12-01-2008, 12:22 AM
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Blu-ray Knight
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What Would Singer's X-Men 3 Have Been Like?
While personally I only marginally liked the X-Men movies (they felt too rushed to me), it's an interesting question to ask: What would Singer's third movie have been like?
Well, Author Thomas McClean's book Mutant Cinema: The X-Men Trilogy From Comics to Screen reveals some interesting tidbits:
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Dougherty had already revealed some time ago that they had wanted to cast Sigourney Weaver as Emma Frost, a comic book psychic who would be reimagined as an empath able to control people's emotions. Some reports have suggested that Frost would have been an old flame of Xavier and would have emotionally manipulated a resurrected, unstable Jean Grey into the evil Dark Phoenix.
McLean's book adds new information:
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Dougherty says the resolution of the Phoenix plot would definitely have been a major part of their version: "The main element for me was Jean coming back and learning how much power she could wield - that she just became overcome by it."
Dougherty says that many of the ideas he was considering, such as Magneto trying to use Phoenix as a weapon, ended up in the filmed version. He also says that the idea of Jean using Cyclops' power to kill herself was one they liked, though they would have made it clear that only Phoenix's body was dying. Her spirit would live on, evolving Jean past mutant and into a godlike cosmic state.
Dougherty likens it to the closing lines of Arthur C Clarke's novel 2001: A Space Odyssey in which the Star-Child that was astronaut David Bowman hovers over the Earth: "Then he waited, marshalling his thoughts and brooding over his still untested powers. For though he was master of the world, he was not quite sure what to do next. But he would think of something."
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The author says in the chapter notes at the end of the book that this material came from a telephone interview with Dougherty in September 2006.
It's interesting stuff but X3 (and its interpretation of the Phoenix story) is not going to be unmade or remade, and there's no way of knowing how a Singer X3 would have finally turned out when released - although it would have been more consistent in tone with the first two X-Men films.
However, there is always a 'grass is greener' attitude among some fans. The third movie had enormous expectations on it - fans finally wanted Beast, Angel, Sentinels and the Danger Room (which had all been scripted, and then cut, from the previous two films) and there's no way all that could be added and handled in a way that would satisfy everyone
The book also dismisses fanboy rumours of bitter rivalry between the X-Men and Superman production teams:
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While most observers assumed a rivalry between Superman Returns and The Last Stand, resulting from Singer's sudden departure, Singer and Ratner were by all accounts friendly. So too were other creative personnel, and there was a fair amount of crossover, with some people working on both franchises. Screenwriter Michael Dougherty said that there were visits back and forth between sets. The one area in which there is some truth is the relationship between Singer and Fox chief Tom Rothman - a difference both men have since settled.
Fan speculation fed the perception of animosity, fuelled by Fox's determination to stick with its original release date of May 26, 2006, even after Singer and then Matthew Vaughn left the project.
Ratner's playboy persona played a role as well. Most comic book fans identified with the intense, down-to-earth Singer who they had come to trust with the X-Men franchise. Ratner, on the other hand, is known for living a lavish lifestyle that includes driving expensive sports cars and dating supermodels and actresses. His most successful films, Rush Hour and its sequel, were jocular and jokey. Fans worried that Ratner would not approach the X-Men franchise as seriously or as subtly as Singer had. But liking Singer more than Ratner has little to do with the success of the films and X-Men: The Last Stand's popularity speaks for itself.
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Source
You can pick up the book at Amazon.
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