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#22 |
Special Member
Feb 2014
The Ruins of the Ex-EU
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#23 |
Blu-ray Ninja
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Is this going to be the same as the International release?
Surely Paramount/Warner will be sharing the same transfer as part of their US deal. I have the Italian edition from Paramount and it looks like hell. This site has already reviewed it, quite surprised quite a few folks are saying they've been waiting for this when it's been readily available region free for quite some time. |
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#25 |
Blu-ray Samurai
Feb 2014
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Would also like to see LFMG released to Blu; excellent '70's flick that really captures that era. This has never even been released to regular DVD yet (at least not R1)...
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#26 |
Special Member
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Now we're talking. Must own for me. Schrader was incredibly incisive about the 80's..had the whole thing nailed before the decade really even began. Can not imagine anyone except Gere in this role. His defining work IMO. Oh, and Giorgio Moroder's synth score is SO good.
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#29 |
Special Member
Feb 2014
The Ruins of the Ex-EU
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#30 |
Blu-ray Knight
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I asked because I find Mishima and American Gigolo his only really great films as a director. The rest is intermittently interesting but flawed. I tried to watch Cat People again when it came out on Blu and didn't make it through. Kinski is lovely, the Moroder soundtrack is great, but the rest is pretty wonky. There are a few of his later films I never got around to. Mishima it's a stunning looking film, but Americna Gigolo is my favourite of his.
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#31 |
Special Member
Feb 2014
The Ruins of the Ex-EU
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Blue Collar is pretty terrific, and Hardcore has its moments, particularly if you're interested in Schrader's background, as the scenes of the family at home are essentially how Schrader grew up. I'm not big on Light of Day, but it has its fans. Patty Hearst has some interesting scenes, but it's not terribly compelling as a whole.
Of his more recent stuff, I thought The Walker was great, even if it fell back on a Bressonian ending once again. I went to a Q&A once with Schrader (it was around the time Adam Resurrected came out), and I asked him why he never directed anything again with that sort of Mishima aesthetic. He was pretty drunk and didn't really answer, just said something about his latest film not being tied to any notions of 'realism'. In the book Schrader on Schrader, he says something about DP John Bailey making him move away from a stylised aesthetic. I think the films Schrader made with Bailey and Scarfiotti are all pretty terrific. |
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#33 |
Blu-ray Knight
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I've never seen Blue Collar (I've heard its great) and I quite liked Hardcore at the time, but haven't seen that one since it came out. That was very obviously influenced by The Searchers. I read Patty Hearst's autobiography some time before the film came out and the film was very uninvolving considering the material. That's quite an achivement considering it's one of the most incredible true crime stories of the 20th century. The Walker I haven't seen either, but I should really check that out sometime.
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#34 |
Special Member
Feb 2014
The Ruins of the Ex-EU
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Harrelson is terrific in The Walker; he really makes it.
I've yet to get around to watching The Canyons, but the reviews don't fill me with anticipation. Schrader's latest film looks to be a Nic Cage sludgefest, which is a bit depressing. Still, Cage can still pull it out of the bag when someone prods him, I just don't think Schrader's got it in him these days to do that. |
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Thanks given by: | willo007 (10-30-2014) |
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#36 |
Blu-ray Samurai
Feb 2011
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The Canyons is the only Schrader film that really tested my patience.
I'll have to take another look at it, but I remember thinking that it failed even as a double or triple layered satirical "screw you" to Hollywood. Hard to criticize movies like that, because any shortcoming can be defended with a roll of the eyes and an exasperated, "But that's the whole point!" Let's just say I couldn't really appreciate it on any level. Revisiting Dominion last week, it's better than I remembered, so maybe there's hope for The Canyons too. I'm very fond of The Walker though. |
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#37 | |
Blu-ray Samurai
Feb 2014
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Schrader is one of my top five favorite directors; and, though interesting, the territory he explores in his movies is definitely not mainstream or pleasant. One of the most interesting aspects of AG to me is that Schrader, instead of making a movie that glamorizes Julien's lifestyle (which he easily could have done), takes the opposite route & clearly illustrates the darker side to the "profession". I.e., if you are in the "business" you will probably need to do some degrading/dangerous things, you will be looked down on by many (much of which is probably because of envy), and there are a lot of sleazy people out there who will betray you in a NY minute...
The irony in the film is that [Show spoiler] Quote:
Last edited by AnamorphicWidescreen; 11-15-2014 at 05:23 PM. |
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#38 |
Blu-ray reviewer
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