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#2342 |
Blu-ray Samurai
Jun 2007
Singapore
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#2343 |
Senior Member
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pg. 35 CES 2014 Conference Program
ULTRA HD CONTENT: WHAT WILL WE WATCH IN 2014 AND BEYOND? 11 a.m.-Noon/Room N259 What’s the outlook for Ultra HD content in the consumer market? Will Ultra HD discs and high-resolution streaming become viable delivery options? A market overview and forecast will kick off a lively discussion among leaders, content programming and delivery. Moderator: Carolyn Giardina Contributing Tech Editor, Hollywood Reporter Panelist: Tom Cosgrove President and CEO, 3net Studios |
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#2344 | |
Retired Hollywood Insider
Apr 2007
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but something, in order to keep the higher quality packaged media fans hopeful that things are moving along….before 4K streaming gains a strong foothold in the public consciousness. Discerning home theater enthusiasts interested in the next generation video would appreciate that more than random consumer electronics executives and Blu-ray spokespersons throwing out a bone with a tiny piece of info-meat on it every once in awhile. I mean heck, it’s been over a year now since the format extension study task force was formed and I don’t think that any ‘official’ formal statement has been issued to the public indicating that the Board has approved an advisory committee’s recommendation to even adopt 4K Blu-ray. A/V enthusiasts have to search for progress tidbits casually thrown out on the internet or pick up on 2nd hand hallway chatter at industry shows. With regards to 4K Blu-ray, I don't think it should be like that, because, like it or not, 4K streaming is coming and it will be a competitor to 4K BD. |
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#2345 | |
Retired Hollywood Insider
Apr 2007
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But, given the materials used for the experiment, a couple of considerations come to mind…. |
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#2346 |
Banned
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![]() [Show spoiler] ![]() On a more personal tip, I'm looking for hard info on 4k BD possibilities because it would help me reconcile two conflicting impulses/emotions regarding BD now: On the one hand, keep on buying and using the rationale that BD is the last whistle stop on the package media train before things heads up into the cloud. Grip those Twilight Timers even if they're $30. On the other, I'm seeing notable price erosion in the used market for BD on at least Amazon Marketplace. That's where I sold 80% of my DVD collection a few years back, making enough money per disc to justify the time involved and often rolling that coin into buying BDs. If current trends continue, it is going to be even harder than it already is now in, say, two years to do that same kind of upgrading from BD to 4k BD if making a few dollars per disc in the process is any kind of priority. Prices are falling through the floor. So that points to closing the wallet and slowing down on current BD purchases. |
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#2347 |
Retired Hollywood Insider
Apr 2007
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That does make it even tougher for economically-minded home theater enthusiasts such as yourself.
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#2348 |
Retired Hollywood Insider
Apr 2007
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#1. The display used for the experiment was a 50-ish inch LCD. So, given that, question is….is 12-16 Mbps sufficient to deliver the same quality to larger 4K TVs (70 – 84”), not to mention front projection systems with larger screens or will the imagery soften, etc. when exhibited at those larger display sizes?
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#2349 |
Retired Hollywood Insider
Apr 2007
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^ b.t.w., there are some rather good (but expensive!) LCD monitors available out there for research labs, post houses, etc., for example - http://www.tvlogicusa.com/product/pr...model=LUM-560W
With Canon launching its own version of a reference 4K LCD in a few months…. http://www.usa.canon.com/cusa/about_...01e02480a6996f |
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#2350 |
Special Member
Jan 2007
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What's the deal with people thinking that there won't be 4K discs? What are they going to do, stream 4K?
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#2351 |
Active Member
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what i mean by "owning"?
Its' in our nature to "own" a item what we love,in this case it's a movie on physical media. No matter if streaming becomes reliable in the future or not,i for one like to play the movie whenever i want without the slightest possibility of something "going wrong". And with streaming there is NO way that will ever happen i feel,the problem is not the consumer,it's the provider...can i be guaranteed to watch my movies each time without interruption or whatever can go wrong during streaming? Can annyone here honestly claim not to have issues over the internet,cause i cant.... I specifically did not mention 4K streaming for a reason,cause that is irrelevant! the point is...streaming is not a safe way to watch whatever you like whenever you like,while physicall media is. |
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#2352 | |
Retired Hollywood Insider
Apr 2007
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So, question is, will first generation real time encoders be able to match such *gold standard* efficiency (and thusly deliver the same quality at that 12-16Mbps bit rate range) as the reference software, or will they require a tad more bits to do the same job? P.S. b.t.w., the HEVC and UHD (vanilla 4K as well as beyond HD enhancements like HFR, etc.) findings noted in this experiment as well as others intermittently mentioned over the weeks and months in past pages of this thread come from no consumer testing facility (such as Consumer Reports or cnet) but rather professional labs which have participated in various phases of beyond HD investigation including, but not limited to, Panasonic, Technicolor, BBC, and Orange Labs. Last edited by Penton-Man; 12-29-2013 at 05:21 PM. Reason: added a P.S. |
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#2353 | |
Retired Hollywood Insider
Apr 2007
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I think it’s safe to say that historically, streaming (and broadcasting for that matter) has used the lowest common denominator to deliver content into viewers’ homes, which is why I’m going through the #1, #2 thinking exercise as noted above with the bit rate range. |
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#2354 |
Retired Hollywood Insider
Apr 2007
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#2355 | |
Retired Hollywood Insider
Apr 2007
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Or, more recently, the Multimedia Signal Processing Group of the EPFL with regards to the JPEG file format- http://opticalengineering.spiedigita...icleid=1730215 |
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#2356 |
New Member
Dec 2013
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Are films that were shot in 4k, 5k, or 35mm, but finished in 2k, permanently limited to that lower resolution? Would it be possible (or plausible) for a movie finished in 2k to eventually get a new master at 4k or higher resolution?
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#2357 |
Blu-ray Count
Jul 2007
Montreal, Canada
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the simple answer is yes. After all there is always the possibility of professional up-scaling, the same way there are some films that got colorized and others that got converted to 3D. Now for real 4K the answer is a bit more difficult. But if they still have the film element for 35mm or the original 4k or 5k film master any work done in 2k could in theory be re-done in 4k but that would also depend on what was done (i.e. a lot of special effects or just a 2k master with minimal touch ups).
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#2358 | |
Retired Hollywood Insider
Apr 2007
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#2359 | |
Retired Hollywood Insider
Apr 2007
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#3. The viewing participants in the study were non-expert observers, as per Section 2.5 of Rec. ITU-R BT.1788 ( http://webs.uvigo.es/servicios/bibli...1-I!!PDF-E.pdf). On the other hand, historically, I think that Blu-ray enthusiasts, in general, have been more *quality conscious* than non-expert observers (heck, even spawning spin-off hobbies like screenshot science). So, the question becomes, is the same bit rate range (12-16 Mbps) sufficient to please Blu-ray experienced home theater enthusiasts, in terms of ‘good to excellent’ video quality? |
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#2360 |
Retired Hollywood Insider
Apr 2007
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As, an aside, fairly recent testing has confirmed the previously held consumer notion that frame grabs (still frames) significantly underestimate the quality of a video sequence as a whole. See…. “3. SUBJECTIVE STUDY OF SPATIAL AND TEMPORAL VIDEO QUALITY”, here - https://ece.uwaterloo.ca/~z70wang/pu...ons/vpqm13.pdf
Last edited by Penton-Man; 12-30-2013 at 06:29 PM. Reason: bolded for easy searching |
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