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#42 | |
Blu-ray Ninja
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To me lossless sounds fuller, more defined, more dynamic, tighter, punchier bass, clearer, but not harsher (a quality I disliked about DVD SQ), more detailed soundstage, and more effortless. I was able to tell the difference between 16bit dithered and 24 bit dithered, when I was mastering my CD, so I think it's pretty easy to tell the difference. Of course, it sometimes depends on the content.... |
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#43 | |
Blu-ray Samurai
Jun 2007
Singapore
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#44 |
Active Member
Dec 2007
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Is there much difference btw DTS HD MA and normal non-HD Dolby Digital?
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#45 |
Blu-ray Guru
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#47 |
Blu-ray Archduke
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Unless there is a movie that is mostly dialogue the difference between lossy, and lossless/uncompressed is very apparent. Using lossless uncompressed on an action scene is night and day and if there is any LFE it can make it seem like you have a whole new subwoofer.
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#48 |
Blu-ray Champion
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Am I the only person who is bothered by the title of this thread? Do you guys realize that DTS HD-MA and Dolby TrueHD are also compressed? They are losslessly compressed to save space. They take less space than LPCM (the space hog).
Dolby Digital and DTS are also compressed, but in the process of compressing them, some of the redundant data is deleted to save even more space. They are called lossy data compressin codecs. All of this stuff was explained in A Guide to Home Theater Audio CODECs about a century ago. ![]() |
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#49 | |
Blu-ray Guru
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#50 | |
Moderator
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#51 |
Member
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Can I tell the difference between the two?
In a word: Yes. However, that is when I have five or so minutes to really study the sound and I'm spending all my listening energy looking for flaws instead of enjoying it. Otherwise, in real life situations I don't notice what it defaults to. And, while it's a sign of a lackluster transfer, not including a lossless track won't influence my decision to buy the disc. Matter of fact I'd rather they skimp on the sound if it would provide a better picture. |
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#52 |
Power Member
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Yeah I can hear it. I'll say this though: "Crap in Crap out". When I first upgraded to lossless audio I was listening to a lot discs that had been mastered with a lossless sound track. When I switched back to my optical audio output the difference was negligible (but there). Then after some time I watched a DVD with a compressed audio track that also never received that kind of attention during the mastering process. Now there the difference was DRAMATIC. Way less mid-range detail, and punch. Recently, I was able to A/B the lossless "crazy high bit-rate" audio track on Akira to the regular lossy one, and again the difference was HUGE! So I know the attention given to the track in the source content is just as important (if not more so) than your set-up.
Last edited by Flatnate; 11-07-2012 at 06:29 PM. |
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#53 |
Senior Member
Dec 2008
Connecticut USA
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The Matrix is another movie that defaults to lossy 5.1 Dolby Digital. I haven't really experimented with DD5.1, only Dolby True HD on this disc. Although when the movie starts plain old DD sounds awesome, but I quickly switch over to it's losseless counterpart. i might test it out just for haha's.
Last edited by DRC72; 11-07-2012 at 08:01 PM. |
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#54 |
Blu-ray Champion
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#55 | |
Blu-ray Samurai
Sep 2008
Bainbridge Island, WA
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#57 |
Blu-ray Samurai
Sep 2008
Bainbridge Island, WA
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This is worth a read.
http://www.hemagazine.com/node/Dolby...compressed_PCM EDIT: That link no longer works and it appears it is no longer possible to reach Home Entertainment Magazine online. The article describes field trips to listening rooms at Dolby and DTS to test whether listeners could tell the difference between PCM and losslessly compressed tracks. They could not. It turns out they could not even tell the difference between the lossless/PCM tracks and lossy versions in properly designed blind tests. This was not a rigorous study. But, it was testing done under considerably better circumstances than any of us can do at home. Last edited by BIslander; 11-16-2012 at 03:35 PM. |
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#58 | |
Junior Member
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#59 |
Special Member
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Most of the time most people think they can hear the difference but they really can't. Generally the audio is way too loud to actually here the difference. Now, I have worked in the exhibition industry for more than 20 years, there are endless times where a movie's soundtrack was encoded in 5.1 DD but there was and error or damage and our Dolby processor reverted back to Dolby SR....NOBODY could tell the difference and we would play the film for weeks in SR because SRD would not engage.
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