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Old 02-07-2018, 07:25 PM   #101
Rodney-2187 Rodney-2187 is offline
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Old 02-07-2018, 07:26 PM   #102
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I want a Ryan Coogler directed Lando film. That'd be sweet.
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Old 02-07-2018, 08:02 PM   #103
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Quote:
Originally Posted by Himmel View Post
Rumor: Women & People of Color Are Developing Star Wars Movies
This article reads like satire.
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Old 02-07-2018, 08:11 PM   #104
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I kinda wish D&D would be doing the live action TV show that will be on Disney's streaming service instead as they are a good fit for longform narrative. This still does have my attention, though.
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Old 02-07-2018, 08:13 PM   #105
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I will be seeing every Star Wars movie made until my death. I might even come back as a force ghost and watch the ones afterwards.
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Old 02-07-2018, 08:16 PM   #106
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Quote:
Originally Posted by stvn1974 View Post
I will be seeing every Star Wars movie made until my death. I might even come back as a force ghost and watch the ones afterwards.
What if Nolan directs a Star Wars movie with Zimmer to score?
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Old 02-07-2018, 08:20 PM   #107
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Originally Posted by Kylo Ren View Post
What if Nolan directs a Star Wars movie with Zimmer to score?
I will go see it but will walk out at the 45 minute of the crawl. No way Nolan can only do a few seconds of exposition.
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Old 02-07-2018, 09:14 PM   #108
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Quote:
Originally Posted by stvn1974 View Post
I will go see it but will walk out at the 45 minute of the crawl. No way Nolan can only do a few seconds of exposition.
You obviously haven't seen Dunkirk then...
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Old 02-15-2018, 11:38 AM   #109
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5 reasons the Game of Thrones producers are perfect for Star Wars

http://ew.com/tv/2018/02/06/game-of-thrones-star-wars/


They’ve already done it.

[Show spoiler]The success of Game of Thrones is due to Benioff and Weiss taking a highly complex magical fantasy world created by a bearded visionary named George (in this case, George R.R. Martin and his terrific novels) and turning it into accessible mass entertainment and a worldwide phenomenon (sound familiar?). Nowadays it’s easy to forget how impossible-seeming and daunting adapting A Song of Ice and Fire was in 2011; Martin literally wrote the books to be unfilmable with a sprawling scope and convention-busting narrative. By comparison, Star Wars was born in the world of cinema. If anything, creating an innovative and exciting new Star Wars trilogy from scratch is easier than what the GoT producers have already accomplished. And along the way, they proved they are terrific at picking key talent — from director Miguel Sapochnik to composer Ramin Djawadi to actress Maisie Williams … GoT‘s success is driven by the collective talents of a massive team the producers’ put together.


They’re devoted to practical effects and visual realism.

[Show spoiler]Thrones embraces practical sets, effects (example: any time you see fire on screen it’s almost always real) and on-location scenery whenever possible. Not every shot in every episode is 100 percent photo-realistic, of course, but the producers strive to make everything as grounded-looking as possible. The Star Wars films were already re-embracing their practical effects roots starting with J.J. Abrams’ The Force Awakens, and you can expect any films made by the GoT duo to make practical filmmaking a top priority.


Their action sequences are already better than what’s in theaters.

[Show spoiler]The Battle of Castle Black and The Battle of the Bastards blew away chaotic summer tentpole films with visual cohesiveness, engaging character-driven moments, and huge suspense. While the new Star Wars films have had several rousing sequences (The Last Jedi’s throne room fight, The Force Awakens’ Millennium Falcon escape), it’s debatable whether anything in the next generation of films has yet topped the nail-biting thrill of the original Star Wars Death Star trench scene, or the nightmarish dread of Luke and Vader’s lightsaber fight in The Empire Strikes Back. Benioff and Weiss have made epic-looking action with “only” $15 million per hour … so imagine what they could do with $200 million.


Their storytelling is “bold,” yet also on brand.

[Show spoiler]Right there in Disney’s release is Lucasfilm chief Kathleen Kennedy predicting the producers would “boldly push Star Wars” and “break new ground.” Some are already wondering if the producers known for such envelope-pushing TV will be able to transition from HBO — where a talented showrunner is king — to Lucasfilm — where the studio is firmly in charge (as the original directors of Rogue One and Solo found out). But Benioff and Weiss aren’t impulsive auteur mavericks; their narratives on GoT are dark and bold and shocking because that is the world that George R.R. Martin created. Their original twists and turns to the saga since largely leaving Martin’s narrative behind have been debated by fans, but they’re on brand for the story they’re adapting. On the other side of the partnership, the ending of Rogue One — which killed off all the film’s protagonists — showed Disney is open to Red Wedding moments of their own.


