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#22 | |
Blu-ray Samurai
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#23 | ||
The Digital Bits
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X-Files came out first because the best-of videos sold HUGE, and it had strong ties to the baseline demographic for DVD at the time. The big thing here is getting costs under control. Bringing TV DVD down to $49.99 and Blu down to $69.99 I think is the butter point, because the sale prices that people are used to paying are attainable in that range, and make sure the difference is only $10 on launch day for new material. TV does very well, and it's a very important part of the buisness (a big part of that was because many of these shows had never been available for purchase before ever. A few major players even found themselves in the pickle of having a slightly anemic TV division) So TV doesn't have to sell piles to be very profitable. The first season of X-Files was priced at $150 (still better than the $300 a season the Japanese LD boxes were going for, or was it $400?) because they only thought they'd move 20-30,000 copies at most. It ended up moving 300,000. X-Files didn't adjust its price for a long while due to deals that were struck to allow the release (this was when people were afraid that TV releases would torpedo their syndication royalties). If there's a broadcast partner for it, then you might even see full-on HD redos of popular older series, effects and all. Quote:
Last edited by Jeff Kleist; 06-07-2009 at 05:51 AM. |
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#24 |
Senior Member
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There are plenty of TV DVD sampler discs out there. Paramount has been releasing quite a few of them based on genre.
Fox could test the Blu waters with these two by doing the same thing - a couple of episodes of each show on a 'best of' or some other theme-based Blu-ray disc and see if people bite...pardon the pun. "First time in HD" would be the tag, naturally. Not that Fox would ever consider doing that, though. |
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#25 |
The Digital Bits
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The TV sampler discs are not to test the waters for releases, they're supermarket/seasonal theme fodder for impulse purchases at the checkout. Not that there's anything wrong with that.
The Stargate Atlantis "Fan's Choice' IS a test to see if seasons are viable, and they've been very public about this. The entire run of the show exists in HD (but a lot of SD level FX like the 2 movies had) and is in the on-deck box for a Blu release. SG-1 is unlikely to get the upgrade any time soon (except maybe the Children of the Gods director's cut which Ibelieve was redone from scratch, and may hit blu if DVD sales are good). Sci-Fi has pretty much played the show out and asking people to upgrade 10 box sets is really stretching it. It'll be over 5 and closer to 10 before the overplay the show gets is even close to wearing out. We're years away from the market being big enough, and production prices low enough to make this viable without a broadcast partner shouldering most of the burden. Just re-doing ST:TNG like Star Trek Remastered will cost close to $100 million. Now that's totally worth it if you can collect a million bucks an episode from Sci-Fi, Channel 4 and other international broadcast partners combined. Not so much if they're only coughing up 3-400k, because then you're barely in break-even range. (Those who want to give TNG even a shot at a Blu release, make sure ST:TOS is in your collection, because those sales DO have weight in these kinds of decisions) Last edited by Jeff Kleist; 06-07-2009 at 06:09 AM. |
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#26 |
Senior Member
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Okay, so instead of samplers, maybe like those Trek theme-based fan collections.
![]() They had time travel, klingon, Captain, etc. Same idea, higher-class classification? ![]() I imagine it would be so time consuming that it would take years to do almost 200 episodes of TNG in HD because of all the effort needed, regardless of the money involved. Last edited by NL197; 06-07-2009 at 06:20 AM. |
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#27 | |
Blu-ray Guru
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#28 |
The Digital Bits
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TNG would likely be at least a 5 year project to do the whole series. I'd expect they'd start as long as 2 years before the first episode hit air in order to keep a steady flow coming for weekly airing.
