What do you do to raise it? Do you have to run to the ER? I had a bout with the Flu earlier this year (my first I guess, I never felt that bad before) and got hit with an $1,800+ bill despite the fact I have insurance. Unless I'm dying, I'm never going to an ER again.
Does there happen to be a laboratory nearby....do your lights flicker.....perhaps you have seen some gooey residue? It appears you might get a visit from the upside down dude, as Vecna needs a new host.
Does there happen to be a laboratory nearby....do your lights flicker.....perhaps you have seen some gooey residue? It appears you might get a visit from the upside down dude, as Vecna needs a new host.
Not that I’m aware of…but if we did, they’d be incompetent.
Yeah…def not a fan BUT….there is a bit of backstory to it.
Quote:
How did you end up designing these posters?
After Stanley died my mother and I received artwork for the Eyes Wide Shut posters from the studio, but we really wanted to design them ourselves as a last gift to him. My mother in particular felt we could design a poster that he would have loved.
As you may know, Stanley was always very involved in his poster campaigns. It was important to him that his posters were elegant and stylish and immediately visible across the tube station or when you opened the newspaper. They had to be iconic. If you think of the ‘A’ that Philip Castle designed for A Clockwork Orange [1971], or the helmet that he did for Full Metal Jacket [1987], or the foot on the rose for Barry Lyndon… They were very strong images and they told you something, but not everything, about the film.
It was a very intense period. He died in March and the film came out in July, so we had very little time to do it. We were grieving, but it was important for us to come up with a design that we felt Stanley would have loved.
My mother and I are both artists, and because masks are very heavily featured in the film – we started with the premise of turning Tom and Nicole’s faces into masks. We got a photographer who shot them for us full-face. Then using Photoshop we made Nicole and Tom look as mask-like as possible.
Why did you select red as the background?
Red was one of dad’s favourite colours, and it’s also a very emotional colour. People respond to it in very different ways. Some people find it a scary colour. Red is the colour of prostitutes, isn’t it? And whenever you see somebody in sleazy underwear, it’s always got to be red.
Why weren’t they used?
The feedback from the studio was: “You’ve got two of the most beautiful movie stars in the film industry – why are you using masks?” So we thought, OK, let’s start again.
The mirror that was in the Harfords’ apartment was ours. So we had it photographed, and then we took that photograph of them in front of the mirror and made, again, what we thought was an elegant poster. It’s a shame the originals weren’t used because if you look at them now, 20 years later, I think they really hold up and they are definitely Tom and Nicole.
Soooo I guess I can “accept” the artwork, but it doesn’t mean I have to like it.
All countries
Argentina
Austria
Belgium
Brazil
Bulgaria
Chile
China
Colombia
Cyprus
Czech Republic
Estonia
Denmark
Finland
Greece
Hong Kong
Hungary
Iceland
Indonesia
Ireland
Israel
India
Latvia
Lithuania
Malaysia
New Zealand
Norway
Philippines
Poland
Portugal
Romania
Russia
Singapore
South Africa
South Korea
Sweden
Switzerland
Taiwan
Thailand
Turkey
Ukraine
United Arab Emirates
)
No wonder WB passed on it. 
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