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#5841 | |
Special Member
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![]() They weren't squezzed (sic) to fit 4:3; that's the way they're meant to be. I don't care what anyone says about open matte, the 16:9 versions doing the rounds are tinkered-with abominations. Every shot on the previous page clearly looks better in 4:3. The "extra" image you see in 16:9 is just empty space, the characters are obviously centred for a 4:3 frame. Penton, next time you're talking to Paidgeek please tell him I still feel just as strongly about this subject!! ![]() I will be horrified if only a 16:9 version is offered on Blu-ray. To do that would be a landmark ****-up by a studio in pandering to the "look at my big new TV" crowd. |
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#5842 | |
Active Member
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small TV crowd" better start buying by the gross. ![]() your keyboard into cyberspace oblivion. ![]() ![]() Last edited by BluDomain; 06-03-2009 at 12:11 AM. |
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#5843 | |
Blu-ray Knight
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& were not gonna start this whole "meant to be" thing again....star trek wasnt 7.1 but the bluray is. |
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#5845 | |
Special Member
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That statement makes absolutely no sense. At least just admit it; you don't like anything that doesn't fill your 16:9 TV. And it's still in 4:3, and also offers a mono soundtrack. |
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#5846 | |
Blu-ray Knight
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If I recall that the first season of CSI was filmed in 4x3, but the blurays Im watching suggest NOTHING is missing from 4x3. If you want 4x3 get the dvd. ![]() ![]() I mean I cant see the bottom of the desk but I CAN see more information on the sides. 16x9 for me. Last edited by MerrickG; 06-03-2009 at 01:31 PM. |
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#5849 |
Senior Member
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My rationale is probably not what anyone would consider valid, but here it is:
It's a sitcom. A great sitcom with great laughs, but modifying its image a bit isn't remotely as important as it would be for a "CSI" or other show that doesn't take place (mostly) on a typical sitcom set. The quote "I'm sure Seinfeld is just as funny in HD [as in SD]" is completely true. Maybe I'm wrong, but I don't think there's any sort of artistic vision or special frame composition that's being lost with modifying a show like this. |
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#5850 | |
Blu-ray Prince
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#5851 | |
Special Member
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Fair enough, making it 16:9 won't make Seinfeld any more or less funny. My worry is that this could be the thin end of the wedge. Jeff, dare I ask your opinion on this Seinfeld issue? I know you're not a fan, but what do you think in principle? |
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#5852 | |
Active Member
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especially when presented in a dated 4:3 view. Who wants to spend money on that. Being dated is apparent on a 20" television as well as a 50" one. Even satellite and cable providers manipulate old broadcasts to 16:9 [with varying degrees of success] to give a modern edge to old repeats. Besides high definition the 16:9 gives added value of "new". |
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#5853 |
Blu-ray Knight
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I agree that the odds are pretty good that a pan-and-scan of Seinfeld would probably be one of the less-egregious framing-alterations that could be done, in terms of impact on the meaning and intent of the material, but...
Why do it? Leave it alone. I don't want "not so bad", when I can have *correct*, instead. Let's leave unnecessary re-framing as a bad memory of the last generation. |
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#5854 | |
The Digital Bits
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#5855 | |
Blu-ray Champion
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#5856 |
Blu-ray Knight
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Do you not notice how you get MORE information on the sides in the 16x9, but a littlle less at the top or the bottom?
Thats why Im favor of 16x9 IN THIS CASE. If I have to choose between having more information on top or on the sides, Im going to choose sides every time. Thats just me. If they were just chopping off the tops and bottoms of 4x3 and making 16x9 that way, I would agree completely with preserving the original aspect ratio. |
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#5857 | |
Blu-ray Knight
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Now if there was an option for a "special" zoom mode in which the zoom was more accomodating to show the "important" information then I would be all over that. Last edited by MerrickG; 06-03-2009 at 05:27 PM. |
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#5859 | |
Blu-ray Knight
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2. wrath of khan wasnt 7.1....but it is on the bluray now isnt it. |
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#5860 |
Special Member
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IIRC, PaidGeek said the original show was shot wider, but reduced to 4:3 before/during editting. Therefore, to produce the BR version of Seinfeld required going back to the original negatives for each camera (assuming a three camera system), scanning them, then executing the same edits to produce in 16:9 what you saw in the 4:3 version. Ergo, it took more time, effort, and money to product the HD version than usual.
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