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#1 |
Active Member
Apr 2013
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A ton of movies on the iTunes Movies are with Dolby Vision, but their physical counterparts only get the HDR10 treatment. Personally I find this very annoying. 4K Blu-rays are premium, so studios should give us the full premium treatment, right?
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Thanks given by: | hairlesswookiee (06-08-2019), WBMakeVMarsMovieNOW (05-09-2019) |
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#3 |
Blu-ray Prince
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Thanks given by: | BobbyMcGee (05-07-2019), craigpb (05-08-2019), fighthefutureofhd (05-09-2019), FilmFreakosaurus (05-08-2019), Gillietalls (05-23-2019), gkolb (05-07-2019), Gogoplata1980 (05-12-2019), HD Goofnut (05-08-2019), Leonidas King (05-07-2019), MrMahn (05-08-2019), nusilver (05-09-2019), professorwho (05-07-2019), tama (05-07-2019), Wingman1977 (05-07-2019) |
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#6 |
Active Member
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The conspiracy theorist in me says it's because they want digital to be seen as the best experience and get as many people to move over to it as possible. The discs still make them money so it's worth putting them out, but not worth putting in max effort.
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Thanks given by: |
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#7 |
Blu-ray Prince
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^ but then you have instances where the 4K is exclusive in streaming form only
War of the Worlds (1953) The Omen (1976) Goodbye Christopher Robin Princess Bride The Silence of the Lambs It's a Wonderful Life ... and others |
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Thanks given by: | WBMakeVMarsMovieNOW (05-09-2019) |
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#8 | |
Active Member
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I think anyone still looking at the disc like it should always be the 'premium' format for collectors are missing that discs nowadays are more of an annoyance for studios, with a lower margin and less control over the content. |
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#9 |
Blu-ray Ninja
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Offering up Dolby Vision on streaming is easy, getting Dolby Vision onto disc without issue is difficult.
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Thanks given by: | KubrickKurasawa (05-07-2019) |
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#10 |
Banned
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Thanks given by: | dlbsyst (05-08-2019), DR Herbert West (05-07-2019), Dubstar (05-07-2019), fighthefutureofhd (05-09-2019), Geoff D (05-07-2019) |
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#11 |
Blu-ray Knight
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Yeah, hopefully someone who knows their stuff can properly explain it, but my understanding is that it's pretty easy to just slap the DV tone mapping system on a stream, but getting the metadata properly mastered on a disc requires significantly more work. That's pretty much just the Friendly Neighborhood Dumbass explanation, but I know there are some folks around who can fill in the gaps.
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#12 |
Blu-ray Samurai
Jul 2008
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Because UHD BD Mandatory format is called HDR10
DV is optional and complicated to implement on disc with the double video stream |
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#13 |
Blu-ray Samurai
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I think they made it so complicated to attempt to obfuscate the playing of DV by pirates out there? Which is just the dumbest reason ever. Just get with the times and assume all your titles will end up in the hands of those who want it. And focus the efforts on delivering a flawless product to those who are paying. Don't punish them...
![]() It really kills paying consumers on two fronts. Worse implementation for compatibility of the standard, and those who purchase but still favour remuxing are stuck in an awkward spot. |
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Thanks given by: | WBMakeVMarsMovieNOW (05-09-2019) |
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#15 |
Blu-ray Knight
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Thanks given by: | craigpb (05-08-2019), fighthefutureofhd (05-09-2019), Gillietalls (05-23-2019), Gogoplata1980 (05-12-2019), KubrickKurasawa (05-07-2019), Mierzwiak (05-07-2019), MrMahn (05-08-2019), sigma1914 (05-07-2019), Sulaiman3421 (05-08-2019) |
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#18 | |
Blu-ray Emperor
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But with Dolby Vision it's not just about the dynamic metadata on top of HDR10, it's built around this whole 12-bit ecosystem and with UHD's HEVC transport streams specified as 10-bit only then something had to give, so Dolby devised a way to extract and compress the 12-bit 'difference data' from the master into a separate 10-bit video stream to go along with the 10-bit HDR10 base layer. Both are combined in the display device (or player, in the case of low latency implementation) to recreate the 12-bit original. This adds to the authoring complexity, not making it impossible but making it more involved and more time-consuming than just 'set and forget'. In case people didn't know, there aren't any 'native' 12-bit profiles for delivery of Dolby Vision to home consumers AT ALL, at the moment it's all based around squeezing the image into 10-bit (or even 8-bit!) transport streams and then rebuilding it at the other end. AFAIK the internet streaming versions don't carry any enhancement layers whatsoever, they just contain the dynamic metadata with a 10-bit stream and are upsampled to 12-bit upon decoding so this is where DV on disc can be the higher quality option, should it contain a full enhancement layer. I say that because it's not required to do so, several examples of DV on disc are just metadata-only and contain no difference data. |
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Thanks given by: | BobbyMcGee (05-07-2019), cappyj (05-08-2019), cdth (05-09-2019), craigpb (05-08-2019), dlbsyst (05-08-2019), Doctorossi (05-07-2019), DR Herbert West (05-07-2019), gkolb (05-07-2019), IronWaffle (05-08-2019), lgans316 (05-07-2019), Nothing371 (05-07-2019), s_har (05-07-2019) |
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#20 | |
Blu-ray Ninja
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[Show spoiler]
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