[Show spoiler]If time flies when you having fun, does time stop dead when your not. Because while this film is a average 2 hours, it seems to drain time away in it's black hole of misery. In other words, the film is no fun at all, it's completely draining, depressing and damn good.
Synecdoche, New York started out as an indie horror film handed to Kaufman and Spike Jonez, although later on Jonez pulled out to do Where The Wild Things Are, they both decided to do a horror film about real horrors in life, and not about serial killers and loud music cues. And that turned into Synecdoche.
The film is, at it's core, about death, the only certain thing in fate. And the fear is the idea that we waste our time on Earth, Phillip Seymour Hoffman's character early on in the film accepts the fact he's going to die, and receives a honorable prize along with a hefty grant to create what he wants. So he decides to create what he believes life is in the form of theatre, but is his piece a reflection on life as a whole, or a reflection on his life as a part of the whole?
Synecdoche is a multi layered film that really requires you to do your homework, so of course after reading about the film after watching it, stuff becomes more apparent, but a lot of the film is what you bring to it. The ideas I formed through the film was that Hoffman tried to learn where his life had gone wrong and see if he could fix it by re-creating the moments of his life where he went wrong, but in fact he was just re-creating them as they went on because he didn't know how to fix his life because he felt he was already knocking on death's door. Also, I felt that he struggled to get across any form of artistic merit, he couldn't put across his emotions in a creative way, so the only way he knew was to re-create those moments, destined to relieve them forever.
But of course there's far more to the film than that, like the things that come up on TV for example, that I couldn't make sense of. There's a running idea of simulacrum throughout the film that I really should of picked up, because we studied it in my Film Studies class, but, I guess that's the strength of Synecdoche, New York. It's a very daunting film that it's so filled with ideas and visuals that you're completely unable to absorb it all at once, it features a constant drip feed of surreal visuals along with a loose thread of narrative that just manages to guide you through the film. The film is never upbeat about anything, any sort of humour the film features is dark and sour, and by the final 20 minutes, the only hope you have for the ending is that it's bittersweet (which those hopes are quickly shot down), which is strange because I remember seeing the trailer a few months ago and thinking it seemed like a pretty upbeat film.
I can't give this film full marks although it's close to being flawless because, as it's a film that I want to explore more in coming years, it so darn unpleasant I can't give it a complete
9.5/10
I've had this on my DVR since forever. Might have to check it out soon.
Quote:
Originally Posted by Al_The_Strange
20:
[Show spoiler]"Apocalypse Now!"
One of many films that threw me off on the first viewing; Francis Ford Coppola’s war epic is a strange experience. It is a memorable and vivid one though. Its story takes after Joseph Conrad’s novel “Heart of Darkness,” and the film proves that the concept can work in just about any setting. It is pretty trippy and invoking to watch the characters descend into the depths of insanity (hence, the heart of darkness). With all the Hell the filmmakers went through to make this, it turned out to be one unique picture.
The Redux edition of this movie runs for over three-and-a-half hours, and offers a myriad of strange new scenes. It is worth seeing at least once.
16:
[Show spoiler]"Children of Men"
There is probably no worse fate than to have no fate at all. “Children of Men” offers the grim and sobering premise that the human race will become infertile, leading to a downward spiral of social decay. This film is extremely depressing, with its hard-hitting violence, and numerous scenes of injustice. It is a strong and powerful film though, as its darkest moments serves to make the one light of hope shine brighter (which in turn mirrors the nativity story). There is action to the movie too, and it is impressive; the filmmakers flex some impressive muscle in regards to scene composition, choreography, and logistics, as the camera follows the characters across the countryside and a decrepit refugee camp with hardly any cuts. For the most part though, it wasn’t so much the action that stood out, as it was one specific scene toward the end that really made the movie for me: it is an arousing scene in which, in the midst of all the fighting and bloodshed, the human spirit prevails. It gets to me every time.
12:
[Show spoiler]"Indiana Jones and the Last Crusade"
Dr. Henry Jones Jr’s third adventure in the series proves every bit as fun and adventurous as his previous outings. Aside from plentiful amounts of fights and chases, the movie’s tank chase scene is a marvelous sequence. At its core, the film revolves around Indy and his father, and their interactions help give the film a substantial heart and soul (in addition to lots of witty comedy). This comes very close to being my favorite of the series, but between this and the first film, it’s a pretty close call. Both films are great fun and have great stories to tell.
11:
[Show spoiler]"Casino Royale" (2006)
While some folks will still be transfixed on the classic James Bond adventures, there is much to be said about this refreshing new take on a classic action hero icon. Daniel Craig brings Ian Fleming’s character to life, with a raw and primal passion that has rarely been touched upon before (maybe a little from Timothy Dalton), and a level of class that hasn’t been seen since Sean Connery (who’s still a strong and endearing contender for being the best Bond of them all). This action-packed film starts off strong and maintains a good level of tension and thrills with its frequent shootouts, chases, and fights. Even when the action dies down, the tension lingers for most of the picture. It follows the original book faithfully while keeping things modern and fresh. Characters are at their strongest here; it is especially groundbreaking for Bond’s evolution from a cocky, arrogant amateur to a cold, hardened superspy. The film looks very slick and stylish. In short, of all the 007 films out there, the latest series has been the most satisfying. “Quantum of Solace” makes for an excellent follow-up, for it rounds off the characters, but is marred by its jittery camerawork. Chances are good that “Skyfall” could take over as my favorite Bond film. As it is though, “Casino Royale” remains definitive.
10:
[Show spoiler]"Star Trek" (2009)
For the past five decades, “Star Trek” has captured the imaginations and hearts of many audiences, with its intelligent and perilous adventures and endearing characters. With the film series trailing off after “Star Trek: Nemesis” (and with the old cast having already expressed their farewells in “Star Trek VI: The Undiscovered Country”), JJ Abrams regenerated the series with astonishing new vitality. The 2009 “Star Trek” is briskly-paced, with loads of fantastic space battles, shootouts, fights, chases, and occasional witty humor. While it makes for great popcorn entertainment, the film still shows excellent storytelling prowess, with its emphasis on developing rich characters (in turn, breathing new life into characters who have otherwise turned stale). Some audiences will lament for the way it uses time travel to create an alternate universe “Trek,” that will ultimately allow filmmakers to do anything they please. At the same time, this opens up the possibilities brilliantly, and loosens the constraints of the Trek canon. Some audiences will also hate the way Abrams plays on the camera like a drum, and shines flashlights at the camera to simulate lens flares. I’ve learned to forgive the film’s erratic style, and appreciate how it uses less to make more (it’s a bit weird to think that the interior of the Enterprise was comprised of a beer factory). Altogether though, the new “Star Trek” represents a fantastic mix of pleasing entertainment and pleasing storytelling.
