Untitled Dakota Johnson directorial debut

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Dakota Johnson is joining the ranks of actors-turned-directors.

Johnson revealed she is hoping to make her feature directorial debut with one of Burghardt’s scripts.

“In ‘Cha Cha Real Smooth,’ the girl that plays my daughter… she is an autistic actress and musician. We have been working with her on developing scripts. She has written a script. It’s really special. It’s about a young woman with autism, and I feel very protective of her and her story and her mind. She is just an unbelievable woman. So that’s kind of the thing i just don’t think i could allow anyone else to direct it. So we will see.”

Johnson later joked: “I want to direct and I need to grow the ****ing balls to do it…. actually no I don’t. I’m not going to grow balls and no one can make me.”

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Dakota Johnson Is Getting Ready to Shoot Directorial Feature Debut, Says She ‘Can’t Waste Time on Toxic Sets Anymore’

“Madame Web” star Dakota Johnson, in town at the Karlovy Vary Film Festival where she is set to receive the event’s prestigious President’s Award, is close to locking in final details for her directorial feature debut.

Speaking with Variety from the spa town, the actor says her debut is a project “very close to her heart.” The project is one she is working on alongside “Cha Cha Real Smooth” co-star Vanessa Burghardt, who she calls “an incredibly autistic actress.”

“I’ve always felt that I’m not ready to direct a feature,” she continues. “I don’t have the confidence but, with her, I feel very protective and I know her very well. I can see this world, so I just won’t let anybody else do it. That’s the real answer.”

On top of receiving the award, the “50 Shades of Grey” alum is at the spa town with two films: Celine Song’s three-hander romance “Materialists,” in which she stars alongside Chris Evans and Pedro Pascal, and Michael Angelo Covino’s Cannes-sensation “Splitsville,” which she also produced under her TeaTime Pictures banner.

Johnson plays a matchmaker in Song’s sophomore effort and, when asked about the matchmaking qualities required of a producer, the actor says she “cares a lot about how people get along on a set and how people collaborate.” “If there’s not a healthy collaboration, if it’s not a good match, then it’s not a good match. And we really don’t move forward if it’s not a good match,” she emphasizes. “I can’t waste time on toxic sets anymore, or in situations that are not fun or fulfilling or healthy. That’s one of the perks of [producing], because I get to put amazing people together and make something.”

Speaking about what she considers a toxic set to be, the actor says that she doesn’t want to face “anybody who’s mean or condescending or unkind.”

“I don’t want to face people who are not willing to collaborate,” she continues. “And then there are obvious things. We all know what a toxic set is by now. We’re artists, so there’s room for expansive personalities, and we’re working with emotions. I love a healthy argument on a set, and I also believe that the most excellent idea wins. It’s not a fight. It’s not a race. It’s a collaboration.”

When it comes to standing up for herself when such toxic situations arise, Johnson says she feels she was “pretty vocal” about her feelings from a very young age. “I think now, just being in the position of being a producer and developing my own films, I can choose all the people who are in it, and that makes a huge difference.”

As someone who has navigated a wide gamut of films within the industry, from producing and starring in indie productions like “Am I Ok?” to major studio projects like “Madame Web,” how does Johnson perceive the idea of success within filmmaking? “I think that the barometer for that is shifting right now,” she answers.

“It’s hard to measure success based on box office numbers now because it’s so all over the place,” she adds. “[‘Jurassic World Dominion’] slayed, and of course, they knew that it was going to do really well, but it did so well. I feel so excited that people are going to the movie theater. Even ‘Materialists’ did so well for a tiny little movie, and that’s really, really exciting.”

She continues by saying that success, to her, is measured by “people who felt something” or films that are meaningful to audiences. “Honestly, it’s a success just getting a movie finished. It’s really hard to make movies right now and to get people to believe in what you want to say. I don’t think movies will save the world, by no means, but I do think it’s nice to have them around,” she concludes.

[DKLou]

Whats a toxic set again?

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THR has some additional details:

What attracts her interest when picking TeaTime projects? “Usually, it’s something that is either visually or emotionally provocative. And I don’t mean that in a sexual way. I mean it in [the sense] that it provokes something that is different than what you see on TV right now or on streaming platforms. A lot of them are also female characters. So it’s female-centric films where the woman is different from what you see, and complex and nuanced, and maybe an anti-hero that you love.” Projects could even feature a woman “who maybe does things that you would deem atrocious, but you are really on her side because she’s angry” and real, Johnson explained.

Producing has the benefit that she can surround herself with people who create a positive work experience. “I can’t waste time on toxic sets anymore,” Johnson said. “With producing, that’s one of the perks.”

She told reporters that she was “pretty vocal” when issues arose on set or beyond from a very young age. “Now, … being a producer and developing my own films, I can choose all the people.”

The star also called for new ways to measure the success of movies. “I think that the barometer for that is shifting right now. It’s hard to measure success based on box office numbers now, because it’s so all over the place,” she offered. Mentioning that Jurassic Park Rebirth has “slayed,” she said that, “the way I measure success is [in terms of] people who felt something or it meant something to them” – or people coming up to her in the street and telling her that they loved a film.
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