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Old 07-07-2011, 06:13 PM   #1
WyldeMan45 WyldeMan45 is offline
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Oct 2008
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Talking 'We Need to Talk About Kevin' The story of a Sociopath (Coming September 2011)

Quote:
A suspenseful and psychologically gripping exploration into a parent dealing with her child doing the unthinkable, We Need To Talk About Kevin is told from the perspective of Eva, played by Tilda Swinton in a tour-de-force performance.

Always an ambivalent mother, Eva and Kevin have had a contentious relationship literally from Kevin's birth. Kevin (Ezra Miller), now 15-years-old, escalates the stakes when he commits a heinous act, leaving Eva to grapple with her feelings of grief and responsibility, as well as the ire of the community-at-large. We Need To Talk About Kevin explores nature vs. nurture on a whole new level as Eva's own culpability is measured against Kevin's innate evilness, while Ramsay's masterful storytelling leaves enough moral ambiguity to keep the debate going.
Quote:
In a series of brutally introspective missives to her husband, Franklin, from whom she is separated, Eva tries to come to grips with the fact that their 17-year-old son, Kevin, has killed seven students and two adults... Guiltily she recalls how, as a successful writer, she was terrified of having a child. Was it for revenge, then, that from the moment of his birth Kevin was the archetypal difficult child, screaming for hours, refusing to nurse, driving away countless nannies, and intuitively learning to "divide and conquer" his parents? When their daughter, loving and patient Celia, is born, Eva feels vindicated; but as the gap between her view of Kevin as a "Machiavellian miscreant" and Franklin's efforts to explain away their son's aberrant behavior grows wider, they find themselves facing divorce. In crisply crafted sentences that cut to the bone of her feelings about motherhood, career, family, and what it is about American culture that produces child killers, Shriver yanks the reader back and forth between blame and empathy, retribution and forgiveness. Never letting up on the tension, Shriver ensures that, like Eva, the reader grapples with unhealed wounds.
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