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#23 | |
Blu-ray Baron
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34th Street is terrible the skin tones look so unnatural. And there are two frames they forgot to colorized, so as you're watching it will flip from color to B&W and back to color quickly, in two different locations in the film. Babes also has unnatural skin tones, but the colorization is better (no B&W frames). If you buy either movie on optical disc, you'll get both the B&W and colorized version. I usually ignore the colorized version, and I'm not sure why they even bother including it. When Babes was edited for Television (removed or re-edited some scenes) it was renamed to Soliders and even did a new title card with that name on it. Since most people know it by that name, I suppose that's why they keept the name when restoring the original film for Blu-ray. But since it's unaltered, it really should have been released under the name "Babes in Toyland" oh well... At least the original Babes title card is in tact in the film. Last edited by Scarface32; 04-07-2014 at 03:37 PM. |
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#24 | |
Blu-ray Samurai
Apr 2011
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I am not against the colorization of the films but I do not think that those versions should then be the only version available. Let's be honest - a lot of old films were done in b&w as that was the only option available. Had they been given the choice to do b&w or color and it wouldn't impact the budget, I am guessing a lot would have done color. It was just a matter of the times so colorizing the films is not really a horrible thing to me - it gets people to watch the movie who might not otherwise. However, it is an alteration to the film - an alternate cut. I think that it should be an option for people but not the only option. Ultimately I don't think you will ever see those films back in theatre so really we are talking home video release - why not include a color version with the b&w or release a seperate version for things like Casablanca that have already had great releases? As long as they treat both versions the same, I have no issue with them doing it. |
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#25 |
Blu-ray Knight
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I don't have a philosophical difference with colorizing black and white classics, but I'm glad Raging Bull, Young Frankenstein, On the Waterfront, Schindler’s List, Sunset Boulevard, Elephant Man, Citizen Kane, Casablanca, etc were shot in black and white and I don't think they would be half as good in color. For the same token, I'm glad Wizard of Oz, Singing in the Rain, Gone with the Wind, The Adventures of Robin Hood, Lawrence of Arabia, The King and I etc were in color. Can't imagine them any other way. You either enjoy or "get" black and white or you don't.
Last edited by qb2333; 04-07-2014 at 04:32 PM. |
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#28 | |
Banned
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Think it was prophetic, since it ultimately (and legally) trumped Turner's famous quote of "I own 'em, I can do what I want with 'em."
(Kevin Spacey: ".....WROOONNNGGG!!!") ![]() Quote:
CtToI, seems there were more independent PD-vulture colorizations than there were Turner ones at the time, even though Ted gets it on his doorstep. Last edited by EricJ; 04-07-2014 at 05:31 PM. |
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