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Old 07-21-2013, 08:22 AM   #1981
Geoff D Geoff D is online now
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Spidey 2 was shot Super 35. The reframing of such shows is not a new development, it usually happens every time a new transfer is done.

http://caps-a-holic.com/hd_vergleich...ss=0#vergleich

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Old 07-21-2013, 08:43 AM   #1982
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I think this shot shows pretty clearly the differences between the colors of the two versions for anyone who has seen Spider Man's costume:

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Old 07-21-2013, 09:14 AM   #1983
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Quote:
Originally Posted by Geoff D View Post
Spidey 2 was shot Super 35. The reframing of such shows is not a new development, it usually happens every time a new transfer is done.

http://caps-a-holic.com/hd_vergleich...ss=0#vergleich

http://caps-a-holic.com/hd_vergleich...ess=#vergleich
Exactly, the old master was used for every release, it is kind of simple
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Old 07-21-2013, 09:21 AM   #1984
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Whats with that layer in the back of uncle Ben's head in the 4k screenshot #7?
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Old 07-21-2013, 04:18 PM   #1985
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Quote:
Originally Posted by Geoff D View Post
Spidey 2 was shot Super 35. The reframing of such shows is not a new development, it usually happens every time a new transfer is done.

http://caps-a-holic.com/hd_vergleich...ss=0#vergleich

http://caps-a-holic.com/hd_vergleich...ess=#vergleich
That is an excuse, not a reason.

By that logic, the first batch of Pirates of the Caribbean 1 Blu-rays was perfectly fine b/c reframing Super 35 happens all the time.
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Old 07-21-2013, 04:19 PM   #1986
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Excuse for what? What exactly is the problem here?
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Old 07-21-2013, 04:21 PM   #1987
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Excuse for what? What exactly is the problem here?
The frame moved and because people assume the old framing was correct as it came first also they are terrified of seeing new pixels
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Old 07-21-2013, 04:22 PM   #1988
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Quote:
Originally Posted by dvdmike View Post
The frame moved and because people assume the old framing was correct as it came first also they are terrified of seeing new pixels
Is there any reason to believe that the new framing is what the director and cinematographer want?
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Old 07-21-2013, 04:25 PM   #1989
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Is there any reason to believe that the new framing is what the director and cinematographer want?
Is there any reason to believe the framing on the original disc is what the director and cinematographer want?
Is there any reason to believe such a minute difference matters one bit with regard to the photographic intent, when the filmmakers would anticipate that the framing can vary quite a bit between theaters?
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Old 07-21-2013, 04:27 PM   #1990
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Quote:
Originally Posted by 42041 View Post
Is there any reason to believe the framing on the original disc is what the director and cinematographer want?
Is there any reason to believe such a minute difference matters one bit with regard to the photographic intent, when the filmmakers would anticipate that the framing can vary quite a bit between theaters?
Ding DingDingDingDingDingDingDingDingDingDingDingDingDi ng

Yep every new master, in this series and every release even anamorphic films can have new framing
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Old 07-21-2013, 04:28 PM   #1991
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Quote:
Originally Posted by 42041 View Post
Is there any reason to believe the framing on the original disc is what the director and cinematographer want?
Is there any reason to believe such a minute difference matters one bit with regard to the photographic intent, when the filmmakers would anticipate that the framing can vary quite a bit between theaters?
The old framing has been out for years, but the director and cinematographer never complained about it.

We are talking about home video, not movie theaters. Besides, a Super 35 movie would be "pre-framed" when it got to theaters. We're not talking about a movie that was shot 1.33:1 and then masked to 1.66:1 or 1.85:1 by a projectionist.
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Old 07-21-2013, 04:29 PM   #1992
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Quote:
Originally Posted by dvdmike View Post
Ding DingDingDingDingDingDingDingDingDingDingDingDingDi ng

Yep every new master, in this series and every release even anamorphic films can have new framing
So did you keep the first version of Pirates of the Caribbean 1?
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Old 07-21-2013, 04:31 PM   #1993
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So did you keep the first version of Pirates of the Caribbean 1?
Yes actually mistakes can be worth money, you also assume this is a mistake.

So are all these then:

http://caps-a-holic.com/hd_vergleich...ess=#vergleich

http://caps-a-holic.com/hd_vergleich...ess=#vergleich

http://caps-a-holic.com/hd_vergleich...ess=#vergleich

I could go on and on, damn Criterion needs to recall that Night of the Hunter like Pirates then

Last edited by dvdmike; 07-21-2013 at 04:36 PM.
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Old 07-21-2013, 04:42 PM   #1994
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The old framing has been out for years, but the director and cinematographer never complained about it.
How many times have filmmakers publicly complained about discs with obvious flaws, let alone minor differences in framing?
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Old 07-21-2013, 04:48 PM   #1995
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Quote:
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How many times have filmmakers publicly complained about discs with obvious flaws, let alone minor differences in framing?
Once, Scott with Gladiator and that is it
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Old 07-21-2013, 05:25 PM   #1996
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Quote:
Originally Posted by blu-ray_girl_fan View Post
That is an excuse, not a reason.

By that logic, the first batch of Pirates of the Caribbean 1 Blu-rays was perfectly fine b/c reframing Super 35 happens all the time.
Heh. There's a difference between a blatant framing error and an image that's been shifted by a few pixels here and there, which is clearly what I was referring to in my previous post. Nice try, though. And yes, the matting can change from theater to theater, which is why there's always a bit of leeway as regards the framing of the periphery of the image.
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Old 07-21-2013, 06:58 PM   #1997
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Eveything may get re-framed. It's an easy way to layer another copyright on top of all the others.
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Old 07-21-2013, 07:50 PM   #1998
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Quote:
Originally Posted by 42041 View Post
How many times have filmmakers publicly complained about discs with obvious flaws, let alone minor differences in framing?
Exactly. And if we're using the logic that a filmmaker's complaint is the basis for invalidating the framing on home video, we're about to be in for a bit of a paradox since I have a feeling that Raimi and co. aren't going to say a word about the framing of this mastered-in-4k disc. Plus, it seems like some think the color timing is correct on the new disc. If that's the case and the old releases have had the wrong color this whole time, is it a huge leap to think the framing could've been off too?
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Old 07-21-2013, 09:43 PM   #1999
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Quote:
Originally Posted by BrandonJF View Post
Exactly. And if we're using the logic that a filmmaker's complaint is the basis for invalidating the framing on home video, we're about to be in for a bit of a paradox since I have a feeling that Raimi and co. aren't going to say a word about the framing of this mastered-in-4k disc. Plus, it seems like some think the color timing is correct on the new disc. If that's the case and the old releases have had the wrong color this whole time, is it a huge leap to think the framing could've been off too?
All the more reason not to buy any version of Spider-Man 2.
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Old 07-23-2013, 10:21 AM   #2000
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Watched Spidey 1 M4K again yesterday, it really is a lovely transfer. It's got a wonderfully clean, crisp look (occasional baked in EE notwithstanding) and there's so much detail. The closeup of Dafoe as he goes full Goblin in the mirror is staggeringly good.
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