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#701 |
Senior Member
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Agreed, IMO, it's not Noir. I had the Criterion DVD and sold it after one viewing. Not because it's not Noir, but the narration was tedious and the story just didn't do it for me. Love the day-time shots of NYC though.
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Thanks given by: | Le Samourai (01-21-2015) |
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#702 |
Senior Member
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I've been digging around for more noir resources. Here are a few that I found after some light googling:
ON FILM NOIR: Paul Schrader's "Notes on Film Noir" (1972) A historical overview of film noir that explores the catalysts, psychology, and visual motifs of the movement. Schrader cites many films and places them in a historical context. A good read, especially for noir neophytes, but the age of the piece means it preempts over forty years of subsequent criticism. ON NEO-NOIR: The table of contents, acknowledgements, and introduction to Ronald Schwartz's Neo-Noir: The New Film Noir Style from Psycho to Collateral (2005) The introduction, which features short explanations of the noir and neo-noir movements, begins on page six of the document. Another good, albeit extremely brief, primer that could be viewed as a revision/continuation of the Schrader piece. Though the essays on the included films are not accessible, the table of contents allows a peek at films Schwartz considers examples of neo-noir. "Space, Time, and Subjectivity in Neo-Noir Cinema" by Jerold J. Abrams, from The Philosophy of Neo-Noir, ed. Mark T. Conrad. (2007) The densest of the three pieces, this looks the evolution of neo-noir as well as the neo-noir protagonist's seach for self. Abrams divides neo-noir into three categories, citing examples for each: Past Neo-Noir (The Ninth Gate, Angel Heart, Raiders of the Lost Ark, and, breifly, Pulp Fiction), Future Neo-Noir (Blade Runner, Minority Report, The X-Files, Dark City), and Present Neo-Noir (Memento, The Bourne Identity, Fight Club, Pi: Faith in Chaos). It's the most challenging and radical piece, offering some interesting (and arguable) ideas as to how neo-noir works and its relation to film noir-proper. (All links live as of 1/20/2015) |
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#704 |
Junior Member
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Friends of Eddie Coyle should be added to the list though, right?
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#706 |
Blu-ray Samurai
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I like Watchmen but I don't think I would classify it as neo-noir by looking at the overall picture. If the majority of the film stuck with Rorschach, that might be a different story. Many of his scenes do scream noir, in the way he's presented, doing his detective work, giving inner monologues, but I think the film needs to be looked at collectively and in my gut it doesn't feel noir-enough.
If you want to see what a Watchmen noir film would have been like with Rorschach as the main lead throughout, give the film Franklyn a watch. I honestly think that film is more deserving of being called a neo-noir than Watchmen. As for others that are being contended right now, I also wouldn't classify Heat as neo-noir, I've always considered that a straight up cops and robbers flick, albeit with great style and cinematography. Looper is more of a maybe from me, even though it's set in present day many of the scenes and dress style seem like it's from the 40's and 50's, but even still, way too many scenes during the day, kind of kills most of the noir vibe. |
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#707 |
Blu-ray Samurai
Feb 2014
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Big fan of both the Watchmen film & the comic series the movie is based on. I think the comic is far superior, and I was a fan of the series long before the movie came out...I do think the Watchmen film definitely has elements of noir, but not sure I'd actually classify is as a neo-noir...
Franklyn is a superb, underrated flick - [Show spoiler] . And, yes, I do see elements of sci-fi noir here..Looper is another great movie; the time-travel aspect kind of leads me away from classifying this as a noir, but the fedoras/old-skool feel/vibe definitely gives it an element of noir... Altman's The Long Goodbye is excellent; have seen this several times over a years since I'm a huge Altman fan. I like how this film updates the Philip Marlowe detective character to the hip/swinging CA of the 1970's, while still keeping a definite noir atmosphere - not an easy dichotomy to achieve, but done very well here. Also liked how several different versions of the song "The Long Goodbye" were played throughout the film... Last edited by AnamorphicWidescreen; 01-21-2015 at 03:43 PM. |
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#708 | |
Blu-ray Guru
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Back to the true blue.. watched my This Gun for Hire dvd last night on a whim. While I never thought this film was as great as it has been cracked up to be, I would pick a blu of it up in a heart beat. Im surprised theres not more Veronica Lake on Bd. |
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#709 |
Blu-ray Samurai
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Another film for consideration of neo-noir is A Simple Plan. Not released in the States yet but there is a region free release out of Germany. It's a shame Bridget Fonda quit acting, I always liked her.
And what the heck! Germany also has Mulholland Drive too! |
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Thanks given by: | MifuneFan (02-06-2015) |
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#710 | |
Blu-ray Archduke
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The source novel by Scott Smith is fantastic, and the film adaptation is nearly spot-on. |
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#711 |
Active Member
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A simple plan is a definitely a neo-noir movie. great movie aswell.
I'm also wondering why Seven, Reservoir Dogs, Millers crossing and The crow are in the neo noir list. And also Cape Fear, the original isn't considered a film noir, so i do not think the remake is a neo-noir then. |
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#713 | |
Banned
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#714 | |
Blu-ray Samurai
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Thanks given by: | The Great Owl (01-29-2015) |
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#716 |
Blu-ray Ninja
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#718 |
Blu-ray Archduke
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Sad news for all of us film noir fans. Lizabeth Scott passed away on January 31.
Film Noir Actress Lizabeth Scott Dies At 92 Lizabeth Scott was one of my personal favorite actresses of the classic film noir era, because of her roles in films like The Strange Love of Martha Ivers, Pitfall, Dark City, The Racket, The Weapon, Two of a Kind, and Dead Reckoning. She had perhaps the sexiest voice in cinema history. ![]() ![]() Last edited by The Great Owl; 02-07-2015 at 02:06 AM. |
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#719 |
Blu-ray Ninja
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