09:
[Show spoiler]"Kill Bill Volume 1"
Tarantino’s two-part revenge saga is an exceptional story that’s as thrilling as it is stylish. While the story is best viewed as two parts of a complete whole, I’ve always favored volume one of this saga the most; not only is it the most action-packed, but it also has the most vivid cinematic style (complete with ultra-violent anime sequences) and the most interesting narrative techniques. While the impressive fight scenes tend to stand out above most other scenes, it is most rewarding to watch the Bride rise from an unjust atrocity and tear apart the ones who had done her wrong. With the mixed-up editing techniques, deciphering the story is quite an interesting and profound joy. Of course, the ending for volume 2 is even sweeter than the bitterness of volume 1; I prefer to see them together back-to-back for the complete experience. As it is though, volume 1 thrills me the most.
08:
[Show spoiler]"The Passion of the Christ"
This film was quite controversial upon its release; it is by far the most violent and brutal portrayal of Jesus’ sacrifice. The film takes every moment and draws out the agony, forcing the audience to feel the pain He goes through. Thankfully, it is not violence alone that makes this film powerful; Mel Gibson directed this picture with a strong visual flair, an excellent eye for detail, and an extreme sense of power. The film captures the passages of the book of Luke word for word and verse by verse, taking few artistic liberties that would help reinforce the movie’s theology, and bring the characters to life. Whether you can stand to watch it or not, the film is a powerful and heart-wrenching experience. It is an experience that helped me understand the events and their meaning a lot better, and it is an experience I don’t mind revisiting. It’s certainly far more rewarding than previous candy-coated biblical epics that Hollywood released over the past fifty years (like “The Greatest Story Ever Told”…I just don’t feel it with that one).
06:
[Show spoiler]"Terminator 2: Judgment Day"
The first “Terminator” film is a clever, original story with enough thrills to keep it engaging. James Cameron’s follow-up is something far bigger, far more polished, and a Hell of a lot more ambitious. It is most memorable for its groundbreaking special effects, which bring to life a frightening villain made entirely of liquid metal. Combined with frequent car chases and shootouts, the film never fails to entertain. At its core, it’s still a strong story, with thoughtful emphasis on the threat of nuclear annihilation (and thus, a glimpse at humanity’s destructive nature). The characters still receive strong treatment, and it is especially heartwarming to see the Terminator character humanized. With slick camera work and strong production values, “T2” is a sequel that manages to match, if not outmatch, its predecessor.
Three cuts for this movie exist on home video; the theatrical cut, an extended cut, and an extended cut with an alternate ending. I find myself most attracted to the extended cut without the alternate ending; there are about fifteen minutes of new footage that offers some more insight on the characters and help bridge the gaps of continuity in certain scenes. It’s worth seeing at least once.
04:
[Show spoiler]"The Dark Knight"
This film runs for well over two hours, and is just chock full of everything. Its opening bank robbery scene, its epic convoy pursuit scene, the hospital explosion, the scenario with the ferries…hardly a moment goes by without a high-stakes situation propping up. Not only are these scenes gripping, they serve to push the title character to the limit.
The plot for this is winding and complex. But the real charm of this film is in the characters and their interactions. The Joker easily steals the show at every turn, as he diabolically works to test the limits of Batman, and society in general. While the Batman struggles to maintain order and perfection, the Joker represents chaos and corruption. One is good, the other evil. One abides by the rules, the other has no rules. The two characters connect with a perfect system of duality, like the Yin and Yang; the Joker himself even describes their relationship as the result of when an unstoppable force strikes an unmoving object. The moral dilemmas and convolutions extend to other parties as well; the situations involving Harvey Dent, Rachel Dawes, Jim Gordon, and the rest of Gotham City, are all caught in the line of fire, resulting in collateral damages and drastic repercussions. In the end, the film often underscores the issues that have plagued modern society (such as terrorism or the invasion of privacy), depicting us as “indecent men in an indecent time.”
Despite some chaotic editing, the film looks sharp and is cut in a very unique way. For its superb combination of style and substance, Christopher Nolan’s middle part of the Batman saga always sticks with me long after the credits roll. Collectively, all three films in this saga comprise a complete, complex, and coherent masterpiece among superhero films.
03:
[Show spoiler]"The Matrix"
I remember when this film came out, it seemed to stimulate everyone’s brain cells. Its premise posed the question: if our reality is defined by electrical stimulations to the brain, how would we recognize the real world from a virtual one? How do we know we aren’t living in a synthetic reality right now? Not only do such questions hint at even greater thematic material (such as the question of whether or not it’s better to live in blissful ignorance of the truth, or accept the truth and live in misery), it also sets the film up for some of the most groundbreaking action sequences that have graced the big screen. After all, it is explained that if nothing is real, rules can be bent or broken; the characters go on to dodge flying bullets in graceful slow-motion photography, jump vast distances, throw their fists at a hyperfast rate, and conjure weapons at a whim.
The story is staged in a manner which prompts mystery in the first act, followed by a sense of discovery, which leads into an epic series of struggles and conflicts. At its core, it’s a film concerning self discovery, as the main character goes from being just another node in the great machine to a superpowered savoir. As such, the film boasts powerful themes of death and rebirth, as Thomas Anderson dies and becomes the prophesized “the One” to transcend the rules of the Matrix and liberate mankind. Just as the film impeccably presents this story, it also immerses the audience into an interesting new universe; the world of the Matrix is one full of interesting rules and philosophies, just as it is filled with murderous machines and hovercrafts. Not only is the film deep, it is also highly detailed.
With strong cinematography and a quality production, the Watchowskis succeeded in replicating the style of Japanese animation into a live-action film, and the results are extraordinarily entertaining. With each new viewing, the film still resonates strongly, for there is always something new to discover.
02:
[Show spoiler]"Star Wars Episode IV: A New Hope"
Those who knew me best will probably not be surprised to see this so close to the top (although you might be wondering why this isn’t my number-one favorite film of all time). Back in the day, George Lucas broke the mold of grim, gritty, hard-edged 70s cinema with this throwback to high-adventure science fiction and fantasy. Right from the start, the film hits the ground running and hardly lets up; every moment is either something really exciting, or something really iconic. The space battles and pursuits are as thrilling as they are unique and imaginative (it must have been a feat of imagination to envision a bunch of fighters zooming down a trench on a space station the size of a moon…to say nothing of the fact that the said space station can obliterate other planets). Even when the space fighters aren’t in flight and the laser beams aren’t flashing across the screen, the film moves fast with its quirky dialogue, and a myriad of memorable scenes (such as the Cantina scene). Through and through, the film captures a lighthearted, adventurous spirit that most other films strive for, but rarely accomplishes with such heart and imagination.
The story is a carbon-copy of the samurai film “The Hidden Fortress” (which in itself is pretty decent), with elements of classic sci-fi (such as Buck Rodgers, Flash Gordon, or John Carter) heaped on. What the story lacks in originality, it makes up for with its insanely detailed universe; the biggest appeal of “Star Wars” is in the settings, the characters, the overall way of life depicted, which are sketched out with full depth and background. Once again, many films strive for this level of immersion and detail, but many seem to miss their mark.
