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Old 02-26-2008, 03:25 PM   #1
jon s jon s is offline
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Default what's the big deal with DTS-HD MA??? L-PCM is the way to go...

I think a lot of people think that DTS-MA will be superior to Dolby True-HD (or LPCM) becuase of how much better DTS was compared to DD on regular DVDs.

Regular DVD DD was 448kbps, DTS was 1.5Mbps. NO contest, DTS was a higher quality soundtrack (but the loss of disc space resulted in poorer video quality). So a lot of users think that DTS-HD MA will be better than DD True HD along the same lines.

But DTS-MA and DD True HD are both considered to be lossless codecs. i.e. what goes in is what comes out. no difference... nada.

But this is where I think that LPCM is better. DD and DTS in any form or flavor is a codec. Compression, encoding and decoding is in the pot. Anytime there is a conversion going on, you never will get 100% back. There's going to some errors somewhere along the line. Just like converting a photo TIFF file to JPEG format. No matter if you set the JPEG to lossless quality, pixel by pixel the file looks a bit different from the TIFF file, but overall it looks identical. It's the subtle details that get changed.

LPCM is just a bit by bit file of the original soundtrack. No conversions, no compressions. So it is supposed to be a more faithful signal than any DD or DTS format.
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Old 02-26-2008, 03:31 PM   #2
stockstar1138 stockstar1138 is offline
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because not all studios will use PCM. Fox only uses DTS-HD MA and therefore, if PS3 can't decode it, we get stuck with Dolby Digital on all Fox movies.

you are right though if all studios used pcm, dts-hd ma would mean jack crap.
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Old 02-26-2008, 03:32 PM   #3
BStecke BStecke is offline
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It's my understanding that DTS HDMA does not use Dial Norm, which is used on quite a few TrueHD tracks.

Also, IMO, DTS HDMA is a better audio format for everyone. For those who cannot decode the lossless track, it still provides a 1.5 mbps audio track, which still gives you a significant audio upgrade over DVD, where with TrueHD it's kind of all or nothing.

Last edited by BStecke; 02-26-2008 at 03:49 PM.
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Old 02-26-2008, 03:39 PM   #4
FilmmakingFiasco FilmmakingFiasco is offline
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Quote:
Originally Posted by stockstar1138 View Post
because not all studios will use PCM. Fox only uses DTS-HD MA and therefore, if PS3 can't decode it, we get stuck with Dolby Digital on all Fox movies.

you are right though if all studios used pcm, dts-hd ma would mean jack crap.
You can also get the DTS core. No?
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Old 02-26-2008, 03:43 PM   #5
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Quote:
Originally Posted by FilmmakingFiasco View Post
You can also get the DTS core. No?
THAT is the reason DTS HDMA even exists IMO. For people who can't decode the lossless track, a kick-ass 1.5 track is included without adding a seperate track.

(ie: Dolby THD and DD+ on the same disc are 2 seperate tracks)
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Old 02-26-2008, 03:45 PM   #6
MacDaddyOJack MacDaddyOJack is offline
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Quote:
Originally Posted by BStecke View Post
It's my understanding that DTS HDMA does not use Dial Norm, which is used on quite a few TrueHD tracks.
Cha-ching! No dial-norm is the main reason it is better than TrueHD. It is also a big deal because some people can't decode it and it is found on a lot of releases. I have the ability to decode both and while TrueHD is very comparable, I still think DTS-MA is better. The difference is nothing like what it was on DVD though. That being said, I still prefer uncompressed LPCM over both.
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Old 02-26-2008, 03:48 PM   #7
Sonny Sonny is offline
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DTS-core is 1.5 & DD+ is 1.5...
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Old 02-26-2008, 03:50 PM   #8
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DTS-MA and TrueHD take up less space and require less bandwidth allowing for higher video bitrate and special features. It also allows a studio to put more language tracks on a disc. They provide this while sounding identical to L-PCM.

Why is it so hard to understand? It has been discussed repeatedly here.
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Old 02-26-2008, 03:51 PM   #9
BStecke BStecke is offline
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Quote:
Originally Posted by foots View Post
DTS-MA and TrueHD take up less space and require less bandwidth allowing for higher video bitrate and special features. It also allows a studio to put more language tracks on a disc. They provide this while sounding identical to L-PCM.

Why is it so hard to understand? It has been discussed repeatedly here.
Not 100% accurate.

Blu-ray has a set bandwidth for video and audio so one does not interfere with the other. Disc space is the only issue, not bandwidth.
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Old 02-26-2008, 03:52 PM   #10
glenn22 glenn22 is offline
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I prefer Mono sound.... nothing like low-fi to make your day.
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Old 02-26-2008, 04:43 PM   #11
Bobby Henderson Bobby Henderson is offline
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A DTS-HD MA track or Dolby TrueHD track are lossless compressed at a 2:1 ratio. They will consume only half the disc space of a LPCM track of the same bit depth and channel layout.

