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#21 | |
Banned
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Maybe you should have your eyes checked or your system calibrated? http://www.dvdbeaver.com/film/Reviews/400_blows.htm Yeah it looks exactly like a DVD. ![]() |
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#24 |
Blu-ray Ninja
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Speed Racer. No HD audio, and the PQ is just an oversaturated paint by numbers. Yes, those colors are bright, but IMO details have been blown out by the oversaturation.
As for the Avatar comments, I've watched it a few times now and can notice only a handful of artifacts during the "live-action" scenes, many of which are undoubtedly because of the camera and not the transfer. ![]() |
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#26 |
Blu-ray Samurai
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#28 | |
Moderator
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![]() I guess I notice DNR much more readily than EE, and DNR isn't an issue that plagues Criterion releases...... I think Patton is overrated, but I still own it, and still prefer it (even with the 1" thick DNR) over my DVD copy due to the vivid colors etc...... |
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#29 | |
Blu-ray Guru
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and thats all im gona say, i dont wana get started on the dark knight jus check my review |
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#32 | |
Blu-ray Ninja
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Exactly. You sure ain't kidding. ![]() . Last edited by Duffy12; 06-03-2010 at 04:44 PM. |
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#33 | |
Blu-ray Ninja
Oct 2008
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#34 |
Special Member
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There's a lot of what looks like edge-enhancement artifacts on a lot of the scenes, even CGI scenes (unless there's footage of actors dressed as N'avi that was filmed, not sure... I can probably get some screen shots, but one good example is when Augustine goes to talk to Selfridge while he's practicing putting. The fluorescent light fixture loose some detail, and around the edges of the characters (Weaver especially) there's a weird 'halo', like what people see when they complain about edge enhancement...
Then there's the weird phenomenon in the two screen shots I've posted. These are just a few frames apart. Look at the big air conditioner (or whatever it is) hanging from the ceiling. Notice in the second picture there's a bunch of diagonal lines all through it. These diagonal lines fade in and out during this scene, and in many other scenes, especially ones with a solid-colored wall in the background. For something that's getting perfect scores on VQ, I'm really surprised to find stuff like this. And it's not just one or two scenes, but all throughout the film... I can't even think of anything that would cause these diagonal lines... And there's a lot of color banding on gradients, especially the opening shot flying through the clouds. If they really wanted this movie to look pristine, they should have encoded the Blu-ray from a digital source, rather than putting it on tape and encoding from there (which is what it appears they did, thus causing the color banding). Hopefully they do the special edition set that way... Rik |
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#35 |
Blu-ray Guru
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If a movie it's shown on IMAX, why can't the studios release the entire movie the way it was shown on IMAX? Why only selected scenes? Does anyone knows the answer?
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#36 | |
Blu-ray Archduke
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#37 |
Blu-ray Samurai
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OAR... and cropping to suit "fullscreeners" is something i hope never happens on blu-ray the way it did with dvd. Let them zoom since they don't mind quality loss.
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#38 |
Blu-ray Samurai
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#39 |
Blu-ray Ninja
Oct 2008
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Only those selected scenes are shot in IMAX. The rest is shot in anamorphic 35mm, and would have been shown that way on IMAX screens.
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#40 | |
Expert Member
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By your own logic you can't include Lola Montes in the great PQ discussion because it still pales in comparison to modern releases with top tier PQ... Basically, you are saying you generically prefer this title over that title with no real yardstick... And perhaps you should cruise the Criterion thread more often because do point out mediocre transfers (Kagemusha, for example...full of low bitrate macro blocking and possible EE). Likewise, when you see the mostly mediocre transfers done by the Studio Canal collection its easy to be more forgiving of Criterions faults because their worst release looks better than most older resorations/encodes. And yes, a film should be judged on whether or not its the best its looked or if its the best it could look. Its substantially harder to restore and encode a film to Blu shot on 16mm with print damage that is over 50 years old vs a brand new release that had a DI made as soon as it was finished that a monkey could encode... |
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