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View Poll Results: Who is your favorite Universal Classic Monster from the list? | |||
Dracula |
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44 | 20.66% |
The Phantom Of The Opera |
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3 | 1.41% |
Metaluna Mutant |
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2 | 0.94% |
The Creature From The Black Lagoon |
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42 | 19.72% |
The Mummy |
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8 | 3.76% |
The Wolf Man |
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32 | 15.02% |
The Bride Of Frankenstein |
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16 | 7.51% |
Frankenstein |
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51 | 23.94% |
The Invisible Man |
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15 | 7.04% |
Voters: 213. You may not vote on this poll |
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Thread Tools | Display Modes |
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#261 |
Senior Member
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9/5 - Alien vs. Predator (2004)
9/7 - Annihilation (2018) 9/10 - Upgrade (2018) 9/11 - A Quiet Place (2018) Cooties (2014) 9/12 - I Am Legend (2007) 9/13 - Twilight Zone: The Movie (1983) Signs (2002) 9/17 - The Silence of the Lambs (1991) Annabelle: Creation (2017) 9/18 - mother! (2017) |
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#263 |
Blu-ray Count
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what did you think of these?
i liked annihilation a lot more than i thought i would.... solid sci fi flick... and Mother a lot less than i thought...has a cool trippy ending but otherwise kind of bland... Last edited by Lacit170; 09-19-2018 at 04:26 PM. |
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#264 |
Blu-ray Guru
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SEPTEMBER WARM-UP
Blue = blu-ray, * = first time viewing Previous Films: [Show spoiler] ![]() Repulsion (1965) ![]() ![]() ![]() ![]() |
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Thanks given by: |
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#265 | |
Senior Member
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Didn't know what to expect from mother! hearing that it was quite disturbing and something you would never want to see a second time. I don't think either of these things are true. I was captivated throughout and thought the performance from the 4 main characters was solid. Somewhat early on it seemed to resemble Rosemary's Baby but obviously bizarre/dreamlike throughout with a number of analogies or metaphors to play with. |
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Thanks given by: | Lacit170 (09-19-2018) |
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#266 |
Blu-ray Samurai
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(*denotes first time viewing)
09/01 - *Demon House ![]() ![]() ![]() 09/02 - *The Babysitter ![]() ![]() ![]() ![]() 09/03 - *The Ritual ![]() ![]() ![]() 09/04 - *Death Note ![]() ![]() ![]() 09/05 - *American Fable ![]() ![]() ![]() 09/07 - *The Nun ![]() ![]() ![]() 09/07 - *The Bye Bye Man ![]() ![]() 09/08 - *Before I Wake ![]() ![]() ![]() ![]() 09/10 - *Mercy ![]() ![]() 09/11 - Abraham Lincoln: Vampire Hunter ![]() ![]() ![]() 09/12 - Predator (4K) ![]() ![]() ![]() ![]() ![]() 09/13 - *Ghost Stories ![]() ![]() 09/15 - Predator 2 (4K) ![]() ![]() ![]() 09/16 - Predators (4k) ![]() ![]() ![]() ![]() 09/17 - Zombieland ![]() ![]() ![]() ![]() ![]() 09/18 - Lake Placid ![]() ![]() ![]() ![]() |
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#267 | |
Blu-ray Samurai
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”You have to be taught to leave us alone."