George Lucas has been criticized for lots of things over his career (especially in regards to changing things in the “Star Wars” saga), and he is better known for his technical prowess than his abilities as a storyteller. Regardless, he managed to pump out a decent story to accompany the awe-inspiring visuals in this film. It also helps that he composed it really well on film and made the most out of the tools he was given. Altogether, a quality film of timeless entertainment.
Sounds like as good of a time as any to check out "ACO." I remember I first discovered it around ten years ago (dang, I'm getting old ). Checked it out with "Silence of the Lambs" from the library on VHS (), saw them back-to-back, and it was one trippy marathon. I think in both cases, I really wasn't sure what to make of either of them at the time, but they really stuck with me. "ACO" must have been the first really hardcore R-rated film I saw (with rape scenes and such), so I was a little ambivalent back then. The art design, filming style, and story in general posessed me to buy a copy.
Of course, in regards to all things rough and brutal, after seeing "Salo," "A Serbian Film," "I Spit on Your Grave," "Caligula," and both "Human Centipedes," "ACO" is lame.
Directed by Thomas Alfredson
Written by John Ajvide Lindqvist
Starring - Kåre Hedebrant, Lina Leandersson, Per Ragnar.
Why it was chosen: The Swedish horror film is subtle and unsettling, it rarely relies on boo jump scares and instead relies on it's actors to portray various complex emotions to reflect to the horror backdrop, with a sense of foreboding throughout the film and an ending that's more sinister than it seems. Do I have it on Blu: Nope, but I have to inferior American remake. Anything else of note: A friend of mine believed the ending was a happy ending because "the little girl vampire would turn the little boy into a vampire and then they can be happily in love forever". This is what Twilight does to good films.
Directed by Paul Verhoeven
Written by Jon Povill, Ronald Shusett, Dan O'Bannon and Gary Goldman
Starring - Arnold Schwarzenegger, Sharon Stone and Michael Ironside
Why it was chosen: Because it's a big goofy action film that never says it's too dumb to play with big ideas. The Arnie one liners are ludicrous, the storyline is beyond bonkers and the special effects visuals are as ridiculously over the top, yet it still remains clever and inventive, showing you don't have to be stupid just because you're silly. Do I have it on Blu: Nope Anything else of note: The new remake didn't seem to look all that great.
Directed by Guillermo Del Toro
Written by Guillermo Del Toro
Starring - Ivana Baquero, Ariadna Gil and Sergi López
Why was it chosen: Because it's a clever, adult fairytale story filled full of gothic and often grotesque visuals, with fantastic make-up and effect artists. Add this with an emotional tale of a little girl stuck in a place filled full of threat and dread of fascism in 40's Spain and you have a film that speaks on many levels to a very mature audience. Do I have it on Blu: No
Anything else of note: It's a shame all the designs and visual ideas GDT had for The Hobbit have been throw away
Directed by Larry Charles
Written by Sacha Baron Cohen, Anthony Hines, Dan Mazer, Peter Baynham and Todd Phillips
Starring - Sacha Baron Cohen, Ken Davitian and Luenell
Why was it chosen: Because it's both flat out ballsy and flat out hilarious film, this is a film that is shocking and taboo that a part of you feels like you shouldn't be laughing, but you are. Not exactly the highest form of comedy, but definitely one that works consistent. Do I have it on Blu: No, but I have it on DVD, that'll do Anything else of note: Bruno isn't as funny, but still has it's moments.
Directed by Joel Coen and Ethan Coen
Written by Joel Coen and Ethan Coen
Starring - William H. Macy, Frances McDormand and Steve Buscemi
Why was it chosen: The Coen brothers make films about idiots, idiots who don't know who to get there head out of the sand at the right time, trying to fix things that they only end up making worse. Idiots who you see everyday, heck, more than likely you're one of these idiots, I know I am. The scary thing about this is that Fargo is completely based on a true story about complete and utter idiots, it's a subtle horror film that's disguised as a black comedy or thriller. Do I have it on Blu: No Anything else of note: I originally didn't like the film, but that's all changed now
Directed by Quentin Tarantino
Written by Quentin Tarantino
Starring - Brad Pitt, Diane Kruger and Eli Roth
Why it was chosen: It's a film about the love of filmmaking, sure, it sometimes becomes a bit over bearing in places, but it works. It doesn't feel like a film that's set during World War II, it's a film that is set within the films that came out during World War II. Do I have it on Blu: For the first time on this list, yes! Anything else of note: Third 18 rated film I snuck in to watch under-aged, first one being Watchmen, then followed by Bruno.
Directed by David Fincher
Written by James Vanderbilt
Starring - Jake Gyllenhaal, Robert Downey Jr. and Mark Ruffalo
Why it was chosen: Zodiac is a serial killer film where the serial killer is never found, and pretty much disappears within the second act of the film. Strangely enough, after the first couple of well directed murder scenes, the killer is absorbed by the themes, feel and characters of the film as they dig deeper and deeper into the past, they forget that the killer himself has disappeared.
Do I have it on Blu: Only got it on DVD
Anything else of note: Technically not the last time the Zodiac killer will be on this list...
Directed by Jaume Balagueró and Paco Plaza
Written by Jaume Balagueró, Paco Plaza and Luiso Berdejo
Starring - Manuela Velasco, Ferran Terraza and Jorge-Yamam Serrano
Why it was chosen: Still one of the most intense films I've ever seen, this thing had me in a quivering ball of tears in the corner of the room wishing it would end soon. Do I have it on Blu: Do I hell, I don't think I'll be able to handle watching it again this decade
Anything else of note: First film I watched within my Media Production class in Sixth Form, and a month later inspired the awful short horror film "The Warehouse".