Their characters and dialogue are strong.

[Show spoiler]Benioff and Weiss don’t get enough credit for this amid all the spectacle. But GoT juggles upward of 30 series-regular characters sharing a relatively paltry (for TV) 10 hours of screen time per season, yet every character feels iconic and pops off the screen during their scenes — from Arya to The Hound to Jaime to Brienne to a couple dozen others. Lucasfilm clearly already took notice, snatching up members of the show’s cast (with Gwendoline Christie as Captain Phasma and Emilia Clarke as Qi’ra in Solo). Sure there’s a line or two along the way that Twitter can snark about (the Tyene Sand one, I know). But GoT‘s typically riveting two-person dialogue scenes (like Tyrion and Cersei’s argument near the end of season 7) are as great as any on TV. And if the characters and dialogue didn’t work, the show wouldn’t work, and Game of Thrones certainly wouldn’t be the biggest drama series Emmy winner in history.
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Old 02-11-2019, 06:55 AM   #110
Kylo Ren Kylo Ren is offline
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Small update, but it looks like their "film series" will be three movies.

HBO network president, Casey Bloys, speaking about why their upcoming show, Confederate, was delayed had this to say,

Quote:
“The delay has to do with [the fact] that they were offered three movies,” he said.
https://tvline.com/2019/02/08/confed...s-controversy/
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Old 03-19-2019, 08:00 PM   #111
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These films might take place during the Old Republic.

Quote:
A contact, who has worked on every Disney Star Wars film, has shared some interesting information. According to them, the next Star Wars film could possibly begin filming this Fall, and it will be the first film in the series of films by Game of Thrones showrunners David Benioff and D.B. Weiss. I am trying to get some confirmation on this information from other places, but as of now I only have one source, so I can only report this as a rumor, so use your pinches of cinnamon as you wish. Because of that simple fact, I can’t say I am as confident in this as I am about the Obi-Wan Kenobi streaming service series report, though the source provided proof they have worked on every Star Wars film since Disney’s acquisition of Lucasfilm and claim they are “95% confident this is accurate.” So let’s simply go over what we were told.

Our source told us they were:
“…approached about working on the next movie this Autumn. It is not the Rian Johnson trilogy, it is the Game of Thrones guys’ first movie, and it is set during the Old Republic, as Disney wants to open up the Star Wars timeline and appeal to a more ‘Game of Thrones‘ style audience.”

This really seems so on-the-nose in terms of what fans have been wishing for from these guys, so I asked for clarity on what else he heard about the project:
“So the timeline is hundreds of years prior to the Skywalkers, so think almost Star Wars meets Lord of the Rings.”

I asked if there was any grasp on something tangible happening for this production yet, or if it was all strictly talk/discussion based, and according to our source, the art departments are doing pre-production work as we speak:
“Filming starts in the Fall and art departments are in design phases now as the script is being finalized. That is all I know but I am 95% confident that this is accurate.”

Again, as of now I can only report this as a rumor because I have not been able to secure a second source on this information. The source has proven to be reliable in the past, and has been involved with all Disney-owned Star Wars films to date. But, with anything, as I like to say because I hate the use of the phrase “grain of salt”, use a pinch of cinnamon with this information. I am doing everything I can to dig and find more information about this, as it would certainly be very exciting news to know the next Star Wars movie will be going into production soon, as we prepare ourselves to say farewell to the Skywalkers when Episode IX hits theaters in nine months.
https://www.starwarsnewsnet.com/2019...this-fall.html

Last edited by Kylo Ren; 03-19-2019 at 09:17 PM.
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Old 03-19-2019, 08:02 PM   #112
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Bring it on.
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Old 03-19-2019, 08:23 PM   #113
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My body is ready.
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Old 03-19-2019, 10:25 PM   #114
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Sounds great to me. Can't wait to see who they'll hire to direct the first one.
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Old 03-19-2019, 10:33 PM   #115
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Originally Posted by Cremildo View Post
Sounds great to me. Can't wait to see who they'll hire to direct the first one.
Alan Taylor, just kidding.
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Old 03-19-2019, 10:43 PM   #116
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Quote:
Originally Posted by Rodney-2187 View Post
5 reasons the Game of Thrones producers are perfect for Star Wars

https://ew.com/tv/2018/02/06/game-of-thrones-star-wars/


They’ve already done it.