In addition, both DTS-HD and Dolby TrueHD offer some backward compatibility with older decoders. DTS does a bit better by outputting a 1509kb/s lossy "core" track. You're usually stuck with a stereo 2.0 track when playing a backward compatible core from Dolby TrueHD.

LPCM Multichannel consumes more disc space. In addition to that, any BD movie with LPCM Multichannel must also provide additional audio tracks in Dolby Digital and/or DTS for backward compatibility with older sound systems. Not everyone has a HDMI-equipped audio video receiver.

I don't mind the use of LPCM 5.1/7.1 on BD movies, but don't agree that it is "better" than DTS-HD or DD-THD.

Because of all the extra disc space LPCM Multichannel must consume, in the long run we may see much more in the way of DD-THD and DTS-HD tracks as more customers gradually upgrade to systems that can handle it.
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Old 02-26-2008, 05:06 PM   #12
JadedRaverLA JadedRaverLA is offline
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Quote:
Originally Posted by BStecke View Post
Not 100% accurate.

Blu-ray has a set bandwidth for video and audio so one does not interfere with the other. Disc space is the only issue, not bandwidth.
Except that if you're dealing with multiple lossless audio tracks (multiple languages, etc) you can quickly go over the set bitrate for audio data and start eating into video bitrate. You cannot do the reverse, however (go over the video bitrate and eat into the audio bitrate... as that would place the video encode out of spec).

Quote:
Originally Posted by glenn22 View Post
I prefer Mono sound.... nothing like low-fi to make your day.
As long as its lossless mono.
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Old 02-26-2008, 05:35 PM   #13
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i have to say that LPCM is my favorite of the three , to me its a night and day diference on movies like ghost rider and spider-man 3 compared to DD THD
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Old 02-26-2008, 05:59 PM   #14
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The OP just contradicts himself. You're saying dtsma and truehd are lossless and yet you say they are worse than pcm. Taking post processing aside, lossless is lossless dude. See you are still thinking in terms of jpeg. You have to think in terms of winzip or winrar. When you rar a bunch of files and extract them, do the contents, quality of those files you extracted change? I don't think so. The same can be applied here. In fact, you might be better off using dtsma as pcm are more prone to hdmi jitter. How much of an effect on audible listening level is debatable. Linear PCM 7.1 takes up a huge amount of space. If we can save some space my using dtsma, then why not? You can use the extra space for highdef features, interactive contents, etc.

DTSMA is here to stay, get used to it.
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Old 02-26-2008, 06:19 PM   #15
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dts also offers its own variation of dialog normalization. dts it is just off by default on most encoders.

I think more studios are aware that physical media does not need DN applied and Sony has started to make a habit of NOT applying it. And it is still debateable if its use impacts sound quality. I think it really comes down to how manufacturers implement their volume control.

Lossless is lossless. In the end the legacy support is just a stopgap. I don't really care if the lossy track is DD or dts. I just care if a lossless option is on the disc.
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Old 02-26-2008, 06:34 PM   #16
Elandyll Elandyll is offline
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The problem here is that the OP assumes that compression = destruction of signal.

Thing is, some codecs are destructive, some are not, just like TGA or TIFF will compress an image without information loss while Jpeg will achieve greater compression at the cost of information loss...
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Old 02-26-2008, 06:40 PM   #17
krazeyeyez krazeyeyez is offline
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the reason we will see less of the pcm and more of the compression codecs was mentioned, eventually blu's will have many lossless tracks for all the languages contained instead of a pcm english and dolby 5.1 french etc...
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Old 02-26-2008, 07:58 PM   #18
The Lurker The Lurker is offline
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Quote:
Originally Posted by CraigW View Post
dts also offers its own variation of dialog normalization.
Yep. Here's the relevant PDF from DTS itself. Check page 8 and page 9.
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Old 02-26-2008, 08:07 PM   #19
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Quote:
Originally Posted by jon s View Post
Regular DVD DD was 448kbps, DTS was 1.5Mbps. NO contest, DTS was a higher quality soundtrack (but the loss of disc space resulted in poorer video quality). So a lot of users think that DTS-HD MA will be better than DD True HD along the same lines.
DTS is only 640kbps on DVD. You only get the full bitrate of 1.5mbps for DTS on blu-ray. And if all studios put an LPCM track on each title then nobody would be worrying about when the ps3 will support dts-hd ma.
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Old 02-26-2008, 08:50 PM   #20
Nathan P Nathan P is offline
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Quote:
Originally Posted by devils3023 View Post
DTS is only 640kbps on DVD. You only get the full bitrate of 1.5mbps for DTS on blu-ray. And if all studios put an LPCM track on each title then nobody would be worrying about when the ps3 will support dts-hd ma.
Are u sure on that - i was watching a DVD the other day with a DTS track and i'm sure the bit rate was 754kbps
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