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#1 |
Banned
Jan 2012
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I'm glad that at least one studio is considerate enough to satisfy as many viewers as possible.
![]() Anchor Bay Entertainment's Evil Dead provides the original aspect ratio of 1.33:1 for those who prefer to see the complete composition of the film, and the 1.85 version for those who would rather eschew those pesky pillars. I wish more studios would follow suit. I'm among those who prefer to see the entire image. A few movies that should have been released in this dual format are Gia, a certain Kubrick film, and Tomboy (DVD). Since different folks have different preferences, having two versions makes sense. |
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#2 | |
Banned
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#3 |
Banned
Jan 2012
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#5 | |
Blu-ray King
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#6 |
Banned
Jan 2012
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#7 |
Blu-ray King
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#9 |
Blu-ray Guru
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Thankfully with The Evil Dead, those who did the widescreen transfer framed each scene, rather than doing a consistent matte. Compare (particularly capture 9). This Blu-ray is the first time the movie has looked good in widescreen; you can actually see the Band-Aid tin in the puddle of blood.
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#10 | |
Banned
Jan 2012
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We all know about the controversies over the "correct" aspect ratio of some of Kubrick's films. Why not provide both versions on one disc and let the viewers decide if they want a clipped image without pillars or a complete image with pillars? To each his own. After all, the Blu-ray format will inherently accommodate the extra information. That's one of the beauties of Blu-ray. |
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#11 | |
Banned
Feb 2012
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Last edited by maleaco; 03-09-2012 at 10:46 AM. |
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#13 |
Active Member
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I have this release and the quality is great considering the age and budget of the film itself. I am a stickler for OAR (I won't watch or buy it otherwise), so I view this in the original 1.33:1 aspect, but can understand how some may want to view a cropped version. What I don't understand is why it's cropped to 1.85 and not 1.78..? There isn't much difference between the aspects, but if the intent is to offer a screen-filling option for those who want it, it should be formatted that way.
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#15 |
Power Member
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I don't know the exact reasoning behind it, but I believe Raimi created the new widescreen version for future theatrical showings as well as home video. It wasn't strictly a "fill up the TV screen" decision.
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#16 | |
Blu-ray Duke
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In 2001, the decision was made to release The Evil Dead as originally intended in it's widescreen glory. Due to Sam Raimi's schedule for Spider-Man, he handed the reigns over to Bruce Campbell to produce this version. Sam Raimi did sign off on this presentation as he trusts Campbell to maintain his same vision Campbell's version was a tilt and scan widescreen version that many fans hated. Visual gags were lost and the framing felt very off in this widescreen presentation. This "widescreen version" continued to cement into fans and ED historians' minds that 1.33:1 was the proper aspect ratio. Note that this Evil Dead DVD release was intended to be a tie-in with Spider-Man's theatrical release. Anchor Bay was ready to release The Evil Dead on Blu-ray and this time Sam Raimi was available to not only sign off but supervise and oversee the creation of the widescreen version. The Blu-ray Disc presents a new matted version that eliminates the tilt and scan in many scenes and restores visual gags that were lost in the 2001 widescreen version. What Sam Raimi originally envisioned for his 1981 film had finally been completed. There are fans who still stand by the 1.33:1 presentation and rightly so as it was the one they had known for so long. This is why Anchor Bay presents both versions as the 2001 release only had the new widscreen version and fan reaction was primarily negative. Anchor Bay would eventually re-release the 1.33:1 version on DVD in 2007 as part of a three disc special edition. |
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#17 | |
Blu-ray Guru
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I'm also not sure what you mean by it originally being intended for widescreen. I've never heard Raimi actually say something on the matter, but I've always assumed he simply shot what was in the frame, and the realization that it had to be cropped for theaters set in later. This is what Frank Henenlotter said about Basket Case, so I wouldn't be surprised if another first-time, independent theatrical director like Raimi did the same. |
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#18 | |
Special Member
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The Blu-Ray is a tilt n' scan version made to rectify many of the more obvious issues with the forced widescreen version that Raimi is inexplicably pushing. The famous band-aid scene is the easiest way to see this as the straight widescreen version from 2001 cuts off the gag (it was funny when Campbell was telling us how great it was in the commentary when you couldn't even see it). They "tilted" the frame completely to the bottom on the Blu-Ray. There are numerous other scenes where you can see this happening but it's easiest to see there. The fact that they needed to tilt n' scan this movie just proves how much of an afterthought the widescreen version is. Sorry, I don't have a blu ray drive on my computer but this should illustrate the tilt n' scan. Both shots from the US Blu-Ray. ![]() Last edited by DarthMarino; 03-01-2012 at 12:25 AM. |
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#19 |
Site Manager
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As I said on the Evil Dead BD thread, I watched the open matte (4:3) version matted to widescreen like it would be on an original release theater and out of more than a thousand shots (i counted) there were just a dozen that weren't shot framed within the widescreen presentation area or didn't work on it, which would be normal errors in tight/budget shooting conditions. 99% widescreen shots vs 1% out of bounds
By the end of the 50's 95% of theaters had already switched to widescreen. Even Plan 9 (prod. 1956-1959) was shot for widescreen. Optimum's "new" (Romero approved) NotLD (1968) cropped transfer is basically a pan/scan 4:3 version (preserving the type of shot, long, medium, close-up) of the Widescreen image that would be seen on theaters at the time. Which format one do you think this was composed for? Which one would be shown on your theater's screen today.. or in 1981? OARDead.jpg Last edited by Deciazulado; 03-01-2012 at 12:58 AM. |
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