[Show spoiler]The success of Game of Thrones is due to Benioff and Weiss taking a highly complex magical fantasy world created by a bearded visionary named George (in this case, George R.R. Martin and his terrific novels) and turning it into accessible mass entertainment and a worldwide phenomenon (sound familiar?). Nowadays it’s easy to forget how impossible-seeming and daunting adapting A Song of Ice and Fire was in 2011; Martin literally wrote the books to be unfilmable with a sprawling scope and convention-busting narrative. By comparison, Star Wars was born in the world of cinema. If anything, creating an innovative and exciting new Star Wars trilogy from scratch is easier than what the GoT producers have already accomplished. And along the way, they proved they are terrific at picking key talent — from director Miguel Sapochnik to composer Ramin Djawadi to actress Maisie Williams … GoT‘s success is driven by the collective talents of a massive team the producers’ put together.


They’re devoted to practical effects and visual realism.

[Show spoiler]Thrones embraces practical sets, effects (example: any time you see fire on screen it’s almost always real) and on-location scenery whenever possible. Not every shot in every episode is 100 percent photo-realistic, of course, but the producers strive to make everything as grounded-looking as possible. The Star Wars films were already re-embracing their practical effects roots starting with J.J. Abrams’ The Force Awakens, and you can expect any films made by the GoT duo to make practical filmmaking a top priority.


Their action sequences are already better than what’s in theaters.

[Show spoiler]The Battle of Castle Black and The Battle of the Bastards blew away chaotic summer tentpole films with visual cohesiveness, engaging character-driven moments, and huge suspense. While the new Star Wars films have had several rousing sequences (The Last Jedi’s throne room fight, The Force Awakens’ Millennium Falcon escape), it’s debatable whether anything in the next generation of films has yet topped the nail-biting thrill of the original Star Wars Death Star trench scene, or the nightmarish dread of Luke and Vader’s lightsaber fight in The Empire Strikes Back. Benioff and Weiss have made epic-looking action with “only” $15 million per hour … so imagine what they could do with $200 million.


Their storytelling is “bold,” yet also on brand.

[Show spoiler]Right there in Disney’s release is Lucasfilm chief Kathleen Kennedy predicting the producers would “boldly push Star Wars” and “break new ground.” Some are already wondering if the producers known for such envelope-pushing TV will be able to transition from HBO — where a talented showrunner is king — to Lucasfilm — where the studio is firmly in charge (as the original directors of Rogue One and Solo found out). But Benioff and Weiss aren’t impulsive auteur mavericks; their narratives on GoT are dark and bold and shocking because that is the world that George R.R. Martin created. Their original twists and turns to the saga since largely leaving Martin’s narrative behind have been debated by fans, but they’re on brand for the story they’re adapting. On the other side of the partnership, the ending of Rogue One — which killed off all the film’s protagonists — showed Disney is open to Red Wedding moments of their own.


Their characters and dialogue are strong.

[Show spoiler]Benioff and Weiss don’t get enough credit for this amid all the spectacle. But GoT juggles upward of 30 series-regular characters sharing a relatively paltry (for TV) 10 hours of screen time per season, yet every character feels iconic and pops off the screen during their scenes — from Arya to The Hound to Jaime to Brienne to a couple dozen others. Lucasfilm clearly already took notice, snatching up members of the show’s cast (with Gwendoline Christie as Captain Phasma and Emilia Clarke as Qi’ra in Solo). Sure there’s a line or two along the way that Twitter can snark about (the Tyene Sand one, I know). But GoT‘s typically riveting two-person dialogue scenes (like Tyrion and Cersei’s argument near the end of season 7) are as great as any on TV. And if the characters and dialogue didn’t work, the show wouldn’t work, and Game of Thrones certainly wouldn’t be the biggest drama series Emmy winner in history.
Just cause the producers did great with GOT doesn't mean they will succeed at Star War. GOT and Star Wars are 2 different things. And considering how long it toke them to make 6 episodes it would take them longer to make a Star Wars movie. They will make James Cameron look like a saint.
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Old 03-19-2019, 10:47 PM   #117
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Quote:
Originally Posted by Batman90 View Post
Just cause the producers did great with GOT doesn't mean they will succeed at Star War. GOT and Star Wars are 2 different things. And considering how long it toke them to make 6 episodes it would take them longer to make a Star Wars movie. They will make James Cameron look like a saint.
So you're telling me that the worst thing about it is that they'll spend more time on making a great Star Wars movie instead of churning out low tier garbage on a yearly basis?

Seems I've got nothing to worry about, then.
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Old 03-19-2019, 11:09 PM   #118
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Sounds good!
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Old 03-19-2019, 11:10 PM   #119
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Not surprised at all, I’ve expected this to be set in the Old Republic era. There’ll be a familiar face i.e. Yoda to give some link to the Skywalker saga. And familiar names i.e. Darth Bane & Darth Plagueis.
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Old 03-19-2019, 11:12 PM   #120
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If the timeframe is what it's rumored to be, that would be well before Plagueis.
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