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#2 |
Blu-ray Emperor
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They do use some of the same cameras:
Into Darkness: Camera Arriflex 435 ES, Panavision Primo, C-, E-Series, ATZ and AWZ2 Lenses IMAX MSM 9802, Hasselblad Lenses Iwerks MSM 8870, Hasselblad Lenses Panavision Panaflex Millennium XL2, Panavision Primo, C-, E-Series, ATZ and AWZ2 Lenses Red Epic (some shots) Avengers: Camera Arri Alexa, Panavision Primo, PCZ and Frazier Lenses Arriflex 435, Panavision Primo Lenses Canon EOS 5D Mark II, Canon Lenses Canon EOS 7D, Canon Lenses Transforms: DotM Camera Arri Alexa, Zeiss Master Prime Lenses Arriflex 235, Panavision G-Series Lenses Panavision Panaflex Lightweight, Panavision C-, E- and G-Series Lenses Panavision Panaflex Platinum, Panavision C-, E- and G-Series Lenses Red One MX Silicon Imaging SI-2K Sony CineAlta F35, Zeiss Master Prime Lenses |
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#3 |
Blu-ray Ninja
Oct 2008
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Well, both Michael Bay and JJ Abrams love to shoot with anamorphic lenses, which impart a certain distinctive look to the image, and create those horizontal lens flares. The Marvel movies are all over the place format-wise, though everything after Thor has been shot digitally. Mostly I think it's just the action movie color grading and the similar-looking visual effects designs.
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