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Old 06-08-2022, 02:32 PM   #1
Cremildo Cremildo is online now
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The upcoming Venice Film Festival is getting ready to unleash a robust roster of Oscar hopefuls promoted by boatloads of Hollywood stars, with Netflix spearheading the Lido landing in September.

As Venice artistic director Alberto Barbera begins to lock in his selection, Variety understands there are four Netflix original films in the Venice mix.

The streamer’s Venice titles include Andrew Dominik’s Marilyn Monroe drama “Blonde” starring Bond girl Ana de Armas (“No Time to Die”) as the Hollywood icon; Noah Baumbach’s “White Noise,” with Greta Gerwig, Adam Driver and Jodie Turner-Smith, which is based on the 1985 novel of the same name by Don DeLillo; “Bardo, False Chronicle of a Handful of Truths,” the new film from Oscar winner Alejandro G. Iñárritu, which chronicles the story of a Mexican journalist and documentary filmmaker going through an existential crisis; and Romain Gavras’ modern tragedy “Athena,” co-written by the French “The World is Yours” director with “Les Miserables” filmmaker Ladj Ly.

Though Barbera still hasn’t personally seen many of the high-profile titles in the mix from U.S. studios and streamers — and he’s the one who must give the final thumbs up — the list of submissions being viewed by his collaborators is understood to also include lots of other hotly anticipated U.S. studio titles.

These include “Bones and All,” which reteams Luca Guadagnino with Timothée Chalamet; Julia Roberts and George Clooney rom-com “Ticket to Paradise”; and psychological thriller “Don’t Worry Darling,” toplining Harry Styles and Florence Pugh.

Meanwhile, the Ol Parker-directed “Ticket to Paradise,” from Universal, would mark the first time Roberts comes to Venice. The same, of course, would go for Styles who is making the transition from pop star to actor for the second time after “Dunkirk” in Olivia Wilde’s “Don’t Worry Darling,” from Warner Bros.

Also in the mix are Florian Zeller’s “The Son,” from Sony, which segues from the director’s Oscar-winning “The Father” and stars Vanessa Kirby, Laura Dern and Hugh Jackman. And, from Focus Features, Todd Field’s “Tar,” toplining Cate Blanchett as the fictional Lydia Tár, one of the world’s greatest orchestra conductors and the first female conductor of a major German orchestra. Blanchett is a Venice regular, who presided over the festival’s main jury in 2020.

The 75th edition of Venice will run Aug. 31-Sept. 10. The lineup will be announced on July 27. [+]
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Old 07-19-2022, 02:32 PM   #2
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Venice Classics

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TERESA LA LADRA (TERESA THE THIEF)
by CARLO DI PALMA (Italy, 1973, 125’, colour)
restored by: Cineteca Nazionale

MES PETITES AMOUREUSES (MY LITTLE LOVES)
by JEAN EUSTACHE (France, 1974, 123’, colour)
restored by: Les Films du Losange

THE DRAUGHTSMAN’S CONTRACT
by PETER GREENAWAY (UK, 1982, 104’, colour)
restored by: BFI National Archive

KAMIGAMI NO FUKAKI YOKUBO (PROFOUND DESIRES OF THE GODS)
by SHÔHEI IMAMURA (Japan, 1968, 173’, colour)
restored by: Nikkatsu

UCHO (THE EAR)
by KAREL KACHYNA (Czechoslovakia, 1969, 97’, B/W)
restored by: Národní Filmový Archiv / National Film Archive

BRATAN (THE LITTLE BROTHER)
by BAKHTYAR KHUDOJNAZAROV (USSR, 1991, 97’, B/W)
restored by: Veit Helmer-Filmproduktion

CAVALCADE
by FRANK LLOYD (USA, 1933, 112’, B/W)
restored by: The Film Foundation / Walt Disney Pictures

THERESE AND ISABELLE
by RADLEY METZGER (France, USA, Germany, Netherlands, 1968, 119’, B/W)
restored by: NWR-Denmark / Cinema Preservation Alliance-U.S.