Directed by Stanley Kubrick
Written by Stanley Kubrick, Michael Hurr and Gustav Hasford
Starring - Matthew Modine, R. Lee Ermey and Vincent D'Onofrio
Why it was chosen: I'll be honest and say the first hour is way better than the second one, the boot camp scenes are among the best on film, completely quotable and over the top. Sadly once you hit the Vietnam war it becomes pretty mundane, it still features great war scenes, but it never really gives you that fresh new look at an area of war that you got in the first hour. With that in mind, the first hour is one of the greatest ever Do I have it on Blu: No Anything else of note: Gave me a headache within the first 10 minutes
Directed by Sam Raimi
Written by Sam Raimi and Ivan Raimi
Starring - Bruce Campbell, Embeth Davidtz and Marcus Gilbert
Why it was chosen: It's Bruce Campbell, duh. Army of Darkness is like a gothic Looney tunes cartoon, it's silly, graphic, and completely and utterly awesome! Do I have it on Blu: No, on DVD however Anything else of note: One of the few films (if not the only) where I like both of it's alternative endings equally
Directed by Tony Kaye
Written by David McKenna
Starring - Edward Norton, Edward Furlong and Beverly D'Angelo
Why it was chosen: It's a well directed and superbly acted drama about the issue with racism and how it tears apart lives. It's unflinching portrayal of Neo-Nazi's and the shockingly hopeless ending place it firmly here. Do I have it on Blu: No. Anything else of note: This film completely ruined My Name Is Earl, how could Randy be a Neo-Nazi
Directed by Quentin Tarantino
Written by Quentin Tarantino
Starring - Uma Thurman, David Carradine and Daryl Hannah
Why was it chosen: Probably the best homage to Asian cinema any American filmmaker could do, the first volume of Kill Bill is deliciously silly and fun. Featuring a great amount of style with a very limited amount of substance, Kill Bill Vol 1 is a film that aims lower and hits high Do I have it on Blu: Nope. Anything else of note: David Carradine died on my Birthday If he was going to day on that date, couldn't he of picked a more appropriate way to die
Directed by Richard Donner
Written by Chris Columbus and Steven Spielberg
Starring - Sean Astin, Josh Brolin and Jeff Cohen
Why was it chosen: Nostalgia mainly, it's a film that captures fun so furiously, it's daft and dumb mostly, but it's a kids film that keeps me a kid at heart. Do I have it on Blu: Yeah Anything else of note: Showed it to my nieces not so long ago for the first time
Directed by John Carpenter
Written by John Carpenter and Nick Castle
Starring - Kurt Russell, Lee Van Cleef and Ernest Borgnine
Why it was chosen: Because Kurt Russell is a badass in this film, the film is inventive with a great premises, features a lot of great scenes, lines and a super awesome soundtrack. Basically, just an overall fun sci-fi action film that is a great product of it's time. Do I have it on Blu: Nope Anything else of note: Not for this one, except the sequel sucked
Directed by Walter Hill
Written by David Shaber and Walter Hill
Starring - Michael Beck, James Remar and Dorsey Wright
Why it was chosen: Essentially, for the same reason Escape from New York where, it's a fun, frantic chase film following a gang of bare knuckle brawlers fight there way across America to get back to Coney Island in one night in the meanwhile saying silly one liners, it just works Do I have it on Blu: No Anything else of note: Actually introduced to the film via the Rockstar game on PS2
Directed by Charlie Kaufman
Written by Charlie Kaufman
Starring - Philip Seymour Hoffman, Samantha Morton and Michelle Williams
Why it was chosen: Although I only watched it yesterday (and I really couldn't place it higher on the list because of that), I feel that the film has so many layers that it will warrant re-watch and re-watch after re-watch to fully decipher what is going on within the film, I definitely loved it, and I can't see why I wouldn't want to place it on the list. Do I have it on Blu: Nope. Anything else of note: Not for this one, yet.
Directed by Alfred Hitchcock
Written by Joseph Stefano
Starring - Anthony Perkins, Janet Leigh and Vera Miles
Why it was chosen: Again, although I only watch this recently, I felt that the film still maintained a certain level of effectiveness all through these years, the acting is still effective, the direction is still very much effective and the whole thing still has that shocking sense of taboo around it although many many years have past and our standards are far above that now, I'm certain this'll stick on the list for years to come. Do I have it on Blu: No. Anything else of note: Not really.
Directed by David Gordon Green
Written by Seth Rogen, Evan Goldberg and Judd Apatow
Starring - Seth Rogen, James Franco and Danny McBride
Why it was chosen: Because it's damn funny. Sure the film has the ability to waddle aimlessly and lacks a few jokes towards the start of the film, but the second and third acts of the film are consistently funny and outlandish. Do I have it on Blu: Yes. Anything else of note: Not on this one.
Directed by Joss Whedon
Written by Joss Whedon
Starring - Robert Downey Jr., Chris Evans and Scarlett Johansson
Why it was chosen: It reduced an entire planet it a bunch of ten year olds screaming hell yeah at the top of their lungs. I disagree with people who say it's a frantic thrill ride, because the opening is pretty lackluster and the middle does start to drag it's feet within the soil, but that's not the reason why I love the film, the reason is because it balances it's characters so well within the 2 hour runtime. Do I have it on Blu: Once it hits I'll pick it up. Anything else of note: Just that it's damn good.
Directed by Banksy
Starring - Banksy, Space Invader and Mr. Brainwash
Why it was chosen: One of the greatest accidents ever captured on film, well, that is if it was an accident. The story of street art within early 2000's onwards deals with the idea of what art is and what it has become, following a naive filmmaker who becomes involved in the street art world and suddenly finds himself thrusted into having to make a film explain street art, when suddenly, it becomes apparent he's just a crazy person with a camera. What we then get it Exit Through The Gift Shop, one of the finest, funniest, intelligent and most entertaining documentarys in recent memory. Do I have it on Blu: No. Anything else of note: Rhys Ifans narrates it
The Good:Stellar performances by Yves Montand, Charles Vanel, Peter van Eyck, and Folco Lulli. Outstanding dialogue and character work; watching the interactions between our four protagonists is simply a joy to behold. The second half is first-rate, non-stop, edge-of-your-seat suspense. The most nerve-racking scene of them all is probably the one involving a boulder. And that final sequence... it's ironic perfection.
The Bad:The first half, which is all character development, could have been shorter.
The Bottom Line:While it's not as great as Diabolique, Clouzot's Wages of Fear is an exceptional dramatic thriller that still stands as one of the best of its kind. A precursor and an inspiration to modern blockbusters of the same genre, this is one of the few classics that even today's audiences might appreciate and enjoy. Recommended for Criterion collectors and those who are into character dramas and thrillers.
Directed by Thomas Alfredson
Written by John Ajvide Lindqvist
Starring - Kåre Hedebrant, Lina Leandersson, Per Ragnar.
Why it was chosen: The Swedish horror film is subtle and unsettling, it rarely relies on boo jump scares and instead relies on it's actors to portray various complex emotions to reflect to the horror backdrop, with a sense of foreboding throughout the film and an ending that's more sinister than it seems. Do I have it on Blu: Nope, but I have to inferior American remake. Anything else of note: A friend of mine believed the ending was a happy ending because "the little girl vampire would turn the little boy into a vampire and then they can be happily in love forever". This is what Twilight does to good films.
Directed by Paul Verhoeven
Written by Jon Povill, Ronald Shusett, Dan O'Bannon and Gary Goldman
Starring - Arnold Schwarzenegger, Sharon Stone and Michael Ironside
Why it was chosen: Because it's a big goofy action film that never says it's too dumb to play with big ideas. The Arnie one liners are ludicrous, the storyline is beyond bonkers and the special effects visuals are as ridiculously over the top, yet it still remains clever and inventive, showing you don't have to be stupid just because you're silly. Do I have it on Blu: Nope Anything else of note: The new remake didn't seem to look all that great.
