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View Poll Results: Rate the movie (after you have seen it) | |||
One Star |
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14 | 4.11% |
Two Stars |
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31 | 9.09% |
Three Stars |
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104 | 30.50% |
Four Stars |
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156 | 45.75% |
Five Stars |
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36 | 10.56% |
Voters: 341. You may not vote on this poll |
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#481 | |
Banned
Jan 2014
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Wow. There are some
![]() ![]() Ah! But here's one opinion I agree with: Quote:
![]() My favorite of David Arnold's scores was his first. If you listen to and/or watch his interviews from around that time, you'll find an unbridled enthusiasm and a sense that this guy just gets it. He especially wanted to go in the opposite direction of Eric Serra's abysmal electronic noise for Goldeneye. (It's telling that the traditional Bond music for the tank chase sequence was written by another composer and inserted into the movie after Serra's original track just wasn't cutting it.) Arnold (indirectly criticizing Serra): "All I knew was, was when I was watching [Tomorrow Never Dies], I was thinking, 'If I'm watching this movie and I'm not scoring it, what would I want to hear at this point?' And I knew that, when James Bond comes out of somewhere and does something in a typical James Bond style or fashion, there's really only one thing you want to hear and that's James Bond music. And I think it's foolish to run away from that." The following quote explains to an extent why I wasn't as enthusiastic about his next four Bond scores: Arnold: "Tomorrow Never Dies for me was everything that I've ever wanted to do in a Bond movie, I did! Thinking that if I get run over by a bus when this is over, I don't want anything unsaid." The World Is Not Enough was still a good score but for me, not as interesting or "joyful" as TND. Die Another Day was, like the movie itself, noisy trash, almost as bad as Serra's Goldeneye soundtrack. For Casino Royale, I understood why Arnold chose to withhold the complete James Bond Theme until the end credits and was grateful that he scaled back on the techno/electronica. Vesper's theme was lovely and incorporating the title track (You Know My Name) into the score itself (as he had done for TND and TWINE) was a smart move. I'm still a bit lukewarm on the CR score overall, however. Not enough of it stands out from Arnold's other compositions. Quantum of Solace seemed to stall the progress Daniel Craig's Bond had made in the previous movie and unfortunately Arnold's score followed suit: It was competent but unmemorable with no real themes. As with Madonna's song for DAD, QoS had a title track that Arnold wasn't consulted on and therefore didn't lend itself to be used in the score at all. Thomas Newman's work on Skyfall was decent but most of the time it felt very unremarkable; how that score received an Oscar nomination is beyond my understanding. |
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#482 | |
Blu-ray Ninja
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Roger Deakins not returning for Bond 24 A huge shame in my opinion - his work on the film was fantastic and often stunning, especially considering it's an action blockbuster where artful compositions and lighting aren't necessarily considered vital. ![]() |
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#484 |
Special Member
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I was hoping Deakins would return since Mendes is directing the next one. Skyfall is such a beautiful movie. I cannot fault him for wanting to do something different though so I will accept this news with quiet dignity and grace.
[Show spoiler]
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#488 |
Blu-ray Champion
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#489 |
Senior Member
Mar 2012
VA
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I wouldn't mind at all if the producers can find a fitting "film guy" to take over Deakins' seat. I'd love to see a Bond movie shot with IMAX cameras.
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#490 |
Senior Member
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There are plenty of good cinematographers out there, and I'm sure Mendes will have no trouble finding a good replacement, given that all three of the cinematographers he's worked with are Oscar nominees and winners (Conrad Hall, Deakins, and Ellen Kuras). I'm hoping for Emmanuel Lubezki to step in, because he's tied with Deakins as the best cinematographer currently working.
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#491 |
Blu-ray Knight
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Bond 24, which remains untitled, is due to start filming this October (2014). With a release date set for November 15, 2015, that gives producers about a year for production. Screenrant posted this news several hours ago:
http://screenrant.com/james-bond-24-start-date/ |
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#492 |
Blu-ray Ninja
May 2010
Denmark
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Looking forward to this, but I am a little bummed out that Deakins isn't returning.
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#493 | |
Blu-ray Ninja
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John Logan gives Bond 24 Update
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#494 | |
Blu-ray Samurai
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#497 |
Blu-ray Guru
Feb 2011
London, UK
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Why? The SKYFALL plot was idiotic.
Re cinematographers - Bond doesn't need arty photography.I thought Deakins's work was a little too beautiful. On a basic level, it didn't feel authentic. I thought Phil Mayheux's work on CASINO ROYALE was better - solid but unfussy. Deakins deserves an Oscar but not for SKYFALL. He's far better suited to the Coen Brothers' universe. |
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#500 |
Blu-ray Samurai
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