KAZE NO NAKA NO MENDORI (A HEN IN THE WIND)
by YASUJIRÔ OZU (Japan, 1948, 84’, B/W)
restored by: Shochiku

TEOREMA (THEOREM)
by PIER PAOLO PASOLINI (Italy, 1968, 98’, B/W)
restored by: Cineteca di Bologna

SHATRANJ KE KHILARI (THE CHESS PLAYERS)
by SATYAJIT RAY (India, 1977, 129’, colour)
restored by: The National Film Archive of India

LE CAPORAL ÉPINGLÉ (THE ELUSIVE CORPORAL)
by JEAN RENOIR (France, 1962, 107’, B/W)
restored by: StudioCanal

LA MARCIA SU ROMA (MARCH ON ROME)
by DINO RISI (Italy, 1962, 94’, B/W)
restored by: Cineteca Nazionale

LA VOGLIA MATTA (CRAZY DESIRE)
by LUCIANO SALCE (Italy, 1962, 110’, B/W)
restored by: Cineteca Nazionale

KOROSHI NO RAKUIN (BRANDED TO KILL)
by SEIJUN SUZUKI (Japan, 1967, 91’, B/W)
restored by: Nikkatsu

CANYON PASSAGE
by JACQUES TOURNEUR (USA, 1946, 92’, colour)
restored by: Universal Pictures / The Film Foundation

THE BLACK CAT
by EDGAR G. ULMER (USA, 1934, 65’, B/W)
restored by: Universal Pictures

DULI SHIDAI [A CONFUCIAN CONFUSION]
by EDWARD YANG (Taiwan, 1994, 128’, colour)
restored by: Taiwan Film and Audiovisual Institute
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Old 07-19-2022, 02:34 PM   #3
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Better book my tickets now.
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Old 07-21-2022, 11:46 AM   #4
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Olivia Wilde, Harry Styles, Timothée Chalamet and Cate Blanchett Set to Bring New Movies to Venice
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Old 07-26-2022, 02:42 PM   #5
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VENEZIA 79 COMPETITON
Il Signore Delle Formiche, dir: Gianni Amelio
The Whale, dir: Darren Aronofsky
L’Imensita, dir: Emanuel Crialese
Saint Omer, dir: Alice Diop
Blonde, dir: Andrew Dominik
Tar, dir: Todd Field
Love Life, dir: Koji Fukada
Bardo, False Chronicle Of A Handful Of Truths, dir: Alejandro G. Inarritu
Athena, dir: Romain Gavras
Bones And All, dir: Luca Guadagnino
The Eternal Daughter, dir: Joanna Hogg
Beyond The Wall, dir: Vahid Jalilvand
The Banshees Of Inisherin, dir: Martin McDonagh
Argentina 1985, dir: Santiago Mitre
Chiara, dir: Susanna Nicchiarelli
Monica, dir: Andrea Pallaoro
No Bears, dir: Jafar Panahi
All The Beauty And The Bloodshed, dir: Laura Poitras
A Couple, dir: Frederick Wiseman
The Son, dir: Florian Zeller
Our Ties, dir: Roschdy Zem
Other People’s Children, dir: Rebecca Zlotowski

OUT OF COMPETITION
Fiction films
The Hanging Sun, dir: Francesco Carrozzini
When The Waves Are Gone, dir: Lav Diaz
Living, dir: Oliver Hermanus
Dead For A Dollar, dir: Walter Hill
Call Of God, dir: Kim Ki-duk
Dreamin’ Wild, dir: Bill Pohlad
Master Gardener, dir: Paul Schrader
Drought, dir: Paolo Virzi
Pearl, dir: Ti West
Don’t Worry Darling, dir: Olivia Wilde

Documentaries
Freedom On Fire: Ukraine’s Fight For Freedom, dir: Evgeny Afineevsky
The Matchmaker, dir: Benedetta Argentieri
Gli Ultimi Giorni Dell’Umanita, dirs, Enrico Ghezzi, Alessandro Gagliardo
A Compassionate Spy, dir: Steve James
Music For Black Pigeons, dirs, Jorgen Leth, Andreas Koefoed
The Kiev Trial, dir: Sergei Loznitsa
In Viaggio, dir: Gianfranco Rosi
Bobi Wine Ghetto President, dirs, Christopher Sharp, Moses Bwayo
Nuclear, dir: Oliver Stone

