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#4561 | |
Retired Hollywood Insider
Apr 2007
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https://vicomtech.app.box.com/HDR-EBU-Slides Attention Geoff, now that’s ^ a slide show fur ya ![]() ![]() |
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#4563 |
Retired Hollywood Insider
Apr 2007
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#4564 |
Senior Member
Oct 2007
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It might not have any effect on Ultra HD Blu-ray but I have heard some good arguments for a relative luminance HDR system. The problem with an absolute luminance HDR system (such as the Dolby HDR system) is that if they go for brightly lit room the average brightness might be 1000 nits (which Dolby has promoted in past marketing material). That leads to some far out ideas for absolute HDR systems such as having the HDR display dynamically change the room lighting depending on the brightness of the current video. In comparison the NHK proposal has a reference white level of 300 nits. As someone who has a light controlled room that sounds like a HDR system I could support.
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#4565 |
Blu-ray Samurai
Jun 2007
Singapore
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My reasons for preferring 24fps has nothing to do with resolution or budget costs or technical limitations.
It's because of the way motion is captured in 24fps vs 48fps or 60fps. The lack of motion blur in 48 or 60 is what takes me out of the movie. However fascinating the visuals are, it made me feel like I'm watching a television programme more than a movie. The sense of escapism is lost in that aspect. It's the same feeling I had when movies started making the transition from film to digital. I wasn't used to digital at first, because it looked too perfect without the film grain, scratches and wobble. It's the little imperfections of watching a film that makes the movie watching experience an comforting and enjoyable, rather than an unsettling and distracting one. |
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Thanks given by: | Falaskan (01-31-2015) |
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#4566 | |
Banned
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I don't think I'll ever come around to 48fps tho. I hate the lack of motion blur like none other! |
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#4567 |
Blu-ray Samurai
Jun 2007
Singapore
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Don't get me wrong. I don't hate HFR. I am open to it. I don't mind the occasional big budget movie like The Hobbit and Avatar that wants to experiment and explore HFR 3D. As long as it's niche and not the new de facto standard.
Along the years, we definitely had many enhancements in the movie making and watching experience, but I personally find HFR 3D to be the most difficult to adapt to. But I'm not worried about this anyway. This is not likely to happen in a very long time. |
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#4568 | |
Special Member
Feb 2014
Los Angeles, CA
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Or they had only watched HD content on a screen with a high hz rate or that motion blur nonsense on, which is certainly what caused a good portion of my friends to reject HD when it was becoming popular. |
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#4569 |
Retired Hollywood Insider
Apr 2007
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Heads-up all you Bay area (Northern Cal) real science men and women:
Human Vision and Electronic Imaging XX coming up Feb.9 - 12….http://spie.org/EI/conferencedetails...tronic-imaging When I receive it, I’ll post a viable link to a nicely written paper upon which one of the presentations is based in which the investigators evaluated both luminance and chrominance encoding to determine the minimum bit-depth required. Because, even if you question or don’t understand all their findings, I’m told it provides a nicely detailed basic background as to many of the advanced imaging parameters we’ve (now, for well over a year) been discussing here in piecemeal fashion in hurried socialized postings. P.S. During the same timeline (2nd week in Feb.), as an alternative for the Southern Cal folks… we get to be annually enlightened (https://forum.blu-ray.com/showthread...pa#post9356437 ) in the desert, which is where, yet again, my wife ![]() This year’s HPA Tech Retreat program, I think has a little of everything to satisfy everyone’s interests…http://hollywoodpostalliance.org/?page_id=31461 |
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#4570 |
Senior Member
Oct 2007
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Movielabs have made a few proposals at the current HEVC meeting. One proposal was basically a potshot at the NHK HDR system for how they described the purpose of a transfer function. Not surprising since the companies involved in Movielabs are supporters of the Dolby HDR system but it will be amusing if they do this every time a new HDR system is proposed for HEVC.
Movielabs also released a proposal for light level metadata which was previously mentioned in the Panasonic slides about Ultra HD Blu-ray. The MaxFALL metadata describes the maximum average light level while the MaxCLL metadata describes the maximum peak light level. The metadata would make no difference in how the video is encoded but it might be useful for video processing. |
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#4572 | |
Retired Hollywood Insider
Apr 2007
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^ There’ll be a quiz after the Super Bowl and The Blacklist |
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#4573 |
Retired Hollywood Insider
Apr 2007
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P.S.
I kid, I kid, ![]() ![]() |
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#4574 |
Special Member
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The trailer for Jurassic World is all I'm waiting for. What time does the super bowl kick off? Is it viewable in the UK? If not the I will be sat here refreshing pages until it's available.
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#4575 |
Power Member
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#4576 |
Blu-ray Emperor
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I'm watching the pre-game now, I love that the presenters keep taking the piss about having to fill all these hours before they actually get to the game. Fingers crossed that Katy Perry has a 'wardrobe malfunction' at half time.
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#4577 |
Banned
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#4579 |
Banned
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#4580 | |
Retired Hollywood Insider
Apr 2007
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![]() Would that be an aesthetic benefit of 4K capture, not elucidated here…“there’s a number of benefits, both aesthetic and technical, in capturing the game in 4K”, Goss said. – http://www.tvtechnology.com/news/008....0sneK0yE.dpuf |
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