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Old 07-09-2018, 08:36 PM   #21
s_har s_har is offline
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Quote:
Originally Posted by BluRayHiDef View Post
So, what do you think about this, then?
4K DI = 4K resolution
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Old 07-09-2018, 09:16 PM   #22
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What is the difference between the negative format and the source of a movie?
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Old 07-09-2018, 09:19 PM   #23
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Quote:
Originally Posted by BluRayHiDef View Post
What is the difference between the negative format and the source of a movie?
The negative isn't always used as a source for the transfer, so it may not be relevant for a given release.
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Old 07-09-2018, 09:20 PM   #24
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The negative isn't always used as a source for the transfer, so it may not be relevant for a given release.
Tomb Raider's source is listed as Panavision (anamorphic). What does that mean? Does that not entail a resolution? It has a 4K DI, by the way.
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Old 07-09-2018, 09:22 PM   #25
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I've changed the designs.



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Old 07-09-2018, 09:28 PM   #26
Doctorossi Doctorossi is offline
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Quote:
Originally Posted by BluRayHiDef View Post
Tomb Raider's source is listed as Panavision (anamorphic). What does that mean? Does that not entail a resolution? It has a 4K DI, by the way.
It means it was shot on anamorphic (Cinemascope) 35mm film. The actual resolution of that exposed film will depend on many factors involved in the production, but it has the potential to contain a level of detail that only a 4K or 6K scan would be able to fully resolve. Thus, it would be considered by most to be (at least) a 4K source, though there probably won't be any footage that actually features literal 4K spatial resolution.
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Old 07-09-2018, 09:29 PM   #27
SwaGGInTheShadows SwaGGInTheShadows is offline
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I was just wondering whether or not it would be accurate to refer to a movie as real 4K if it was shot at a resolution below 4K or on a film width with an equivalent resolution below 4K but was finalized with a 4K or higher digital intermediate. What do you guys think?

What about movies that were shot at resolutions above 4K or on a film width with an equivalent resolution that is above 4K but were finalized with a digital intermediate that is below 4K? Can they be referred to as real 4K?
Cmon Son....i expected better than this from you...smh
Lol

Ps...replicants still aint humans hahahaha

Last edited by SwaGGInTheShadows; 07-09-2018 at 09:46 PM.
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Old 07-09-2018, 09:31 PM   #28
Geoff D Geoff D is online now
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Quote:
Originally Posted by BluRayHiDef View Post
Tomb Raider's source is listed as Panavision (anamorphic). What does that mean? Does that not entail a resolution? It has a 4K DI, by the way.
In movie terms anamorphic refers to a process which uses special lenses to squeeze a wider image into a taller frame, it's been a mainstay of movie making for, what, about 60-odd years. Might wanna do some reading on it.
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Old 07-09-2018, 09:31 PM   #29
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Quote:
Originally Posted by Doctorossi View Post
It means it was shot on anamorphic (Cinemascope) 35mm film. The actual resolution of that exposed film will depend on many factors involved in the production, but it has the potential to contain a level of detail that only a 4K or 6K scan would be able to fully resolve. Thus, it would be considered by most to be (at least) a 4K source, though there probably won't be any footage that actually features literal 4K spatial resolution.
Very helpful. I'l list "35mm Film" as the source.
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Old 07-09-2018, 09:33 PM   #30
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This thread is peak cringe... And you are the reason the billionaires don't give a shit that they are destroying the environment for future generations with oil production and all the other atrocities plaguing our planet through unchecked capitalism.

