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#22 |
Moderator
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Who's got a contact email for 'Reel'. Sick of this crap, I want them to give me my money back.
* Found, sorted, two emails sent.. one to Rialto, one to the dreaded Roadshow (Reel). Last edited by LordCrumb; 01-28-2015 at 04:38 AM. |
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#23 |
Active Member
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Would be interested to hear what they say. Those companies are also notorious for releasing bare bones editions with ZERO special features, even when content is available overseas. Now that video stores are dying, you'd think they would at least step things up with physical media and port over available special feature content.
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#25 |
Moderator
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#28 | |
Moderator
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Email Response (Rialto):
Quote:
Last edited by LordCrumb; 01-29-2015 at 03:07 AM. |
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Thanks given by: | Kyle Smith (01-29-2015) |
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#32 |
Blu-ray Guru
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#33 |
Blu-ray Prince
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Just ordered the AUS disc now that I know 1080i is the correct encoding for a 25fps shooting/projection rate. I can understand why most people would assume the US' 24fps is correct. Always pays to check.
I like the discrepancy in explanation of the 25fps though... Distributor: "If you saw the film in cinemas, the film screened in 25fps DCP format, a frame rate that the director intentionally chose for his film, to keep a rocketing pace in joke timing and jump scares, among other creative factors." Director, Gerard Johnstone: Q: "I've read that HOUSEBOUND was shot at 25fps, given the majority of cinema is shot at 24fps, was there a particular reasoning behind this?" A: "No we just ****ed up." http://www.fakeshemp.net/pickin-brains/gerard-johnstone |
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