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View Poll Results: Movie aside, do you prefer STRONG, NORMAL or SUBTLE 3D? | |||
STRONG 3D: Avatar 3D, Hugo 3D, Open Season 3D, My Bloody Valentine 3D, etc |
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157 | 94.01% |
NORMAL 3D: Kung Fu Panda 3D, Resident Evil Afterlife 3D, Transformers 3D |
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9 | 5.39% |
SUBTLE 3D: Tron Legacy 3D, Clash of the Titans 3D, Conan 3D, Star Wars I 3D |
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1 | 0.60% |
Voters: 167. You may not vote on this poll |
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Thread Tools | Display Modes |
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#21 |
Blu-ray Guru
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As long as it's done well, I'm usually fine with any of these. It's an artistic decision, unless the conversion company just screwed it up. I WILL say, however, there are times when the actual usage of 3D is underwhelming.
Case in point, Ghost Rider: Spirit of Vengeance. It was converted, sure, but it was planned for 3D the whole way through. With the inherent absurdity of the script, character, and directors, I was really expecting a lot of pop-out. Unfortunately, there was very little. That said, I'd debate its status as "conservative/weak 3D" - there was usually a lot of clear depth and some very substantial doubling without glasses. It was really just the cinematography that didn't take advantage of it. I know a lot of people had similar expectations of Star Wars, but that seems misguided and silly to me. It was shot in and planned for 2D over a decade ago. Anyone who saw it in 2D should've realized there were very few places to apply pop-out without creating awful window violations or completely redoing the effects. Much of the depth was conservative but I felt it worked well, though I can understand how some people could be disappointed. I guess I just... can't vote in the poll since there's no option to match. Last edited by UFAlien; 03-04-2012 at 01:05 PM. |
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#22 |
Member
Feb 2012
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Got to be strong.
I'm a movie buff like a lot of people here. I like watching 2d movies. If I do choose to watch 3d, and I love the format, I want it living out of the screen amap. Let's be clear just because things are coming out of the screen doesn't mean it's cheesy imo. It doesn't feel cheesy unless it's used poorly. Pop out alone doesn't = cheesy for me. In the future I envision movies coming alive in your living room all around you. Sort of like art house theater, or that room aboard the enterprise where you can go into a fantasy world. When I aim for 3d I want it to come alive, and live outside the screen. Otherwise stay in 2d. Just more depth, which is nice, isn't enough to make me spend more money on a 3d release. More pop can and should be used. If used correctly it takes nothing away. It just makes the movie come to life, and it's more enjoyable to watch(if im in the mood for 3d). That is up to the film makers. They have to make it better, and when done it's a true joy to watch. Last edited by americanamberg; 03-04-2012 at 01:26 PM. |
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#23 | |||
Blu-ray Grand Duke
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When I say "Get an idea of", I actually meant to say "For us 3D fans to get an idea", as when someone says "(to) Get a better idea of how this works" as a general statement; it wasn't directed to you personally because I have nothing against you or anyone on this board. The bottom line is, you're a fan of 3D, so that could only be a good thing, right? Sorry not making that more clear. I'm no one to be condescending to anyone. "Artistic choice" Does a person with two functioning eyes consciously make an artistic choice to see in normal three dimensions in their everyday life? Artistic choice, in this case, is when the stereographer decides some scenes deserve "more 3D than others" instead of the entire movie having an even level of three dimensions, as we see in every day life, irrelevant of the emotional impact of the moment. Quote:
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You notice the middle star pops out, but on each side, you'll notice two faint white dots, which is not a problem with the film, but the 3D technology being limited by the fact it can't completely block out all light. I'd bet this current technical issue played a big role in why they chose to tone down the 3D depth to intentionally avoid this ghosting, something they might have not envisioned prior to deciding to make Tron Legacy, a 3D film. In the future, ghosting won't be a problem with advanced 3DTV technology, so it'd be nice if they made two versions, one strong 3D for the future of 3D years from now, and one as current technology demands (ghosting). Last edited by Zivouhr; 03-06-2012 at 01:37 AM. |
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#24 |
Senior Member
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#25 | ||
Blu-ray King
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#26 |
Blu-ray Samurai
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I actually think Tron had really strong 3D. I think it'd very dependent on the brightness of the image.
I can understand if it looked flat, because the image is pretty dark. My TV has pretty good black levels, and I raised the brightness a bit and the depth looked really great. The light around the sets and costumes really stand out too. There's a lot of dimensionality. I wouldn't call it conservative, especially the IMAX sequences(I still think those scenes look better than any 2.35-2.40 3D film on Blu-ray). It just doesn't have a lot of pop-out. Again it's all really subjective. We get very different experiences from different hardware. And we all want different things from 3D. Some people go crazy over pop-out. Others just want to see the deepest image possible. And there are those who like dimensionality and textures(multiple objects on different planes) |
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#27 |
Blu-ray Samurai
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Honestly, I think it'd be better to just take away the examples, because people will argue about them.
Some people think Afterlife looks great(it was shot natively) and some think My Bloody Valentine looks terrible(dark image, lots of ghosting) and I actually think Tron is one of the Strong titles. I can't judge, since I haven't seen a lot of the examples, but it seems like people will have different opinions on the 3D. Just look at reviewers and forums. |
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#28 |
Active Member
Jan 2012
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I think conservative 3D will be much more acceptable once glasses are not needed, but atm, whilst people have to go to the trouble of wearing glasses that darken the image, well stuff better damn well pop and remind us why we are going to the trouble. If there were no glasses I think even mild 3D would still be enjoyable, not as an immersive experience as such, but as a light improvement on 2D.