Directed by Guillermo Del Toro
Written by Guillermo Del Toro
Starring - Ivana Baquero, Ariadna Gil and Sergi López
Why was it chosen: Because it's a clever, adult fairytale story filled full of gothic and often grotesque visuals, with fantastic make-up and effect artists. Add this with an emotional tale of a little girl stuck in a place filled full of threat and dread of fascism in 40's Spain and you have a film that speaks on many levels to a very mature audience. Do I have it on Blu: No
Anything else of note: It's a shame all the designs and visual ideas GDT had for The Hobbit have been throw away
Directed by Larry Charles
Written by Sacha Baron Cohen, Anthony Hines, Dan Mazer, Peter Baynham and Todd Phillips
Starring - Sacha Baron Cohen, Ken Davitian and Luenell
Why was it chosen: Because it's both flat out ballsy and flat out hilarious film, this is a film that is shocking and taboo that a part of you feels like you shouldn't be laughing, but you are. Not exactly the highest form of comedy, but definitely one that works consistent. Do I have it on Blu: No, but I have it on DVD, that'll do Anything else of note: Bruno isn't as funny, but still has it's moments.
Directed by Joel Coen and Ethan Coen
Written by Joel Coen and Ethan Coen
Starring - William H. Macy, Frances McDormand and Steve Buscemi
Why was it chosen: The Coen brothers make films about idiots, idiots who don't know who to get there head out of the sand at the right time, trying to fix things that they only end up making worse. Idiots who you see everyday, heck, more than likely you're one of these idiots, I know I am. The scary thing about this is that Fargo is completely based on a true story about complete and utter idiots, it's a subtle horror film that's disguised as a black comedy or thriller. Do I have it on Blu: No Anything else of note: I originally didn't like the film, but that's all changed now
Directed by Quentin Tarantino
Written by Quentin Tarantino
Starring - Brad Pitt, Diane Kruger and Eli Roth
Why it was chosen: It's a film about the love of filmmaking, sure, it sometimes becomes a bit over bearing in places, but it works. It doesn't feel like a film that's set during World War II, it's a film that is set within the films that came out during World War II. Do I have it on Blu: For the first time on this list, yes! Anything else of note: Third 18 rated film I snuck in to watch under-aged, first one being Watchmen, then followed by Bruno.
Directed by David Fincher
Written by James Vanderbilt
Starring - Jake Gyllenhaal, Robert Downey Jr. and Mark Ruffalo
Why it was chosen: Zodiac is a serial killer film where the serial killer is never found, and pretty much disappears within the second act of the film. Strangely enough, after the first couple of well directed murder scenes, the killer is absorbed by the themes, feel and characters of the film as they dig deeper and deeper into the past, they forget that the killer himself has disappeared.
Do I have it on Blu: Only got it on DVD
Anything else of note: Technically not the last time the Zodiac killer will be on this list...
Directed by Jaume Balagueró and Paco Plaza
Written by Jaume Balagueró, Paco Plaza and Luiso Berdejo
Starring - Manuela Velasco, Ferran Terraza and Jorge-Yamam Serrano
Why it was chosen: Still one of the most intense films I've ever seen, this thing had me in a quivering ball of tears in the corner of the room wishing it would end soon. Do I have it on Blu: Do I hell, I don't think I'll be able to handle watching it again this decade
Anything else of note: First film I watched within my Media Production class in Sixth Form, and a month later inspired the awful short horror film "The Warehouse".
Directed by Stanley Kubrick
Written by Stanley Kubrick, Michael Hurr and Gustav Hasford
Starring - Matthew Modine, R. Lee Ermey and Vincent D'Onofrio
Why it was chosen: I'll be honest and say the first hour is way better than the second one, the boot camp scenes are among the best on film, completely quotable and over the top. Sadly once you hit the Vietnam war it becomes pretty mundane, it still features great war scenes, but it never really gives you that fresh new look at an area of war that you got in the first hour. With that in mind, the first hour is one of the greatest ever Do I have it on Blu: No Anything else of note: Gave me a headache within the first 10 minutes
Directed by Sam Raimi
Written by Sam Raimi and Ivan Raimi
Starring - Bruce Campbell, Embeth Davidtz and Marcus Gilbert
Why it was chosen: It's Bruce Campbell, duh. Army of Darkness is like a gothic Looney tunes cartoon, it's silly, graphic, and completely and utterly awesome! Do I have it on Blu: No, on DVD however Anything else of note: One of the few films (if not the only) where I like both of it's alternative endings equally
Directed by Tony Kaye
Written by David McKenna
Starring - Edward Norton, Edward Furlong and Beverly D'Angelo
Why it was chosen: It's a well directed and superbly acted drama about the issue with racism and how it tears apart lives. It's unflinching portrayal of Neo-Nazi's and the shockingly hopeless ending place it firmly here. Do I have it on Blu: No. Anything else of note: This film completely ruined My Name Is Earl, how could Randy be a Neo-Nazi
Directed by Quentin Tarantino
Written by Quentin Tarantino
Starring - Uma Thurman, David Carradine and Daryl Hannah
Why was it chosen: Probably the best homage to Asian cinema any American filmmaker could do, the first volume of Kill Bill is deliciously silly and fun. Featuring a great amount of style with a very limited amount of substance, Kill Bill Vol 1 is a film that aims lower and hits high Do I have it on Blu: Nope. Anything else of note: David Carradine died on my Birthday If he was going to day on that date, couldn't he of picked a more appropriate way to die
Directed by Richard Donner
Written by Chris Columbus and Steven Spielberg
Starring - Sean Astin, Josh Brolin and Jeff Cohen
Why was it chosen: Nostalgia mainly, it's a film that captures fun so furiously, it's daft and dumb mostly, but it's a kids film that keeps me a kid at heart. Do I have it on Blu: Yeah Anything else of note: Showed it to my nieces not so long ago for the first time
Directed by John Carpenter
Written by John Carpenter and Nick Castle
Starring - Kurt Russell, Lee Van Cleef and Ernest Borgnine
Why it was chosen: Because Kurt Russell is a badass in this film, the film is inventive with a great premises, features a lot of great scenes, lines and a super awesome soundtrack. Basically, just an overall fun sci-fi action film that is a great product of it's time. Do I have it on Blu: Nope Anything else of note: Not for this one, except the sequel sucked
Directed by Walter Hill
Written by David Shaber and Walter Hill
Starring - Michael Beck, James Remar and Dorsey Wright
Why it was chosen: Essentially, for the same reason Escape from New York where, it's a fun, frantic chase film following a gang of bare knuckle brawlers fight there way across America to get back to Coney Island in one night in the meanwhile saying silly one liners, it just works Do I have it on Blu: No Anything else of note: Actually introduced to the film via the Rockstar game on PS2
Directed by Charlie Kaufman
Written by Charlie Kaufman
Starring - Philip Seymour Hoffman, Samantha Morton and Michelle Williams
Why it was chosen: Although I only watched it yesterday (and I really couldn't place it higher on the list because of that), I feel that the film has so many layers that it will warrant re-watch and re-watch after re-watch to fully decipher what is going on within the film, I definitely loved it, and I can't see why I wouldn't want to place it on the list. Do I have it on Blu: Nope. Anything else of note: Not for this one, yet.
Directed by Alfred Hitchcock
Written by Joseph Stefano
Starring - Anthony Perkins, Janet Leigh and Vera Miles
Why it was chosen: Again, although I only watch this recently, I felt that the film still maintained a certain level of effectiveness all through these years, the acting is still effective, the direction is still very much effective and the whole thing still has that shocking sense of taboo around it although many many years have past and our standards are far above that now, I'm certain this'll stick on the list for years to come. Do I have it on Blu: No. Anything else of note: Not really.
