02:30 AM   #18
LegacyCosts LegacyCosts is offline
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Quote:
Originally Posted by The Debts View Post
Just because I love the studio and the films they produce doesn't mean they aren't immune to criticism.
True. I remember the backlash against it comes out at night being especially bad. Loved that movie.
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Old 09-19-2018, 02:31 AM   #19
LegacyCosts LegacyCosts is offline
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Quote:
Originally Posted by CelluloidPal View Post
I'm not sure if you've heard about his latest movie but there's a thread about it.

https://forum.blu-ray.com/showthread.php?t=307816
Looks like it'll offend many, I like it.
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Old 09-19-2018, 02:38 AM   #20
The Debts The Debts is online now
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Quote:
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True. I remember the backlash against it comes out at night being especially bad. Loved that movie.
The Witch is one of my favorite films of the decade, so I can relate.
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