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#29 |
Member
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I enjoy normal to strong 3D. Sammy's adventure strictly for the 3D is a great reference tool that the industry should follow. Everyone I show this movie to is wowed by the 3D effects ! The movie is not to bad either though a bit long winded to get to the point. I have most of the movies currently out in 3D and that movie shows what 3D effects are really possible.
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#30 | |||
Blu-ray Grand Duke
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3D is actually a natural extension of how we see things with our own two eyes in every day life. It seems cinema and TV are getting closer to our visual experience if we consider how things keep advancing over the decades, from photos, moving photos/film, the addition of sound to film, black and white film turning to color, standard definition in a square frame advancing to high definition in a panoramic widescreen view, and seeing in three dimensions, without the need for any "gimmick glasses" as the critics suggest. Eventually, there might not be a need for a 'screen'... Quote:
A simplfied answer is, how much depth is there between the layers in the shot? Is everything closer to the 2D plane like a flat piece of paper, or separated into the 3D plane like a pop out book, and to what degree? (not counting errors, cardboard cut out look of a quick 2D to 3D conversion, etc.) If 3D fans can't agree on that basic definition of 3D, what can we agree on? Last edited by Zivouhr; 03-07-2012 at 01:18 AM. |
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#31 |
Blu-ray Guru
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I absolutely like 3D but am always wondering if it's use in movies has reached it's limits. Is depth and out of screen it? I once posted a thread on the possiblity of doing a scene of varying length totally outside of the screen and got some interesting responses but are there are some untouched avenues for 3D.
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#32 |
Active Member
Aug 2012
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I think glasses free will be the next big thing and maybe even eventually 3d movies/games will look like holograms in our living rooms, i think that would be pretty awesome
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#33 |
Expert Member
Dec 2010
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Glasses-free displays exist already. Altough they're terribly expensive and don't offer a really convincing 3D-perception yet.
The holodeck might still be a little ways off. ![]() |
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#34 |
Active Member
Aug 2012
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Yeah its not something you can go buy at walmart yet, i would upgrade as soon as a vizio brand comes out since those are very nicely priced i just hope its not like 3ds tech where you have to be in a certain position to notice it
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#35 |
Special Member
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At CES 2013, they said Vizio had the best 4K glasses free panel. It had UNLIMITED viewing angles! Well, they said if you got out of a viewing space it would just appear 2D. It wouldn't give you that weird broken window effect like the 3DS. Now that I think of it, they may have said they are working on an unlimited viewing angle set.
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#36 | |
Blu-ray Samurai
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Avatar --> Hugo --> Life of Pi Monster vs Aliens --> How to Train Your Dragon --> Megamind --> Kung Fu Panda 2 --> Puss in Boots --> Madagascar 3 --> Rise of the Guardians We are still exploring! ![]() |
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#37 | |
Banned
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They need to stop forcing it on directors who aren't interested in using the tech properly and start giving those who want to explore the medium & develop it's use more of a go. |
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#39 |
Blu-ray Grand Duke
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3D Range: Determined by how far the 3D cameras are separated when filming and editing:
Extreme 3D: Too much eye strain for most viewers means the 3D has gone TOO far. Strong 3D: Great amount of layer dimension as with Imax 3D's best. Medium 3D: Good layer dimension. Weak 3D: Poor layer separation, nearly 2D and defeats the point of "3D". Flat 2D: Single image with zero layer dimension. When most films offer 3D on par with the best 3D shots in Avatar and the strongest IMAX 3D, that really is the visual goal/limit of how far 3D can go, excluding future technology display advances such as glasses free and holographic 3D. With IMAX's best 3D efforts, the viewing is comfortable yet looks amazing for the 3D for layer dimension and pop outs, to the point the object is 2" in front of your face in an IMax Theme Park Theater that wraps halfway around the room (not the flat square Imax screens), while avoiding eye strain. ![]() Being too conservative with 3D doesn't help the 3D industry if that was the first 3D film a new viewer saw, they might walk away thinking "Eh, this 3D stuff is a waste". Medium to Strong 3D can be a goal for 3D filmmakers, eliminating weak 3D whenever possible along with including weak 3D as part of their "3D storytelling" (unless it was only for a minute at the most IMO). Inside the Screen vs Outside the Screen 3D: Parallel Camera Rig: If you want stuff sticking out of the screen, as a filmmaker, don't post edit converge the two images and film with a wider interaxial distance as with IMAX 3D, when filming with a parallel 3D rig. If you want everything inside the screen, converge the two images as much as possible, when filming with a parallel 3D rig. (not accounting for "window violations" where the pop out's missing it's lower torso, which is a matter of preference IMO, as long as the top of the head is not cut off and pops out). Last edited by Zivouhr; 03-22-2013 at 01:35 AM. |
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#40 |
Power Member
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I've seen these words bandied about quite a bit and rarely are they followed by explanation.
In an effort to get us all to better understand each other I'd like to know what is meant by each of these. When you say "strong 3d" are you talking lots of pop outs and visual gimmickery? Lots of depth, a blend of both, etc? Of course opinions on individual movies will vary person to person but if we at least understand what is meant when we say "I thought the 3D was weak in this movie" or "3D effect was medium to strong" then it will be to the benefit of all. Just a thought. |
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Tags |
good 3d, strong 3d, subtle 3d |
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