Directed by David Gordon Green
Written by Seth Rogen, Evan Goldberg and Judd Apatow
Starring - Seth Rogen, James Franco and Danny McBride
Why it was chosen: Because it's damn funny. Sure the film has the ability to waddle aimlessly and lacks a few jokes towards the start of the film, but the second and third acts of the film are consistently funny and outlandish. Do I have it on Blu: Yes. Anything else of note: Not on this one.
Directed by Joss Whedon
Written by Joss Whedon
Starring - Robert Downey Jr., Chris Evans and Scarlett Johansson
Why it was chosen: It reduced an entire planet it a bunch of ten year olds screaming hell yeah at the top of their lungs. I disagree with people who say it's a frantic thrill ride, because the opening is pretty lackluster and the middle does start to drag it's feet within the soil, but that's not the reason why I love the film, the reason is because it balances it's characters so well within the 2 hour runtime. Do I have it on Blu: Once it hits I'll pick it up. Anything else of note: Just that it's damn good.
Directed by Banksy
Starring - Banksy, Space Invader and Mr. Brainwash
Why it was chosen: One of the greatest accidents ever captured on film, well, that is if it was an accident. The story of street art within early 2000's onwards deals with the idea of what art is and what it has become, following a naive filmmaker who becomes involved in the street art world and suddenly finds himself thrusted into having to make a film explain street art, when suddenly, it becomes apparent he's just a crazy person with a camera. What we then get it Exit Through The Gift Shop, one of the finest, funniest, intelligent and most entertaining documentarys in recent memory. Do I have it on Blu: No. Anything else of note: Rhys Ifans narrates it
80-61 coming later today
Looks great so far, with some really good variety.
I knew I forgot to take some other films into consideration (
[Show spoiler]How could I forget about "Let the Right One In" and "Full Metal Jacket?"
[Show spoiler]"Baraka" (would have been #27 or so, decided to ommit documentaries)
"Koyaanisqatsi" (would have been #25 or so, decided to ommit documentaries)
"Neon Genesis Evangelion: The End of Evangelion" (would have been #88 or so, decided to ommit because it requires viewing the TV series first)
"Evangelion 1.11" and "Eva 2.22" (would have been on the list, but decided that it's a specific taste and I wanted to make room for other films)
"Back to the Future" Parts II and III (all three are equally good imo, but I only wanted to list one)
"It's a Wonderful Life!" (would have been #43 or so, decided to ommit Christmas films)
"The Dark Knight Rises" (I just plain forgot to add it)
"Salo" (would have been #78, but ranking it anywhere in the top 100 felt too much like insanity )
The runner-ups (films that either came close, or used to be top 100 material):
[Show spoiler]"Scarface" 1983 (too low resonance)
"Agora" (came close to making it in the #100 spot, but decided its resonance was too low after all)
"The Living Daylights"
"Resident Evil: Apocalypse"
"Bram Stoker's Dracula" (too low resonance)
"Batman Returns"
"Alien" (always was too slow for my tastes)
"Das Experiment" (or "The Experiment," but the original German one, not the US remake)
"Kingdom of Heaven"
"A Serbian Film" (what the-?! )
"Prometheus"
"Life is Beautiful"
"Sneakers"
"Ghostbusters"
"Transformers: Dark of the Moon"
"Charlie's Angels"
"Dumb and Dumber"
"Anchorman"
"Office Space"
"Monty Python's Life of Brian"
"Monty Python and the Holy Grail"
"Airplane!" (man, all the good comedies got the shaft here )
"Twister"
"Star Wars: The Phantom Menace" (used to list all "SW" films on my lists, but decided that these first two prequels were indeed unworthy )
"Star Wars: Attack of the Clones"
"Schindler's List"
"Wages of Fear"
"Ghost in the Shell"
"Black Hawk Down"
"The Goodfellas" (not enough resonance)
"Diabolique"
"The Seventh Seal"
"Alice in Wonderland" 1951
"Manchurian Candidate" 1962 (surprised? )
"District 9"
"Rise of the Planet of the Apes"
"Thunderball"
"Vertigo"
"Sleepy Hollow"
"Conquest of the Planet of the Apes"
"Hellboy II: The Golden Army"
"The Incredible Hulk"
"Memories of Murder"
"Waltz with Bashir"
"Full Metal Jacket"
"Let the Right One In"
...and it just keeps going on and on from there! It's been a lot to choose from!
Directed by Thomas Alfredson
Written by John Ajvide Lindqvist
Starring - Kåre Hedebrant, Lina Leandersson, Per Ragnar.
Why it was chosen: The Swedish horror film is subtle and unsettling, it rarely relies on boo jump scares and instead relies on it's actors to portray various complex emotions to reflect to the horror backdrop, with a sense of foreboding throughout the film and an ending that's more sinister than it seems. Do I have it on Blu: Nope, but I have to inferior American remake. Anything else of note: A friend of mine believed the ending was a happy ending because "the little girl vampire would turn the little boy into a vampire and then they can be happily in love forever". This is what Twilight does to good films.
Directed by Guillermo Del Toro
Written by Guillermo Del Toro
Starring - Ivana Baquero, Ariadna Gil and Sergi López
Why was it chosen: Because it's a clever, adult fairytale story filled full of gothic and often grotesque visuals, with fantastic make-up and effect artists. Add this with an emotional tale of a little girl stuck in a place filled full of threat and dread of fascism in 40's Spain and you have a film that speaks on many levels to a very mature audience. Do I have it on Blu: No
Anything else of note: It's a shame all the designs and visual ideas GDT had for The Hobbit have been throw away
Directed by Quentin Tarantino
Written by Quentin Tarantino
Starring - Brad Pitt, Diane Kruger and Eli Roth
Why it was chosen: It's a film about the love of filmmaking, sure, it sometimes becomes a bit over bearing in places, but it works. It doesn't feel like a film that's set during World War II, it's a film that is set within the films that came out during World War II. Do I have it on Blu: For the first time on this list, yes! Anything else of note: Third 18 rated film I snuck in to watch under-aged, first one being Watchmen, then followed by Bruno.
Directed by David Fincher
Written by James Vanderbilt
Starring - Jake Gyllenhaal, Robert Downey Jr. and Mark Ruffalo
Why it was chosen: Zodiac is a serial killer film where the serial killer is never found, and pretty much disappears within the second act of the film. Strangely enough, after the first couple of well directed murder scenes, the killer is absorbed by the themes, feel and characters of the film as they dig deeper and deeper into the past, they forget that the killer himself has disappeared.
Do I have it on Blu: Only got it on DVD
Anything else of note: Technically not the last time the Zodiac killer will be on this list...