The Village of the Dammed [1960; First Watch (2018 Warner Archive Collection Blu-ray)] ![]() Rating: ![]() ![]() ![]() ![]() Analysis: When I read the news of WAC releasing this childhood favorite (lovingly restored and never looking better), I posted the following anecdote: Quote:
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Thanks given by: | assydingo (09-19-2018), filmbuffTX (09-19-2018), hagios (09-20-2018), KenHurd (09-20-2018), kingdoxie (09-20-2018) |
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#268 |
Blu-ray Ninja
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![]() ![]() 9/19 Fear Clinic (2014) ![]() ![]() ![]() The ideas are interesting, the cast gives solid performances, particularly Robert Englund and Fiona Dourif, and the effects are pretty decent. Unfortunately the good elements don't manage to overcome the pacing issues or the half-baked plot. |
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Thanks given by: | cgpublic (09-20-2018) |
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#271 |
Blu-ray Samurai
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Previous:
1. Predator 2 ![]() ![]() ![]() 2. Deep Blue Sea ![]() ![]() ![]() ![]() 3. Razorback ![]() ![]() ![]() 4. Revenge ![]() ![]() ![]() ![]() 5. The Nun ![]() ![]() ![]() ![]() 6. Halloween 6: The Curse of Micheal Myers (Producer's Cut) ![]() ![]() ![]() ![]() 7. Slither ![]() ![]() ![]() ![]() 8. Raising Cain (Director's Cut) ![]() ![]() ![]() ![]() 9. Jurassic World: Fallen Kingdom ![]() ![]() ![]() ![]() ![]() 10. Detention ![]() ![]() ![]() Current: 11. The Predator ![]() ![]() ![]() ![]() ![]() Is it a B-movie? 100%. However, it is probably the best kind of B-movie there is. It is completely over the top with non-stop action and some fun irreverent humor (if you’ve seen a Shane Black movie before you know what to expect). Shane Black knows it’s a B-movie and he simply tried to deliver the best he could, and given that I think he succeeds. The film wastes no time and it opens with a Predator ship going after another one. Suddenly, a portal opens next to Earth, the first spaceship goes through, and then it closes. It lands somewhere in Mexico while McKenna, a sniper, is on a mission to execute someone. After the ship crashes, he gets a couple of items, including a Predator helmet, from the ship, and the next day mails them to his home to have evidence that an alien species exists. As that is happening the government summons Dr. Bracket on Halloween day. She is taken to a lab where she is shown the Predator and is asked to examine it, and his devices, to try to figure out why they’re coming to earth more frequently since 1987. The government gets McKenna, and they decide they’ll silence him by branding him deranged. McKenna’s son gets hold of the Predator items that were mailed. He decides to use the helmet as a Halloween mask, and as he uses it, his location is found. As McKenna is being transported with a group of mentally unstable veterans, the Predator in the lab escapes. The film is bananas, in the best possible way. People are killed every which way and the humor comes often and is pretty effective, provided you like Shane Black’s humor. The plot is definitely nothing to write about. It’s simply there to have scientists, killers, and the government fighting each other and the Predators while they behave like crazy mofos. It works. Each of the veterans is a vivid character in their own way, and their interaction is entertaining and fun to watch as they work together to fight the Predator. Olivia Munn kicks ass. She may be the only woman in the ‘team’, but she more than holds her own, being smart, logical, and physically agile. She also helps amplify the dynamics in the team as the veterans try to figure out how to interact with her without offending her. All the performances range from good to excellent, with Munn, Holbrook (McKenna), and Brown being the standouts. Character development is fair. The film won’t win any awards for its script, but the characters and plot are enough to drive the crazy action, dynamics, and humor. Directing is pretty good. As non-stop action as the film is, the pacing feels fast and fun without exhausting the audience. The more suburban setting is used well and it helps make the film feel fresh and not a redo of other entries in the franchise, while it helps to amplify the humor by juxtaposing the over the top concept of an alien coming to earth to kill another alien with something so familiar as the suburbs. I’ve read negative criticisms about the special effects during the last act of the film. It’s nothing to write home about, but it’s not terrible either, at least not in my opinion, especially given the B-movie canvas on which the film was created upon. It is definitely not as good as the original, but I do think it’s the best sequel so far. It’s a very different Predator movie, and while it doesn’t try to match or outdo the first, it uses its core concepts while infusing it with the best kind of B-movie elements to deliver something that is very fun, entertaining, and feels fresh. It’s a B-movie with an expensive budget, and I’m not complaining one bit. If you’re fine with the B-movie lens through which it was created, then I’d recommend it. And definitely watch it in IMAX or a Dolby Cinema, the visuals and sound just amplify the entertainment factor. Technical review is for the presentation in Laser IMAX: PQ: 4.5 / 5 Image was pretty darn good. The expanded dynamic range of the laser projection really gave the image more pop and nuance, especially in nighttime scenes, which were most of the movie, with all the tech devices from the Predators, their green shiny blood, and other more common objects like lights. Detail was good, not outstanding but fair. It did get a little soft in some special effects but given the budget, that's not really a surprise. AQ: 4.5 / 5 Unfortunately it doesn't seem this got the 12 channel treatment so it was just a 6 channel mix playing. Given that it was excellent. It had great directionality at the front and the surrounds were pretty active throughout. The low end was also very prominent given all the action. Dialogue stayed well prioritized, and despite all the commotion it had some nice atmospherics. The Dolby Atmos mix should sound excellent given how this one sounded on just a 6 channel mix. |