Those theme sets were merely repackaging of existing product, designed to hit more casual fans again. That's why you just got best-of sets for the new movie release, to try to catch anyone rekindled by it. Literally they could have been as simple as ripping the existing discs and tossing on a new menu. They need a broadcast partner to make any kind of project viable, and there are very few series (sorry guys, Babylon 5 or DS9 is not 2 of them) that could spark that kind of spending to get them up to snuff because it's such a gigantic undertaking. Back on topic, Buffy and Angel, as much as I love them to death simply won't have enough wow factor to motivate enough people into upgrading. Sad but true. They did very feature-style lighting, and there are penalties for that when you're not shooting for HD (as in "will this look good in HD), which they weren't, and hardly anyone was when Buffy went off the air. |
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#29 | |
The Digital Bits
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WILL be released is another matter entirely, especially in this economy |
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#30 |
Blu-ray Guru
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I take it, costs will come down in time. You mentioned 100 mil for ST TNG compared to 3-400k for break even point. Studios must see a point when it would be profitable to do shows like buffy in the future, even if they would not be fantastic looking.
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#31 | |
The Digital Bits
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Costs aren't going to go down that much, if anything they're going to go UP, because the cost is largely in manpower and man-hours. Paying people to dig through the materials, re-assembling them, paying for edit bay time, paying VFX artists. Any reductions in cleanup and other things that do go down would be eaten by inflation. Check out the Superman 2 Donner cut documentary for an idea of how much raw material can be generated by a sub 2-hour film, and multiply that by about 60. If memory serves the Donner cut cost $2-3 million after Superman Returns absorbed the payout to the Brando estate for the back royalties. I can tell you that several major shows with SD-only masters have been sent out for professional level upconversion tests, but I don't see those being used for a Blu release, strictly broadcast. |
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#33 | ||
Blu-ray Knight
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#34 | |
Blu-ray Samurai
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And I don't think anyone would cry infringement of directorial intent so long as color design and aspect ratio and all that jazz is in line with what they were going for. Higher resolution is just a better presentation of the same material. |
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#35 |
Blu-ray Archduke
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HAHAHAHA... hardly!!! It's not like the director would have much of a choice. I'm sure that TV productions have a far different approach to budgeting than motion picture productions. Television shows don't generate NEARLY the revenue of theatrical entertainment. I bet that television directors are probably told, "Here is the equipment you will be using. And here is your minimal budget for the rest of what you need. Make do with what you have." Film directors are most likely told, "Here's your budget. Now, what kind of equipment are you going to need?"
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#36 | |
Banned
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We'll see. |
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#37 | |
Senior Member
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Here it is again: Call it 'sampler', call it a 'best of', whatever. Fox released several character-based releases of both shows on DVD in regions other than the U.S. Wesley-specific episodes, Willow-specific episodes, and so on. 4 episodes on a disc. That's the kind of thing I was talking about to use as a means to test whether or not anyone would buy a High Definition presentation of either Buffy or ANGEL. If enough people pick it up it might give an indication that a full season of either might be a seller. Jeff said "Stargate Atlantis" has been released that way as well. |
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#38 | |
Blu-ray Ninja
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Quality TV directors shot with knowledge of how it would look in SD. Simple as that. And they didn't shoot TV series planning for how they would look on film or in HD.
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#39 | ||||
The Digital Bits
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The problem wasn't for the most part that they didn't sell. The problem was space. You'd get at most 3 episodes a tape, and I have 7 season shows that take up less space than a single season would on vHS. The retailers wouldn't devote that kind of shelving to them, and the studios didn't want to do the warehouse space. Even the digipack shows were less space than the 3pack VHS best-ofs they used to put out that had 6 episodes Quote:
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They need to get people that know how to promote his shows to the general public and stop putting them in the Friday Death Slot. It's very obvious from dozens of great shows killed by Fox that marketing has no idea how to handle anything quirky. It's amazing Malcom in the Middle survived to be honest. Oh wait, they put it on after the Simpsons on Sunday so a lot of people actually saw it ![]() Quote:
Atlantis isn't out yet, and those character theme sets were released here as well. Like the Trek "theme" sets, they're targeted at the more casual viewer as a cheap impulse buy, and came out after the series was finished on DVD. Atlantis is specifically a test disc (the same was done on SG-1 on DVD. They put out the first 4 eps and followed it 9 months later with a season box). Like I said before, the theme stuff costs almost nothing to do when you already have the episodes done. |
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#40 | |
Junior Member
Jun 2009
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