Directed by Jaume Balagueró and Paco Plaza
Written by Jaume Balagueró, Paco Plaza and Luiso Berdejo
Starring - Manuela Velasco, Ferran Terraza and Jorge-Yamam Serrano
Why it was chosen: Still one of the most intense films I've ever seen, this thing had me in a quivering ball of tears in the corner of the room wishing it would end soon. Do I have it on Blu: Do I hell, I don't think I'll be able to handle watching it again this decade
Anything else of note: First film I watched within my Media Production class in Sixth Form, and a month later inspired the awful short horror film "The Warehouse".
Directed by Quentin Tarantino
Written by Quentin Tarantino
Starring - Uma Thurman, David Carradine and Daryl Hannah
Why was it chosen: Probably the best homage to Asian cinema any American filmmaker could do, the first volume of Kill Bill is deliciously silly and fun. Featuring a great amount of style with a very limited amount of substance, Kill Bill Vol 1 is a film that aims lower and hits high Do I have it on Blu: Nope. Anything else of note: David Carradine died on my Birthday If he was going to day on that date, couldn't he of picked a more appropriate way to die
Directed by Alfred Hitchcock
Written by Joseph Stefano
Starring - Anthony Perkins, Janet Leigh and Vera Miles
Why it was chosen: Again, although I only watch this recently, I felt that the film still maintained a certain level of effectiveness all through these years, the acting is still effective, the direction is still very much effective and the whole thing still has that shocking sense of taboo around it although many many years have past and our standards are far above that now, I'm certain this'll stick on the list for years to come. Do I have it on Blu: No. Anything else of note: Not really.
Directed by Joss Whedon
Written by Joss Whedon
Starring - Robert Downey Jr., Chris Evans and Scarlett Johansson
Why it was chosen: It reduced an entire planet it a bunch of ten year olds screaming hell yeah at the top of their lungs. I disagree with people who say it's a frantic thrill ride, because the opening is pretty lackluster and the middle does start to drag it's feet within the soil, but that's not the reason why I love the film, the reason is because it balances it's characters so well within the 2 hour runtime. Do I have it on Blu: Once it hits I'll pick it up. Anything else of note: Just that it's damn good.
Directed by Banksy
Starring - Banksy, Space Invader and Mr. Brainwash
Why it was chosen: One of the greatest accidents ever captured on film, well, that is if it was an accident. The story of street art within early 2000's onwards deals with the idea of what art is and what it has become, following a naive filmmaker who becomes involved in the street art world and suddenly finds himself thrusted into having to make a film explain street art, when suddenly, it becomes apparent he's just a crazy person with a camera. What we then get it Exit Through The Gift Shop, one of the finest, funniest, intelligent and most entertaining documentarys in recent memory. Do I have it on Blu: No. Anything else of note: Rhys Ifans narrates it
Little do people notice that this is a sort of remake and think of it as aoriginal movie. It's of course base of French write Edmond Rostand Cyrano De Bergerac, a story done many times in movies around the world. In general I am not a huge fan of Steven Martin the actor, I prefer him as the wacky stand up comic of the 70's and 80's. In this movie he is very good as the wacky firechief of a small town with a very large facial feature. In the general the movie follow the original play almost step for step with just a few things change for a modern audience. It's a fun and rather cute movie that does not follow all the usual convention except that it as a happy ending as where the original play by Rostand did not.
It's very strange that I never saw this movie before today. While I did see many of the other movies with the Muppets this one always seem to somehow eluded me. It's a typical Muppets movie, trying to make a show, separation, confusion....still they are so charming you just get taken in with it all. Lot's of cameo in this one, musical numbers and the usual jokes and it make's for some good entertainement, if you like The Muppets of course
How the hell did this reach 84 at Rotten Tomatoes?
A Crapfest of epic proportions. I did not read the book. If the film is a good adaptation of the book, then the book is Crap as well.
I have no problem with the premise of a dystopian future and "The Games" themselves. I like dark stuff. In fact, the story sounded cool to me. But, if a film presents itself as serious, and expects to be taken seriously, it needs to be a cohesive sum of all its parts. The Hunger Games never even comes close. Its a laughable film actually, a joke.
I can easily suspend disbelief for a fantasy/fiction piece, but not when the very MOST basic elements are complete absurdities and we are given NO reason to overlook them.
The very core of the movie/story is dark and sinister. Presenting it as anything else will be a failure, regardless of how talented the writers and director are.
A few problems:
1. The world is ultra modern yet coal is still used, and, mined by hand.
2. The Tributes are trained together. These are people who will soon compete in life or death gladiator games against one another, yet they are having fun training together. "Ridiculous" doesnt even begin to describe the stupidity and impossibility of that concept.
3. The Tributes are turned into celebrities before the games begin. While I understand the Promoters reasons for attempting this, as lame as it is, the Tributes would never comply, let alone enjoy it.
4. Our heroine, Katniss Everdeen is a smart and skilled hunter. Yet once the Games begin she becomes more ignorant than an untrained 10 year old. Her first move is to
[Show spoiler]climb a tree and strap herself in,
making herself perfectly imobilized prey. A sitting duck for anyone with a bow and arrow or a spear.
5. Tributes "Team up". Whatever. Its a battle to the death with only one man (allowed) standing at the end. No one, and I mean NO ONE would ever trust anyone else long enough to act as a team under those circumstances.
6. Once the "Evil Team" finds Katniss, they cant seem to hit her with their arrows or spears. And they never even consider lighting the tree on fire.
7. The Father of the cute little black girl has no problem sending his sweet young daughter into a fight to the death, but starts a riot when she gets nailed. Thats just stupid writing on every level.
8. Tons more....
Now for some technical shortcomings:
1. Cinematography sucked. The movie is 142 minutes long. Do we really need 139 minutes of closeups? Tom Stern has shot some good movies, but he got it all wrong here. Shakey cam is overused here, and used in the wrong scenes too, for no apparent reason.
2. Editing sucked. Constant cuts that add nothing to the mood. Even during slow, sad, emotionally touching moments its "Camera 1, then camera 2, then camera 3, then back to camera 1, then camera 4, then from camera 5 on a crane above, then back to 3 for a close up of the eyes" and on and on and on. Too much is not a good thing, its just too much.
3. The Score. Was there one? I must have missed it.
4. Acting from most of the males was horrifically aweful. In particular, Liam Hemsworth was award winninly bad. Lawrence was a good as she could be given the crap lines she had.
5. CGI was really bad. Especially the cat/dog beasts. I could do better with a Crayola on tissue paper on a hot August afternoon in direct sunlight.
6. Hair and Makeup. Sloppy, sloppy, sloppy. And thats too bad, since there was such a big emphasis on it.
7. Tons more.
The Good:
1. The sets and costumes were pretty cool.
I made it through it mostly because I was curious, it was free, and because I was in the comfort of my own home. Had I seen it in the theater I would have walked out and asked for my money back before the Games even began.
Film 2/5
PQ 4.5/5
AQ 4.5/5
Last edited by SquidPuppet; 09-06-2012 at 06:50 PM.