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#272 |
Blu-ray Samurai
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Previous:
1. Predator 2 ![]() ![]() ![]() 2. Deep Blue Sea ![]() ![]() ![]() ![]() 3. Razorback ![]() ![]() ![]() 4. Revenge ![]() ![]() ![]() ![]() 5. The Nun ![]() ![]() ![]() ![]() 6. Halloween 6: The Curse of Micheal Myers (Producer's Cut) ![]() ![]() ![]() ![]() 7. Slither ![]() ![]() ![]() ![]() 8. Raising Cain (Director's Cut) ![]() ![]() ![]() ![]() 9. Jurassic World: Fallen Kingdom ![]() ![]() ![]() ![]() ![]() 10. Detention ![]() ![]() ![]() 11. The Predator ![]() ![]() ![]() ![]() Current: 12. Mandy ![]() ![]() ![]() ![]() ![]() As psychedelic as it gets. A throwback to the 70s-style sub-genre of revenge films, Mandy oozes with its style and pacing. The imagery combined with the music and editing work extremely well to elevate the minimalistic plot of the film. Cage, Riseborough, and Roache give excellent performances. Cage succeeds as the broken man [Show spoiler] . Riseborough is great at playing a quiet but enigmatic artist. And Roache is excellent as the narcissistic and insane leader of a cult. While the film is pretty engrossing throughout (if a film was alive and was high on drugs, this would be the end product), there are a few times in which "too much of a good thing is bad", and that can be felt a bit in a few sequences in which the over-stylized nature of some scenes can halt the film and feel a little redundant. They don't ruin the movie but they do feel like they were there to showoff the psychedelic style instead of providing something important to the plot or a character. Also, while the second half of the film, in which Nicholas Cage goes crazy on his revenge, succeeds in using his acting persona to manifest the character's arc (we all know how over-the-top he can be), it does clash with its tones a bit. By then he is a broken man with nothing to lose, and given the tone of tragedy, anger, and sadness of the film, it was weird to see that it was a little comedic at times as well. It was genuinely funny, but it just didn't mesh as well with its other more 'downer' tones which are what fuel his revenge. It was still fairly enjoyable but I am not sure the slightly comedic moments worked in the films favor, as funny as they were. Overall, it is still very much worth watching if you know what you're getting into, and I can see it having good replay value due to the uniqueness of its expressionistic style and pacing (something like Suspiria but for a 70s revenge film) combined with the great performances. The technical review is for the presentation in regular projection: PQ: 4.5 / 5 I'm not sure whether this was shot on actual film or if the effect was added in post-production, but either way, Mandy is one grainy film. It really helps with the style, however. It helps it really capture that 70s style of revenge films, not only with its setting and characters but also in the technical aspect with its imagery and sound. The grain is akin to something shot on 16mm, and given all the heavy post-processing it went through to give it that psychedelic element, fine detail is not abundant and there is some black crush throughout. It should definitely still benefit from a blu-ray transfer to capture the grain, but it is definitely not demo material either. Having said that, the film goes crazy with its colors and imagery, and it was impressive to see how well it meshed with the story and Cage's character. Like mentioned above, it was not always in service of either, but the majority was and that is commendable given how crazy the film looks. AQ: 4 / 5 The synth score is mainly what drives this mix. Dialogue is pretty clear and well balanced with the music, but apart from a few 'action' sequences (a car crash, a few bloody fights), the mix is not too complex. Most of the action, in terms of sound, is very front-centered, which I guess given the intended style, makes sense for this film. The score does envelop the viewer nicely thanks to the surrounds, and directionality at the front is good. It is an overall pretty good mix but nothing outstanding. |
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#274 |
Blu-ray Ninja
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first time watches in bold
[Show spoiler] among the living - 3.5/5 from the guys who made inside. more good than bad. has some moments. but doesn't entirely work. I just felt it wound up being so meh. it's on shudder in the us if you're curious. body melt - 3/5 eh. this is entertaining, but not as crazy as you'd expect from the title. magic - 4.5/5 man, how hot is ann margret in this? you might think this is bad if that's my first thought. but she is totally the best part of this movie. I mean, burgess meredith is pretty good too. and hopkins is solid. but ann margret is totally the best thing in this movie and the movie wouldn't work without her. overlooked in all this, a really great jerry goldsmith score. but this is still a solid genre flick that I have looked over for like forever. Last edited by prkchopexpress; 09-21-2018 at 12:02 AM. Reason: i fail for misspelling margret. |
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Thanks given by: | cgpublic (09-20-2018), Monterey Jack (09-20-2018) |
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#275 |
Banned
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Re-Animator - 3/5 (on a scale of 0 to 5). Random thoughts: Am I the only person who thinks Rainn Wilson used Herbert West as inspiration for his portrayal of Dwight on The Office? Also, Meagan Halsey is a spoiled brat. A grown woman who still calls her father "daddy". Yuck!
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Thanks given by: | cgpublic (09-20-2018) |
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#276 | |
Blu-ray Guru
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Thanks given by: | cgpublic (09-20-2018) |
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