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#41 | |
Banned
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#44 |
Blu-ray Samurai
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A 35mm negative has an effective resolution of 4k. 4k is roughly 4000x2000 pixels. There are many factors that go into how detailed the final film will be, but 4k is basically as good as it gets for scanning purposes for a high quality 35mm film.
Most movies these days, if they are shot on 35mm film, have the film scanned into the computer at 2k (2000x1080 pixels, roughly) and all of the editing, CG, and color correction are done at this resolution. So the final movie is "locked in" at 2k even if the film used as a source had an effective resolution of 4k. Think about using a DV camera to shoot raw footage for a movie but you did all of the editing on your computer and recorded it to a VHS tape. Your final copy is now stuck at VHS quality, even though your source material was of a far higher quality. So pretty much any movie made from 2000 to today has basically half of its effective detail thrown away. Most movies that were shot digitally are 1080p or 2k. More movies these days are shot at 4k or higher, but that's only the raw footage. I assume the final product (called the DI or digital intermediate) will still be at 2k. It is ironic that the original Tron was shot on 70mm film that has an effective resolution of 6 or 8k but the newer sequel was shot with 1080p digital cameras, making the older movie about 3-4 times more detailed than the newer one. The original Star Wars trilogy was shot on very fine-grained 35mm film, yet the final version that Lucas has settled upon is locked in at 1080p. Even when we start to get 4k playback at home, almost every movie made in the last decade or so will have a maximum resolution of 2k, which isn’t that much higher than 1080p. I’m sure it could look a little better if it were thrown on a 100GB disc with less compression, but I think the modern movies we collect on Blu-ray today essentially look as good as they can. Now, a 4k home release of Lawrence of Arabia (70mm negative) would look significantly better than a 1080p Blu-ray release. It is funny how we have gone backwards in movie quality! |
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#45 |
Active Member
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There was an industry wide "digital conversion" project that happened before DVD became standard. Nearly every studio involved scanned their entire catalog at 2k (2048×1556) resolution.
With Blu-ray being at 1920x1080, it's as close as possible to the source scan. With 4k TVs looming, we are pretty safe with our Blu-ray purchases. The 4k scanning procedure is a very long process, expensive and even though it's typically pretty gentle, you risk damaging the print scanning it. The 2k digital conversion project was a big deal and I don't see a lot of the smaller studios being able to afford the procedure. Even now, people are still content with 853×480 DVDs so there isn't much of a market or profit for 4k. As movies move more towards being shot digitally rather than on film, 4k will definitely become commonplace but we are only talking about new films. Our older films will be safe at 1080p. Unless it's Star Wars, The Godfather or something in that league, chances are you aren't going to see a 4k version. I expect 4k content to be very similar to how 3D content is now on Blu-Ray. A tiny little aisle of expensive movies that cater to a very small niche of movie watchers. |
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#46 | |
Blu-ray King
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#47 | |
Blu-ray King
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#48 |
Blu-ray King
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I guess I'll take your word for it. I don't hardly watch or buy DVDs anymore unless the particular title is not available on BD.
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#50 |
Blu-ray Guru
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Tron was shot in 70mm because they knew the majority of the film would have effects. Opticals roughly half the resolution, so it's misleading to say that Tron has an effective resolution matching, say, Lawrence of Arabia.
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#51 |
Junior Member
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I don't see much point in a 4k format, especially for older 35mm films. If the studios are scanning them and applying DNR in varying amounts anyway then wouldn't 1080p look just as nice? For me 1080 is where it ends a 60" TV is as big as I want and I just don't like sitting close enough to see all the detail on 60 inches at 4k.
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#52 | |||
Special Member
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http://www.celco.com/formatresolutiontable4k.asp ...and this site for an in-depth explanation about true 2K/4K pixel resolution... http://magazine.creativecow.net/arti...ture-of-pixels |
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#53 |
Blu-ray Prince
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No, existing Blu-ray masters for the most part are not future proof. The scanning technology is simply getting better and cheaper every year, in line with Moore's Law. A 4K scan today will not match the quality of a 4K scan in 10 years due to a number of factors and most 35mm film productions can easily produce 4k quantized information.
We are hitting the limits of visible information on 16mm transfers and anything of course in SD resolution. |
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#54 |
Blu-ray Samurai
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I understand that, but the source (70mm) is far higher than the 1080p cameras used for the sequel. I didn't want to get into a lot of technical details like generational loss from opticals.
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#55 |
Special Member
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#56 | |
Banned
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#57 | |
Banned
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http://www.digital-intermediate.co.u...lutionsize.htm "The very fluffy and somewhat evasive answer is that there are in excess of 25 million pixels in a top quality 35mm image, which equates to around 6K, or 6144 x 4668 pixels." Last edited by retablo; 11-09-2012 at 07:28 PM. |
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#58 | |
Blu-ray Samurai
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All the more reason to prefer film over digital for recording purposes... ![]() |
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#59 | |
Blu-ray Ninja
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Resolution isn't everything. All the more reason to prefer digital over film. ![]() Last edited by benricci; 02-27-2013 at 01:24 AM. |
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#60 |
Blu-ray Guru
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Benricci, film is the best medium we have. We can still see surviving films from 100 years ago. With digital files, there are so many cameras, so many post workflows, file formats, etc. that who knows how many of those will be readable in 20+ years? These files would have to be migrated to new formats every so often, but film can be preserved in proper conditions with little maintenance.
I don't know how many studios are doing this, but even the films that go through DI's can be archived with YCM separations on black-and-white film, which is more stable than color film. |
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