The Wages of Fear (1953)
dir. Henri-Georges Clouzot
The Good:Stellar performances by Yves Montand, Charles Vanel, Peter van Eyck, and Folco Lulli. Outstanding dialogue and character work; watching the interactions between our four protagonists is simply a joy to behold. The second half is first-rate, non-stop, edge-of-your-seat suspense. The most nerve-racking scene of them all is probably the one involving a boulder. And that final sequence... it's ironic perfection.
The Bad:The first half, which is all character development, could have been shorter.
The Bottom Line:While it's not as great as Diabolique, Clouzot's Wages of Fear is an exceptional dramatic thriller that still stands as one of the best of its kind. A precursor and an inspiration to modern blockbusters of the same genre, this is one of the few classics that even today's audiences might appreciate and enjoy. Recommended for Criterion collectors and those who are into character dramas and thrillers.
Another "Classic" that just didnt work for me. I just bow at some old movies and their sheer awesomeness, and some just feel corny and clumsy to me. In The Wages of Fear, I just couldnt like the protagonists because they were not so cool guys really. Plus I found the acting too silly.
How the hell did this reach 84 at Rotten Tomatoes?
A Crapfest of epic proportions. I did not read the book. If the film is a good adaptation of the book, then the book is Crap as well.
Yeah, the book's crap too.
Quote:
Originally Posted by SquidPuppet
1. The world is ultra modern yet coal is still used, and, mined by hand.
The actual mining is never really explained in the book. I suspect that any technology greater than hand-laid mines would pose a threat to the Capital Districts, so they ban it.
Quote:
Originally Posted by SquidPuppet
2. The Tributes are trained together. These are people who will soon compete in life or death gladiator games against one another, yet they are having fun training together. "Ridiculous" doesnt even begin to describe the stupidity and impossibility of that concept.
You know, I also thought that was a little odd.
Quote:
Originally Posted by SquidPuppet
3. The Tributes are turned into celebrities before the games begin. While I understand the Promoters reasons for attempting this, as lame as it is, the Tributes would never comply, let alone enjoy it.
Tributes from the top Districts do enjoy it, because they're practically born into this celebrity status ("Career Tributes"). As for the ones like Katniss, there's a vibe throughout the books that you may not catch in the movie, where she's always terrified that taking any step out of line and showing any sign of resistance could endanger her family, if not all of District 12. In short, if the tributes don't comply, there WILL be punishment.
Quote:
Originally Posted by SquidPuppet
4. Our heroine, Katniss Everdeen is a smart and skilled hunter. Yet once the Games begin she becomes more ignorant than an untrained 10 year old. Her first move is to
[Show spoiler]climb a tree and strap herself in,
making herself perfectly imobilized prey. A sitting duck for anyone with a bow and arrow or a spear.
Truedat.
Quote:
Originally Posted by SquidPuppet
5. Tributes "Team up". Whatever. Its a battle to the death with only one man (allowed) standing at the end. No one, and I mean NO ONE would ever trust anyone else long enough to act as a team under those circumstances.
Once again, the book might have explained this better. All the skilled tributes form alliances to hunt down the weak, before hunting each other. It's like a mutual agreement sort of thing. But it is certainly short-lived. They all know it.
Quote:
Originally Posted by SquidPuppet
6. Once the "Evil Team" finds Katniss, they cant seem to hit her with their arrows or spears. And they never even consider lighting the tree on fire.
Yep, they sucked.
Reminds me of the scene in the middle of this clip (you might get a kick out of it):
7. The Father of the cute little black girl has no problem sending his sweet young daughter into a fight to the death, but starts a riot when she gets nailed. Thats just stupid writing on every level.
Nobody "sends" anybody to their death in this scenario. They're all "reaped," or picked from random. Unless someone volunteers for the deathmatch, the citizens have no choice but to let their children go.
Truth be told, the riot wasn't even described in the book.
Quote:
Originally Posted by SquidPuppet
8. Tons more....
I'll bet.
Quote:
Originally Posted by SquidPuppet
Now for some technical shortcomings:
1. Cinematography sucked. The movie is 142 minutes long. Do we really need 139 minutes of closeups? Tom Stern has shot some good movies, but he got it all wrong here. Shakey cam is overused here, and used in the wrong scenes too, for no apparent reason.
I liked the close-ups, especially of Katniss. I do agree with the shakey-cam crap, but it seemed much more bearable on home video than on the big screen.
Quote:
Originally Posted by SquidPuppet
2. Editing sucked. Constant cuts that add nothing to the mood. Even during slow, sad, emotionally touching moments its "Camera 1, then camera 2, then camera 3, then back to camera 1, then camera 4, then from camera 5 on a crane above, then back to 3 for a close up of the eyes" and on and on and on. Too much is not a good thing, its just too much.
Understandable.
Quote:
Originally Posted by SquidPuppet
3. The Score. Was there one? I must have missed it.
Dude, WTF? James Newton Howard's score is awesome! Might be my favorite soundtrack of the year (the actual score, not the various artists crap). I love how moody, melodic, gentle, and folky it is.
4. Acting from most of the males was horrifically aweful. In particular, Liam Hemsworth was award winninly bad. Lawrence was a good as she could be given the crap lines she had.
5. CGI was really bad. Especially the cat/dog beasts. I could do better with a Crayola on tissue paper on a hot August afternoon in direct sunlight.
Right on.
Quote:
Originally Posted by SquidPuppet
6. Hair and Makeup. Sloppy, sloppy, sloppy. And thats too bad, since there was such a big emphasis on it.
Talking about those crazy Capital people? They're gaudy on purpose. Everyone else? Meh.
Quote:
Originally Posted by SquidPuppet
1. The sets and costumes were pretty cool.
I made it through it mostly because I was curious, it was free, and because I was in the comfort of my own home. Had I seen it in the theater I would have walked out and asked for my money back before the Games even began.
Film 2/5
PQ 4.5/5
AQ 4.5/5
Well, it's a good, thorough review. The film generally met all my expectations, so a lot of this junk never bothered me. I can't deny though, the film is rather watered-down, and I see that of negative reviews underscoring that.
You know the old saying: the book was better. Still, I thought the movie adapted it pretty well, just without all the blood and without explaining every little thing.
Last edited by Al_The_Strange; 09-06-2012 at 07:39 PM.
All countries
Argentina
Austria
Belgium
Brazil
Bulgaria
Chile
China
Colombia
Cyprus
Czech Republic
Estonia
Denmark
Finland
Greece
Hong Kong
Hungary
Iceland
Indonesia
Ireland
Israel
India
Latvia
Lithuania
Malaysia
New Zealand
Norway
Philippines
Poland
Portugal
Romania
Russia
Singapore
South Africa
South Korea
Sweden
Switzerland
Taiwan
Thailand
Turkey
Ukraine
United Arab Emirates
), saw them back-to-back, and it was one trippy marathon. I think in both cases, I really wasn't sure what to make of either of them at the time, but they really stuck with me. "ACO" must have been the first really hardcore R-rated film I saw (with rape scenes and such), so I was a little ambivalent back then. The art design, filming style, and story in general posessed me to buy a copy. 
)
)
)
and the audio is damn good too.
Linear Mode
