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#1941 |
Blu-ray Emperor
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Peter, GB wasn't an atrocity, but I never liked it. It's not just about the blown out highlights, the hyped-up contrast gives the image an aggressive sharpness that exacerbates the grain something chronic. I've always found it to be uncomfortable to watch. You know from my comments in the Trek movie threads that I despise overdone DNR - but, on the flipside, if I say a movie is too grainy then you know something's amiss.
![]() Last edited by Geoff D; 05-27-2013 at 10:59 AM. |
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#1942 | |
Expert Member
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Film is still really dark though. I'm a photographer, and if I was to show this as a final product to a customer...I'd be out of work. Both shots look underexposed, but I can tell they were shot right and adjusted in post. This is how the film should have looked...and was likely shot. ![]() Last edited by AngelGraves13; 05-27-2013 at 07:26 PM. |
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#1943 | ||
Blu-ray Emperor
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#1944 | |
Expert Member
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I prefer the 4K mastered disc over the regular one because of the sharpness. |
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#1945 | |
Banned
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#1946 | |
Blu-ray Emperor
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#1947 |
Blu-ray Emperor
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If those caps are accurate then the M4K does look like it's been sharpened. Looking at Ms Stone's cheek against the dark background, I can clearly see a faint white halo running down her jawline. And no, I'm not zooming in to 1000% or whatever, it's the first thing that caught my eye when tabbing between the two.
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#1948 | |
Expert Member
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You shoot it correctly and then do whatever you want to it in post, as you may not know how you want the film to look. I'm assuming that's probably what it looked like when it was shot before the DI. Also, I don't like the DI for Traffic whatsoever, but it's the director's decision..not mine. Still, I'm entitled to my opinion. Last edited by AngelGraves13; 05-27-2013 at 07:58 PM. |
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#1951 |
Blu-ray Emperor
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That's what I was thinking, it's a bit of a cheeky thing to do. Other releases derived from the same 4K master have shown actual improvements, however minor they may be (e.g. Taxi Driver), but adding sharpening to TAS smacks of desperation. Instead of arsing about with that one, Sony should've redone Spidey 2 instead.
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#1952 | |
Banned
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And who says they shot it underexposed? |
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#1953 | |
Expert Member
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WTF is wrong you? |
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#1956 |
Special Member
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If you err with exposure in movies, I'm pretty sure they try to err on the side of underexposure. It's better to crush some blacks than to blow the whites. They both lose detail in the extremes of the dynamic range but crushed blacks is nowhere near as distracting and can be passed of much easier.
By using "should" coupled with the statement of you being a photographer undeniably shows that you were trying to pass it off as a fact. Don't try to veil what you were intending to do because someone called you out. Last edited by psychomugs; 05-28-2013 at 02:44 AM. |
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#1957 |
Special Member
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#1958 | |
Banned
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#1959 | ||
Expert Member
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I just can't stand the overblown contrast. Have you tried the 2 different versions on your display to see the difference. It's easy to call something minimal without looking at both versions. The new one is a completely different transfer. They didn't just up the bitrate. Even the grain is handled differently. This youtube video shows a side by side comparison. Look at the difference in contrast. You would have to see the two on your display to see how the grain goes with the movie in the new version. On the previous version the picture is really noisy with the grain & it looks like it was overlayed over the top of the movie because of the contrast. To me the youtube video showing the side by side difference isn't minimal. It's very easy to see. But to each his own. If your happy with the high contrast on the 1st release & the noisy grain then I would tell anyone to stick with what they have. Last edited by marine92104; 05-28-2013 at 01:10 PM. |
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#1960 |
Power Member
![]() Jun 2011
Alhambra, CA
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Looking at the new review's 4k screenshots vs. the old one. The 4k looks obviously sharpened. Just look at the newspaper framegrabs.
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