Short Films
Maid, dir: Lucretia Martel
Look At Me, dir: Sally Potter

Series
The Kingdom Exodus, dir: Lars von Trier
Copenhagen Cowboys, dir: Nicolas Winding Refn

HORIZONS EXTRA
Origin Of Evil, dir: Sebastien Mariner
Hanging Gardens, dir: Ahmed Yassin Al Daradji
Amanda, dir: Carolina Cavalli
Zapatos Rojos, dir: Carlos Eichelmann Kaiser
Nezhou, dir: Soudade Kaadan
Notte Fantasma, dir: Fulvio Risuleo
Without Her, dir: Arian Vazirdaftari
Valeria Is Getting Married, dir: Michael Vinik
Goliath, dir: Adilkhan Yerzhanov

HORIZONS
Princess, Roberto De Paolis
On The Fringe, dir: Juan Diego Botto
Victim, dir: Michal Blasko
Trenque Lauquen I, dir: Laura Citarella
Trenque Lauquen II, dir: Laura Citarella
Vera, dirs: Tizza Covi, Rainer Frimmel
Blanquita, dir: Fernando Guzzoni
Pour La France, dir: Rachid Hami
A Man, dir: Kei Ishikawa
Bread And Salt, dir: Damian Kocur
Luxembourg, Luxembourg, dir: Antonio Lukich
Ti Mangio Il Cuore, dir: Pippo Mezzapesa
To The North, dir: Mihai Mincan
Autobiography, Makbul Mubarak
La Syndicaliste, dir: Jean-Paul Salomé
World War III, dir: Houman Seyedi
The Happiest Man In The World, dir: Teona Strugar Mitevska
The Bride, dir: Sergio Tréfaut
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Old 07-26-2022, 03:52 PM   #6
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Lots of exciting picks!
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Old 07-27-2022, 07:14 AM   #7
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Mostly excited for Diaz, Wiseman, Panahi, Rosi, Loznitsa and the new Trier series.
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Old 09-10-2022, 05:22 PM   #8
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- The Golden Lion for Best Film goes to ALL THE BEAUTY AND THE BLOODSHED by Laura Poitras
- The Silver Lion - Grand Jury Prize goes to SAINT-OMER by Alice Diop
- The Silver Lion - Award for Best Director goes to Luca Guadagnino for BONES AND ALL
- The Special Jury Prize goes to NO BEARS by Jafar Panahi
- The Award for Best Screenplay goes to Martin McDonagh for THE BANSHEES OF INISHERIN
- The Volpi Cup for Best Actress goes to Cate Blanchett for TÁR
- The Volpi Cup for Best Actor goes to Colin Farrell for THE BANSHEES OF INISHERIN
- The Marcello Mastroianni Award for Best New Talent goes to Taylor Russell for BONES AND ALL

- The Venice Immersive Grand Jury Prize goes to FROM THE MAIN SQUARE by Pedro Harres
- The Venice Immersive Special Jury Prize goes to EGGSCAPE by German Heller
- The Venice Immersive Best Experience award goes to THE MAN WHO COULDN’T LEAVE by Chen Singing
- The Best Documentary on Cinema award in the Venice Classics section goes to FRAGMENTS OF PARADISE by KD Davison
- The Best Restored Film award in the Venice Classics section goes to BRANDED TO KILL by Seijun Suzuki
- The Lion of the Future - "Luigi de Laurentiis" Award for a Debut Film goes to SAINT-OMER by Alice Diop
- The Best Short Film award in the Orizzonti section goes to SNOW IN SEPTEMBER by Lkhagvadulam Purev-Ochir
- The Best Screenplay award in the Orizzonti section goes to BLANQUITA by Fernando Guzzoni
- The Best Actor award in the Orizzonti section goes to Mohsen Tanabandeh for WORLD WAR III
- The Best Actress award in the Orizzonti section goes to Vera Gemma for VERA
- The Special Jury Prize in the Orizzonti section goes to BREAD AND SALT by Damian Kocur
- The Best Director award in the Orizzonti section goes to Tizza Covi and Rainer Frimmel for VERA
- The Best Film award in the Orizzonti section goes to WORLD WAR III by Houman Seyedi

Last edited by Cremildo; 09-10-2022 at 06:21 PM.
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