Now you're trying to taint mah 4 Kays? No, no... no, no, no, no, no. Out. Off with thee head
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Old 07-09-2018, 09:35 PM   #31
Doctorossi Doctorossi is offline
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Quote:
Originally Posted by BluRayHiDef View Post
Very helpful. I'l list "35mm Film" as the source.
Be careful with those source listings. There are various anamorphic processes these days (both for production and post-production) which involve digital cameras. If you see a listing that just says "anamorphic", it may only be referring to the theatrical release format and could, in fact, refer to a production that involved no film at all.
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Old 07-09-2018, 09:36 PM   #32
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And IMDb is not always gospel, even after a film's release.
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Old 07-09-2018, 09:37 PM   #33
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And you are the reason the billionaires don't give a shit that they are destroying the environment for future generations with oil production and all the other atrocities plaguing our planet through unchecked capitalism.
Come on, now- more enthusiasm than education does not make him more of an ur-consumer than you or I.
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Old 07-09-2018, 09:37 PM   #34
Geoff D Geoff D is online now
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Quote:
Originally Posted by BluRayHiDef View Post
Very helpful. I'l list "35mm Film" as the source.
Tomb Raider was 100% digital. See below.

Quote:
Originally Posted by Doctorossi View Post
It means it was shot on anamorphic (Cinemascope) 35mm film. The actual resolution of that exposed film will depend on many factors involved in the production, but it has the potential to contain a level of detail that only a 4K or 6K scan would be able to fully resolve. Thus, it would be considered by most to be (at least) a 4K source, though there probably won't be any footage that actually features literal 4K spatial resolution.
Quick correction: anamorphic doesn't specifically refer to a film source, as any digital camera can be (and often is) used with classical 2x anamorphics just as long as the sensor is big enough to cover the image circle. Tomb Raider was shot on the Alexa for example, and although the specs list an Open Gate 3.4K acquisition that number is misleading because the traditional 2.39 extraction covers 2.8K's worth of width across the sensor, Arri's own paper on the OG mode makes this quite clear.
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Old 07-09-2018, 09:43 PM   #35
imsounoriginal imsounoriginal is offline
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I think he means the old Angie one?
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Old 07-09-2018, 09:45 PM   #36
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Quote:
Originally Posted by Geoff D View Post
Tomb Raider was 100% digital. See below.


Quick correction: anamorphic doesn't specifically refer to a film source, as any digital camera can be (and often is) used with classical 2x anamorphics just as long as the sensor is big enough to cover the image circle. Tomb Raider was shot on the Alexa for example, and although the specs list an Open Gate 3.4K acquisition that number is misleading because the traditional 2.39 extraction covers 2.8K's worth of width across the sensor, Arri's own paper on the OG mode makes this quite clear.
Screw it. I'm just leaving it as "Real 4K" for now. I'll change it tomorrow, though I don't know what to.
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Old 07-09-2018, 09:46 PM   #37
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Quote:
Originally Posted by BluRayHiDef View Post
I've changed the designs.

[Show spoiler]

Just make your spacing and sizing more symmetrical/lined up. It's making me:



I had a lot to say about the topic, but it's tl;dr and ended up being about "native 4K" in video games too.
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Old 07-09-2018, 09:48 PM   #38
SwaGGInTheShadows SwaGGInTheShadows is offline
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Just make your spacing and sizing more symmetrical/lined up. It's making me:



I had a lot to say about the topic, but it's tl;dr and ended up being about "native 4K" in video games too.
Dont hold back now lol....

I mean we having this debate/discussion in summer 2018
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Old 07-09-2018, 09:49 PM   #39
SwaGGInTheShadows SwaGGInTheShadows is offline
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Come on, now- more enthusiasm than education does not make him more of an ur-consumer than you or I.
Ehhhhhhhhhhhh
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Old 07-09-2018, 09:51 PM   #40
Doctorossi Doctorossi is offline
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Quote:
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I'll change it tomorrow, though I don't know what to.
If I can make a suggestion, I recommend changing it to [nothing]. All this "Real 4K/Fake 4K" perspective is just muddying the waters of people looking at this material and questions of technical presentation potential in an educated and meaningful way. I know you're trying to provide people useful information to inform their choices, but I really don't think this real/fake metric helps at all- it's a distraction from looking at presentation quality in more useful ways.
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